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      <title>Stroller 的照片 | 下載免版稅及高解析度圖片</title>
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          <title><![CDATA[眠るざわめき    #洞窟 #cave #rock #trolley  生野銀山 | eriko]]></title>
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          <pubDate>Sun, 25 Aug 2024 17:49:10 GMT</pubDate>
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          <title><![CDATA[Hat  #AKS #park #MNT #tokyo #cityscape #walk #stroll | つばさ製作所]]></title>
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          <description><![CDATA[下載つばさ製作所拍攝的高品質且免費的兩個人在公園散步，一個戴帽子的男人和一個穿大衣的女人，冬季風景照片，盡情使用。]]></description>
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          <pubDate>Sun, 23 Feb 2025 18:11:32 GMT</pubDate>
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          <title><![CDATA[Stroll | masaya]]></title>
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          <description><![CDATA[在cizucu上查看更多masaya的精彩作品。]]></description>
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            <name>masaya</name>
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          <pubDate>Tue, 24 Mar 2026 09:27:39 GMT</pubDate>
          <atom:updated>2026-03-24T09:27:39+09:00</atom:updated>
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          <title><![CDATA[Early morning of late autumn  秋の出口　冬の入口  #earlymorning #morning #autumn #snap #stroll #kaede #maple  | daphoto]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/X2wEMMB4VdAJgkN0fEiV</link>
          <description><![CDATA[在cizucu上查看更多daphoto的精彩作品。]]></description>
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            <name>daphoto</name>
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          <pubDate>Thu, 13 Nov 2025 22:23:40 GMT</pubDate>
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            <media:title><![CDATA[Early morning of late autumn  秋の出口　冬の入口  #earlymorning #morning #autumn #snap #stroll #kaede #maple  | daphoto]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多daphoto的精彩作品。]]></media:description>
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          <title><![CDATA[Became to be one of my favourite birds - the lilac breasted roller. Even more beautiful in flight.  | Shayden Cathro]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Hn1x0poehy2qoZbV69Kl</link>
          <description><![CDATA[在cizucu上查看更多Shayden Cathro的精彩作品。]]></description>
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            <name>Shayden Cathro</name>
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          <pubDate>Wed, 30 Oct 2024 01:01:01 GMT</pubDate>
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            <media:title><![CDATA[Became to be one of my favourite birds - the lilac breasted roller. Even more beautiful in flight.  | Shayden Cathro]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Shayden Cathro的精彩作品。]]></media:description>
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          <title><![CDATA[Wind in the garden. You stroll and you breathe, and subtle movements of flowers engage with the breeze. | paritem]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qI2nmuAnckiF00AlWVfs</link>
          <description><![CDATA[在cizucu上查看更多paritem的精彩作品。]]></description>
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          <pubDate>Wed, 25 Mar 2026 18:52:14 GMT</pubDate>
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            <media:title><![CDATA[Wind in the garden. You stroll and you breathe, and subtle movements of flowers engage with the breeze. | paritem]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多paritem的精彩作品。]]></media:description>
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          <title><![CDATA[The soft is stronger than the hard. around Machu Picchu, Peru, 2011 | gscavenger]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/pCYgJUObG4xiJLfGibUK</link>
          <description><![CDATA[在cizucu上查看更多gscavenger的精彩作品。]]></description>
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            <name>gscavenger</name>
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          <pubDate>Mon, 03 Nov 2025 12:22:00 GMT</pubDate>
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            <media:title><![CDATA[The soft is stronger than the hard. around Machu Picchu, Peru, 2011 | gscavenger]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多gscavenger的精彩作品。]]></media:description>
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          <title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5Ziz9Ckz3TpGlEq3rcU3</link>
          <description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></description>
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            <name>Giuliana E. Miceli</name>
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          <pubDate>Sat, 06 Dec 2025 13:50:34 GMT</pubDate>
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            <media:title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></description>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
          <atom:updated>2026-04-14T12:44:16+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></media:description>
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