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          <title><![CDATA[広島護国神社⛩️の とんど祭り 2026年1月15日撮影  とんどの火を広げるため 大きく長いクワを振り上げた瞬間を 撮影しました。  延焼防止の放水と 雲の隙間から差し込んだ 日の光が ちょっと幻想的になったかな。  #広島護国神社 #広島市 #とんど祭り | Izumi Motoharu]]></title>
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          <description><![CDATA[在cizucu上查看更多Izumi Motoharu的精彩作品。]]></description>
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            <name>Izumi Motoharu</name>
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          <pubDate>Thu, 15 Jan 2026 17:55:56 GMT</pubDate>
          <atom:updated>2026-05-03T16:54:16+09:00</atom:updated>
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            <media:title><![CDATA[広島護国神社⛩️の とんど祭り 2026年1月15日撮影  とんどの火を広げるため 大きく長いクワを振り上げた瞬間を 撮影しました。  延焼防止の放水と 雲の隙間から差し込んだ 日の光が ちょっと幻想的になったかな。  #広島護国神社 #広島市 #とんど祭り | Izumi Motoharu]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Izumi Motoharu的精彩作品。]]></media:description>
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          <title><![CDATA[spain toredo #streetphotography  | sy]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/w5u6wZuMAReKQiuQwlse</link>
          <description><![CDATA[在cizucu上查看更多sy的精彩作品。]]></description>
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          <pubDate>Sat, 15 Feb 2025 16:06:05 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多sy的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken with my first camera, a second-hand Nikon D5100 that my dad bought for me after I told him I wanted to make movies.  The girl in this photo was my best friend. She was the reason I felt brave enough to try so many new things,  because I knew she always had my back.  She’s still out there, living her life… we just don’t talk anymore.  On the surface, this photo feels ordinary. But to me, it holds everything, the camera, the place, and the dreams I used to have. It’s a quiet reminder of a version of my life I still miss. | NAREE W.]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/3OwPdpt2MO6lqVHuaGd0</link>
          <description><![CDATA[在cizucu上查看更多NAREE W.的精彩作品。]]></description>
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            <name>NAREE W.</name>
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          <pubDate>Sun, 12 Apr 2026 11:56:38 GMT</pubDate>
          <atom:updated>2026-04-12T11:56:45+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken with my first camera, a second-hand Nikon D5100 that my dad bought for me after I told him I wanted to make movies.  The girl in this photo was my best friend. She was the reason I felt brave enough to try so many new things,  because I knew she always had my back.  She’s still out there, living her life… we just don’t talk anymore.  On the surface, this photo feels ordinary. But to me, it holds everything, the camera, the place, and the dreams I used to have. It’s a quiet reminder of a version of my life I still miss. | NAREE W.]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多NAREE W.的精彩作品。]]></media:description>
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          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is a playful view of Segovia's popular spot -- the Viaduct. A friend strongly recommended me to go on a day trip here (and Toledo) as it's one of the most important remnants of the Romans in Spain. This was probably one of my 'chillest' day since I didn't have to DIY my way around, and I admired the tour guide who had to explain things both in Spanish and English (for tourists like me). | _jotriessomething]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/hJK9fJN3uuv4biUCtIyB</link>
          <description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></description>
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            <name>_jotriessomething</name>
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          <pubDate>Sat, 21 Mar 2026 17:46:28 GMT</pubDate>
          <atom:updated>2026-05-03T13:31:20+09:00</atom:updated>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is a playful view of Segovia's popular spot -- the Viaduct. A friend strongly recommended me to go on a day trip here (and Toledo) as it's one of the most important remnants of the Romans in Spain. This was probably one of my 'chillest' day since I didn't have to DIY my way around, and I admired the tour guide who had to explain things both in Spanish and English (for tourists like me). | _jotriessomething]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></description>
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            <name>Victor Tan KH</name>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:44:02+09:00</atom:updated>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></media:description>
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          <title><![CDATA[昨年10月、脳に白い影が見つかり入院しました。 退院後の回復を確認する診察の日、経過が順調と聞いた帰り道に見上げた景色です。 原因不明なので不安は残るものの、高架下の隙間から見えた青に希望を感じました。  Last October, I was hospitalized after a white shadow was found in my brain. This is the view I saw on my way home from a follow-up appointment to check on my recovery, after being told that things were going well. Although I still feel some anxiety because the cause remains unknown, I found hope in the blue sky I saw through the gap under the elevated tracks. | ひでやま]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/6GfcMCJRWkBKE8VvGuPo</link>
          <description><![CDATA[在cizucu上查看更多ひでやま的精彩作品。]]></description>
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            <name>ひでやま</name>
            <uri>https://www.cizucu.com/zh-tw/street_with</uri>
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          <pubDate>Fri, 17 Apr 2026 23:34:58 GMT</pubDate>
          <atom:updated>2026-05-03T11:43:49+09:00</atom:updated>
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            <media:title><![CDATA[昨年10月、脳に白い影が見つかり入院しました。 退院後の回復を確認する診察の日、経過が順調と聞いた帰り道に見上げた景色です。 原因不明なので不安は残るものの、高架下の隙間から見えた青に希望を感じました。  Last October, I was hospitalized after a white shadow was found in my brain. This is the view I saw on my way home from a follow-up appointment to check on my recovery, after being told that things were going well. Although I still feel some anxiety because the cause remains unknown, I found hope in the blue sky I saw through the gap under the elevated tracks. | ひでやま]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多ひでやま的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></description>
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            <name>熊寶</name>
            <uri>https://www.cizucu.com/zh-tw/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
          <atom:updated>2026-05-03T12:00:06+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></media:description>
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