The photo poster project, organized by cizucu and held in cities worldwide, is an exhibition of photo posters that anyone can join simply by choosing a city and date.
What we call the ppp is more than just a photography exhibition. It is a community where anyone can safely share their own story, and an opportunity to connect with creators from around the globe in real life.
This time, we spoke with Manabu Ooue, a creator who participated in the photo poster project.
Please introduce yourself!
While working in the field of marine research, I focus on underwater photography. My practice revolves around themes such as seaweed and underwater forests—subjects that are often overlooked—and I continue to create works that oscillate between documentation and artistic expression.
I am also interested in the changing environment brought about by climate change, and I quietly capture scenes and elements that are close at hand yet often go unnoticed.
What inspired you to participate?
After returning to Hiroshima for the first time in about ten years, I was unsure about the atmosphere of local photography exhibitions and communities, which motivated me to participate.
The photo poster project allowed me to join easily with just a single photograph, and the preparation was not daunting, so I decided to take the plunge. I was also curious to see how photography would be received in Hiroshima today through my work.
How was your experience participating?
Since I was the only one exhibiting underwater photography, I initially felt a bit out of place, but as I discussed my work, I gradually sensed that my intentions and background were being understood.
Participating from the preparation stage allowed me to learn about exhibition installation, which was also memorable. At the gallery, I was surprised to reconnect with people I hadn't seen in over a decade, and although most attendees were new to me, I was able to interact with many fellow creators.
I was inspired by the diverse works and artists, and it was a valuable time where I could fully enjoy conversations about photography that I rarely have the chance to engage in.
Why did you choose that particular photograph?
A blue, clear sea is not necessarily rich in nutrients; in fact, it often appears transparent because of the lack of nutrients. Conversely, environments nurtured by nutrient-rich waters sometimes manifest as green landscapes. This photograph quietly captures such a state beneath the surface.
Diving while freediving imposes certain limitations, so during shooting, I focus on framing while being conscious of light, currents, and my body's movements. This series of actions is performed more intuitively than consciously.
For me, this green sea is a symbol of abundance in the ocean, embodying richness in a form distinct from visual beauty.
A message to those considering joining the photo poster project
For those who feel hesitant about presenting their photography in an exhibition format, the photo poster project is an excellent entry point. Even if your work is not fully finished, it is a valuable opportunity to share your current perspective as it is.
I encourage you to take the first step, as it can be a catalyst to discover how your photography is received.
