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          <title><![CDATA[Wind in the garden. You stroll and you breathe, and subtle movements of flowers engage with the breeze. | paritem]]></title>
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          <pubDate>Wed, 25 Mar 2026 18:52:14 GMT</pubDate>
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          <title><![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]></title>
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          <title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></title>
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          <pubDate>Sun, 05 Apr 2026 06:57:15 GMT</pubDate>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
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          <description><![CDATA[在cizucu上查看更多Adisatrya Johari的精彩作品。]]></description>
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            <name>Adisatrya Johari</name>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
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          <title><![CDATA[作品名稱：白色的界線：孤寂 作品理念： 這是我人生中第一次與雪的相遇，於日本山形縣。這場初遇並未停留在浪漫的想像，而是意外遇上了一場猛烈的暴風雪。 畫面中，世界消融於白色的虛空。沒有聲音，只有在冰雪重壓下靜默的樹林。我刻意保留了風雪欲來時的深沉色調與雪地裡微細的灰階起伏，拒絕了常規風景照中討喜的明亮修飾。這張作品探討的是一種「崇高感（Sublime）」——當極致的寧靜帶來壓迫，人類在面對自然巨大的未知時，所感受到的孤寂、敬畏與恐懼之美。 | 逸錫 謝]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/di3OmgFAFV76YywYrtSr</link>
          <description><![CDATA[在cizucu上查看更多逸錫 謝的精彩作品。]]></description>
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            <name>逸錫 謝</name>
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          <pubDate>Fri, 06 Mar 2026 21:00:13 GMT</pubDate>
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            <media:title><![CDATA[作品名稱：白色的界線：孤寂 作品理念： 這是我人生中第一次與雪的相遇，於日本山形縣。這場初遇並未停留在浪漫的想像，而是意外遇上了一場猛烈的暴風雪。 畫面中，世界消融於白色的虛空。沒有聲音，只有在冰雪重壓下靜默的樹林。我刻意保留了風雪欲來時的深沉色調與雪地裡微細的灰階起伏，拒絕了常規風景照中討喜的明亮修飾。這張作品探討的是一種「崇高感（Sublime）」——當極致的寧靜帶來壓迫，人類在面對自然巨大的未知時，所感受到的孤寂、敬畏與恐懼之美。 | 逸錫 謝]]></media:title>
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          <title><![CDATA[作品名稱：白色的界線：孤寂 作品理念： 這是我人生中第一次與雪的相遇，於日本山形縣。這場初遇並未停留在浪漫的想像，而是意外遇上了一場猛烈的暴風雪。 畫面中，世界消融於白色的虛空。沒有聲音，只有在冰雪重壓下靜默的樹林。我刻意保留了風雪欲來時的深沉色調與雪地裡微細的灰階起伏，拒絕了常規風景照中討喜的明亮修飾。這張作品探討的是一種「崇高感（Sublime）」——當極致的寧靜帶來壓迫，人類在面對自然巨大的未知時，所感受到的孤寂、敬畏與恐懼之美。 | 逸錫 謝]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5apnxOhEaAxjXihcMfEf</link>
          <description><![CDATA[在cizucu上查看更多逸錫 謝的精彩作品。]]></description>
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            <name>逸錫 謝</name>
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          <pubDate>Fri, 06 Mar 2026 21:05:14 GMT</pubDate>
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            <media:title><![CDATA[作品名稱：白色的界線：孤寂 作品理念： 這是我人生中第一次與雪的相遇，於日本山形縣。這場初遇並未停留在浪漫的想像，而是意外遇上了一場猛烈的暴風雪。 畫面中，世界消融於白色的虛空。沒有聲音，只有在冰雪重壓下靜默的樹林。我刻意保留了風雪欲來時的深沉色調與雪地裡微細的灰階起伏，拒絕了常規風景照中討喜的明亮修飾。這張作品探討的是一種「崇高感（Sublime）」——當極致的寧靜帶來壓迫，人類在面對自然巨大的未知時，所感受到的孤寂、敬畏與恐懼之美。 | 逸錫 謝]]></media:title>
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          <title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></title>
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          <description><![CDATA[在cizucu上查看更多DM的精彩作品。]]></description>
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            <name>DM</name>
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          <pubDate>Sun, 22 Mar 2026 02:33:41 GMT</pubDate>
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            <media:title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多DM的精彩作品。]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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