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          <title><![CDATA[Until the end  #ひまわり #sunflower #flower #花 #bluesky #summer  | daphoto]]></title>
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          <pubDate>Fri, 16 Aug 2024 23:33:38 GMT</pubDate>
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            <media:title><![CDATA[Until the end  #ひまわり #sunflower #flower #花 #bluesky #summer  | daphoto]]></media:title>
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          <title><![CDATA[Love you until we're old and grey. #streesnap #old  | 鹹]]></title>
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          <pubDate>Sat, 20 Dec 2025 16:54:38 GMT</pubDate>
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            <media:title><![CDATA[Love you until we're old and grey. #streesnap #old  | 鹹]]></media:title>
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          <title><![CDATA[Wind in the garden. You stroll and you breathe, and subtle movements of flowers engage with the breeze. | paritem]]></title>
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          <pubDate>Wed, 25 Mar 2026 18:52:14 GMT</pubDate>
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          <title><![CDATA[Until the end of the world | annnchii]]></title>
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          <pubDate>Tue, 10 Feb 2026 13:33:50 GMT</pubDate>
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          <title><![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]></title>
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          <pubDate>Fri, 06 Mar 2026 10:42:17 GMT</pubDate>
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            <media:title><![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]></media:title>
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          <title><![CDATA[There’s an unused joss paper burner sitting in the open space downstairs. I never noticed how interesting it looks under the sunset until now, so I decided to capture this moment. | Eric Xu]]></title>
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          <description><![CDATA[在cizucu上查看更多Eric Xu的精彩作品。]]></description>
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          <pubDate>Mon, 23 Mar 2026 15:51:33 GMT</pubDate>
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            <media:title><![CDATA[There’s an unused joss paper burner sitting in the open space downstairs. I never noticed how interesting it looks under the sunset until now, so I decided to capture this moment. | Eric Xu]]></media:title>
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          <title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></title>
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          <description><![CDATA[在cizucu上查看更多Felicity Gan的精彩作品。]]></description>
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            <name>Felicity Gan</name>
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          <pubDate>Sun, 05 Apr 2026 06:57:15 GMT</pubDate>
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            <media:title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></media:title>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
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          <description><![CDATA[在cizucu上查看更多Adisatrya Johari的精彩作品。]]></description>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
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          <title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | keithwee]]></title>
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          <description><![CDATA[在cizucu上查看更多keithwee的精彩作品。]]></description>
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          <pubDate>Tue, 13 Jan 2026 22:38:30 GMT</pubDate>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cB57oP00GBolvl17Bqt2.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多keithwee的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/zh-tw/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
          <atom:updated>2026-01-20T16:30:45+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/zwyI5V45BjqrtNtht6mx.jpg?fm=jpg" type="image/jpeg" width="7168" height="9600" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zwyI5V45BjqrtNtht6mx.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[Mont Saint Michel, taken from Saint Jean Le Thomas where one of my dear friend used to live before he passed away on 2010. Thousand of memories have been made since then until now. Waves that have been rushing to shore over and over like memories that come up and replace the old ones, but yet not completely. | varaporn (cafedeparis)]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/7xN5HDBqrIaVE8aoJIRj</link>
          <description><![CDATA[在cizucu上查看更多varaporn (cafedeparis)的精彩作品。]]></description>
          <author>
            <name>varaporn (cafedeparis)</name>
            <uri>https://www.cizucu.com/zh-tw/users/WXh76qW5BCc3G8zU9YVJjrjnVwM2</uri>
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          <pubDate>Sun, 22 Mar 2026 01:40:09 GMT</pubDate>
          <atom:updated>2026-03-22T01:40:09+09:00</atom:updated>
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            <media:title><![CDATA[Mont Saint Michel, taken from Saint Jean Le Thomas where one of my dear friend used to live before he passed away on 2010. Thousand of memories have been made since then until now. Waves that have been rushing to shore over and over like memories that come up and replace the old ones, but yet not completely. | varaporn (cafedeparis)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/7xN5HDBqrIaVE8aoJIRj.jpg?fm=jpg" type="image/jpeg" width="3493" height="5240" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/7xN5HDBqrIaVE8aoJIRj.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/7xN5HDBqrIaVE8aoJIRj.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多varaporn (cafedeparis)的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/9kCJljqc2Dn8wVHzN9lG</link>
          <description><![CDATA[在cizucu上查看更多Anamika的精彩作品。]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/zh-tw/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
          <atom:updated>2026-03-14T01:57:30+09:00</atom:updated>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?fm=jpg" type="image/jpeg" width="3024" height="4032" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Anamika的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[My muse Hikari has always allowed me to use my inspiration to the fullest. For this specific photo, we were shuffling around on the opposite side of Shinjuku talking and laughing until we stumbled across this building. Without a second thought, we both pointed at the big lips on the wall and said "yes." I have numerous photos of Hikari, some more thought provoking and portfolio worthy, yet this one is without a doubt the funniest and quirkiest photo I have ever taken of her. | Andrew_Bibee]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/t0Fqk2vSFQNFb9bUCzbb</link>
