Training 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/training zh-tw 2026-05-04T21:30:43+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA["Color Raining" **사진을 처음 입문할 때 찍은 사진입니다. 앞으로도 피사체를 바라보는 순수한 시선과 선명한 색감을 담아내겠습니다 | 김대운]]> https://www.cizucu.com/zh-tw/photos/DwvbEzEZBC2wrTJVfQqx 김대운 https://www.cizucu.com/zh-tw/users/69GsmVRcEodeED4D6ZxMg6fN4D93 https://www.cizucu.com/zh-tw/photos/DwvbEzEZBC2wrTJVfQqx Fri, 05 Sep 2025 22:33:47 GMT 2025-09-05T22:33:47+09:00 https://cdn.cizucu.com/images/photos/DwvbEzEZBC2wrTJVfQqx.jpg?auto=compress,format <![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]> https://www.cizucu.com/zh-tw/photos/khdIMNFnIdgHiYxlvIMb Keira Low https://www.cizucu.com/zh-tw/kwiechaen https://www.cizucu.com/zh-tw/photos/khdIMNFnIdgHiYxlvIMb Tue, 03 Feb 2026 08:03:45 GMT 2026-02-03T08:03:45+09:00 https://cdn.cizucu.com/images/photos/khdIMNFnIdgHiYxlvIMb.jpg?auto=compress,format <![CDATA["Color Raining" **사진을 처음 입문할 때 찍은 사진입니다. 앞으로도 피사체를 바라보는 순수한 시선과 선명한 색감을 담아내겠습니다 | 김대운]]> https://www.cizucu.com/zh-tw/photos/DwvbEzEZBC2wrTJVfQqx 김대운 https://www.cizucu.com/zh-tw/users/69GsmVRcEodeED4D6ZxMg6fN4D93 https://www.cizucu.com/zh-tw/photos/DwvbEzEZBC2wrTJVfQqx Fri, 05 Sep 2025 22:33:47 GMT 2026-01-18T05:26:15+09:00 https://cdn.cizucu.com/images/photos/DwvbEzEZBC2wrTJVfQqx.jpg?auto=compress,format <![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]> https://www.cizucu.com/zh-tw/photos/khdIMNFnIdgHiYxlvIMb Keira Low https://www.cizucu.com/zh-tw/kwiechaen https://www.cizucu.com/zh-tw/photos/khdIMNFnIdgHiYxlvIMb Tue, 03 Feb 2026 08:03:45 GMT 2026-05-03T15:48:49+09:00 https://cdn.cizucu.com/images/photos/khdIMNFnIdgHiYxlvIMb.jpg?auto=compress,format <![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light. For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]> https://www.cizucu.com/zh-tw/photos/8l7VNsvjX8wvnO4eI9rs helloocheryl https://www.cizucu.com/zh-tw/users/fZsvJr0XchbUBYHFf4Jx5BYsJyC3 https://www.cizucu.com/zh-tw/photos/8l7VNsvjX8wvnO4eI9rs Mon, 16 Mar 2026 13:34:59 GMT 2026-03-16T13:34:59+09:00 https://cdn.cizucu.com/images/photos/8l7VNsvjX8wvnO4eI9rs.jpg?auto=compress,format <![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light. For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]> https://www.cizucu.com/zh-tw/photos/8l7VNsvjX8wvnO4eI9rs helloocheryl https://www.cizucu.com/zh-tw/users/fZsvJr0XchbUBYHFf4Jx5BYsJyC3 https://www.cizucu.com/zh-tw/photos/8l7VNsvjX8wvnO4eI9rs Mon, 16 Mar 2026 13:34:59 GMT 2026-05-03T13:45:29+09:00 https://cdn.cizucu.com/images/photos/8l7VNsvjX8wvnO4eI9rs.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]> https://www.cizucu.com/zh-tw/photos/bITb7ULYlXIwtideTst0 thebirdingdude https://www.cizucu.com/zh-tw/users/uumn11m9lkgtduPibPPUk24xETm2 https://www.cizucu.com/zh-tw/photos/bITb7ULYlXIwtideTst0 Thu, 12 Mar 2026 22:48:04 GMT 2026-03-12T22:48:04+09:00 https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:52:00+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]> https://www.cizucu.com/zh-tw/photos/bITb7ULYlXIwtideTst0 thebirdingdude https://www.cizucu.com/zh-tw/users/uumn11m9lkgtduPibPPUk24xETm2 https://www.cizucu.com/zh-tw/photos/bITb7ULYlXIwtideTst0 Thu, 12 Mar 2026 22:48:04 GMT 2026-05-03T13:56:50+09:00 https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?auto=compress,format <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday. Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development. The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]> https://www.cizucu.com/zh-tw/photos/xfe6FBSx8ZpSdo7Yn4Vv Jerry Hung https://www.cizucu.com/zh-tw/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/zh-tw/photos/xfe6FBSx8ZpSdo7Yn4Vv Wed, 11 Mar 2026 02:56:35 GMT 2026-03-11T02:57:54+09:00 https://cdn.cizucu.com/images/photos/xfe6FBSx8ZpSdo7Yn4Vv.jpg?auto=compress,format