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          <title><![CDATA["Modern Isolation" | Hurairah Saleem]]></title>
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          <description><![CDATA[在cizucu上查看更多Hurairah Saleem的精彩作品。]]></description>
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            <name>Hurairah Saleem</name>
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          <title><![CDATA["Modern Isolation" | Hurairah Saleem]]></title>
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          <description><![CDATA[在cizucu上查看更多Hurairah Saleem的精彩作品。]]></description>
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          <title><![CDATA[간극 (Interstice) - 고립된 틈이 아닌, 어제와 내일을 잇는 필연적인 통로가 되어주길. (May it be not a gap of isolation, but a necessary passage binding yesterday and tomorrow.) | veil]]></title>
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          <description><![CDATA[在cizucu上查看更多veil的精彩作品。]]></description>
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            <name>veil</name>
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          <pubDate>Sun, 05 Apr 2026 20:33:23 GMT</pubDate>
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          <description><![CDATA[在cizucu上查看更多veil的精彩作品。]]></description>
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          <pubDate>Sun, 05 Apr 2026 20:33:23 GMT</pubDate>
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          <title><![CDATA[Shot at the Lover’s Bridge in Tamsui Fisherman’s Wharf during a heavy storm, this piece represents a pivotal moment in my photography journey.   After finishing a session with clients, I saw my girlfriend walking across the bridge in the pouring rain and captured the frame instinctively.   The mood was just perfect, the harshness of the weather created a natural isolation that I hadn't expected. While originally shot in a grainy landscape format, the true magic emerged during editing, where I discovered the striking minimalism of the orange umbrella against the white void.  This high-key composition serves as a study of how a single point of warmth can ground a vast, rigid structure even amidst the chaos of a storm.  It remains a deeply special piece for me, marking the discovery of beauty in an unplanned, candid moment. | ftgrafiee]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/AnGIaiwmKsYiYXc2WHZr</link>
          <description><![CDATA[在cizucu上查看更多ftgrafiee的精彩作品。]]></description>
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          <pubDate>Sat, 02 May 2026 00:21:55 GMT</pubDate>
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            <media:title><![CDATA[Shot at the Lover’s Bridge in Tamsui Fisherman’s Wharf during a heavy storm, this piece represents a pivotal moment in my photography journey.   After finishing a session with clients, I saw my girlfriend walking across the bridge in the pouring rain and captured the frame instinctively.   The mood was just perfect, the harshness of the weather created a natural isolation that I hadn't expected. While originally shot in a grainy landscape format, the true magic emerged during editing, where I discovered the striking minimalism of the orange umbrella against the white void.  This high-key composition serves as a study of how a single point of warmth can ground a vast, rigid structure even amidst the chaos of a storm.  It remains a deeply special piece for me, marking the discovery of beauty in an unplanned, candid moment. | ftgrafiee]]></media:title>
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          <title><![CDATA[Finding solitary  Shot at the Lover’s Bridge in Tamsui Fisherman’s Wharf during a heavy storm, this piece represents a pivotal moment in my photography journey.   After finishing a session with clients, I saw my girlfriend walking across the bridge in the pouring rain and captured the frame instinctively.   The mood was just perfect, the harshness of the weather created a natural isolation that I hadn't expected. While originally shot in a grainy landscape format, the true magic emerged during editing, where I discovered the striking minimalism of the orange umbrella against the white void.  This high-key composition serves as a study of how a single point of warmth can ground a vast, rigid structure even amidst the chaos of a storm.  It remains a deeply special piece for me, marking the discovery of beauty in an unplanned, candid moment. | ftgrafiee]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/AnGIaiwmKsYiYXc2WHZr</link>
          <description><![CDATA[在cizucu上查看更多ftgrafiee的精彩作品。]]></description>
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          <pubDate>Sat, 02 May 2026 00:21:55 GMT</pubDate>
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            <media:title><![CDATA[Finding solitary  Shot at the Lover’s Bridge in Tamsui Fisherman’s Wharf during a heavy storm, this piece represents a pivotal moment in my photography journey.   After finishing a session with clients, I saw my girlfriend walking across the bridge in the pouring rain and captured the frame instinctively.   The mood was just perfect, the harshness of the weather created a natural isolation that I hadn't expected. While originally shot in a grainy landscape format, the true magic emerged during editing, where I discovered the striking minimalism of the orange umbrella against the white void.  This high-key composition serves as a study of how a single point of warmth can ground a vast, rigid structure even amidst the chaos of a storm.  It remains a deeply special piece for me, marking the discovery of beauty in an unplanned, candid moment. | ftgrafiee]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></media:description>
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