          <description><![CDATA[在cizucu上查看更多Andrew_Bibee的精彩作品。]]></description>
          <author>
            <name>Andrew_Bibee</name>
            <uri>https://www.cizucu.com/zh-tw/users/sgYEzEEEbghSFjoo1zaZKimsxML2</uri>
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          <pubDate>Sun, 27 Jul 2025 15:06:34 GMT</pubDate>
          <atom:updated>2025-07-27T15:06:34+09:00</atom:updated>
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            <media:title><![CDATA[My muse Hikari has always allowed me to use my inspiration to the fullest. For this specific photo, we were shuffling around on the opposite side of Shinjuku talking and laughing until we stumbled across this building. Without a second thought, we both pointed at the big lips on the wall and said "yes." I have numerous photos of Hikari, some more thought provoking and portfolio worthy, yet this one is without a doubt the funniest and quirkiest photo I have ever taken of her. | Andrew_Bibee]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/t0Fqk2vSFQNFb9bUCzbb.jpg?fm=jpg" type="image/jpeg" width="2996" height="4494" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/t0Fqk2vSFQNFb9bUCzbb.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/t0Fqk2vSFQNFb9bUCzbb.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Andrew_Bibee的精彩作品。]]></media:description>
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          <title><![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it.  Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/EKKQ5MTzVzOirTLL0gk0</link>
          <description><![CDATA[在cizucu上查看更多enzos.fotography的精彩作品。]]></description>
          <author>
            <name>enzos.fotography</name>
            <uri>https://www.cizucu.com/zh-tw/users/vQqlrmDO12aAZj6YfRZtkRgZ3FO2</uri>
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          <pubDate>Fri, 20 Feb 2026 12:33:31 GMT</pubDate>
          <atom:updated>2026-02-20T12:33:31+09:00</atom:updated>
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            <media:title><![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it.  Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/EKKQ5MTzVzOirTLL0gk0.jpg?fm=jpg" type="image/jpeg" width="3464" height="4618" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/EKKQ5MTzVzOirTLL0gk0.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/EKKQ5MTzVzOirTLL0gk0.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多enzos.fotography的精彩作品。]]></media:description>
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          <title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/1FnugL2afdkL2CuUBwio</link>
          <description><![CDATA[在cizucu上查看更多Arijit Das的精彩作品。]]></description>
          <author>
            <name>Arijit Das</name>
            <uri>https://www.cizucu.com/zh-tw/users/tLqyycXyxrV9nzvrbsUePBeK9D12</uri>
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          <pubDate>Fri, 13 Mar 2026 16:50:12 GMT</pubDate>
          <atom:updated>2026-03-13T16:50:12+09:00</atom:updated>
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            <media:title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Arijit Das的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[As I explored the Blue Pools Track with my family in New Zealand, I remember standing on the bridge and taking the scenery in, until I looked down and was immediately drawn to the silhouettes of the people on the bridge. This moment was all that I wanted to capture - the calm amidst the chaos, the clear blue waters, and the people I love in a unique way.  For now, I am still learning how to look - what catches my eye, what feels gentle, what makes me pause a little longer. This is just a glimpse into a collection of things I like, things I notice, and moments that make me feel warm. | chloeyoshi]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Ba4TB7s4q4GfqChvKpfc</link>
          <description><![CDATA[在cizucu上查看更多chloeyoshi的精彩作品。]]></description>
          <author>
            <name>chloeyoshi</name>
            <uri>https://www.cizucu.com/zh-tw/users/2MxRZFpbNCV1cBQMPxMRXxhfYCp2</uri>
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          <pubDate>Mon, 19 Jan 2026 00:36:28 GMT</pubDate>
          <atom:updated>2026-01-19T00:36:28+09:00</atom:updated>
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            <media:title><![CDATA[As I explored the Blue Pools Track with my family in New Zealand, I remember standing on the bridge and taking the scenery in, until I looked down and was immediately drawn to the silhouettes of the people on the bridge. This moment was all that I wanted to capture - the calm amidst the chaos, the clear blue waters, and the people I love in a unique way.  For now, I am still learning how to look - what catches my eye, what feels gentle, what makes me pause a little longer. This is just a glimpse into a collection of things I like, things I notice, and moments that make me feel warm. | chloeyoshi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Ba4TB7s4q4GfqChvKpfc.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Ba4TB7s4q4GfqChvKpfc.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Ba4TB7s4q4GfqChvKpfc.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多chloeyoshi的精彩作品。]]></media:description>
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          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[在cizucu上查看更多Gautami Golani的精彩作品。]]></description>
          <author>
            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/zh-tw/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
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          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:58+09:00</atom:updated>
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            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
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          <description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></description>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></description>
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            <name>John Hupa</name>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></media:description>
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          <title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qP7OA9AsJIst197jfDw4</link>
          <description><![CDATA[在cizucu上查看更多camphra的精彩作品。]]></description>
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            <name>camphra</name>
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          <pubDate>Sat, 25 Oct 2025 18:47:41 GMT</pubDate>
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            <media:title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多camphra的精彩作品。]]></media:description>
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