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          <title><![CDATA[No wind serves him who addresses his voyage to no certain port. | Yosuke0312]]></title>
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          <title><![CDATA[Male Vervet Monkey | Jasmine Ee (Wildlife with Jas)]]></title>
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          <title><![CDATA[from the new series “For when you/I need it”  Nikon F3, Nikkor Ai 50mm F1.4, Kodak T-Max 400 | Koji Takasaki]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/tu08pJ93OlQ4f1JWVBQq</link>
          <description><![CDATA[在cizucu上查看更多Koji Takasaki的精彩作品。]]></description>
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          <pubDate>Thu, 28 Mar 2024 20:24:00 GMT</pubDate>
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          <title><![CDATA[from the new series “for when you/I need it”  Nikon F3, Nikkor Ai 50mm F1.4, Kodak T-Max 400 | Koji Takasaki]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Z0vpvcR0xafMTYDMMnWU</link>
          <description><![CDATA[在cizucu上查看更多Koji Takasaki的精彩作品。]]></description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/RDduCIQ1jlKWBqn7gdBH</link>
          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></media:description>
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          <title><![CDATA[My photographic project, The Egg’s Journey, explores the human condition through the egg as a metaphor for fragility and transformation. The work consists of minimalist photographs, created without AI or digital manipulation. The complete series can be viewed online at elcaminodelhuevo.com. | Dani Pastor]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bGKUylQ5wjQVphaAg7f5</link>
          <description><![CDATA[在cizucu上查看更多Dani Pastor的精彩作品。]]></description>
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            <name>Dani Pastor</name>
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          <pubDate>Mon, 09 Feb 2026 05:55:18 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Dani Pastor的精彩作品。]]></media:description>
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          <title><![CDATA[My neighborhood is very calm, my house faces a little bridge connecting the two sides of a canal that merges into the Sumida River. The canal is small but beautiful, framed by sakura trees that mark the seasons. On the weekends, I like to observe the comings and goings of life on the bridge, being inspired by its colors and vivacity from my window.  #Tokyo #neighborhood #Monzennakacho #bike #bridge #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/touRY4TNnzSE0MQgM3hl</link>
          <description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></description>
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            <name>Giuliana E. Miceli</name>
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          <pubDate>Sat, 06 Dec 2025 14:07:53 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></media:description>
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          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   A viewpoint from Sagrada. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/kN6ayAAPHe8QfrZk612F</link>
          <description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></description>
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          <pubDate>Sat, 21 Mar 2026 22:12:18 GMT</pubDate>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   A viewpoint from Sagrada. | _jotriessomething]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></media:description>
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