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          <title><![CDATA[Someone slipped. Someone’s sliding and someone’s snapping   #filmphotography #yuzawa #skiphoto #minoltarivazoom70ex | pwdrolls]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/u9Ju30qyy5vJp1cpbmoq</link>
          <description><![CDATA[在cizucu上查看更多pwdrolls的精彩作品。]]></description>
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            <name>pwdrolls</name>
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          <pubDate>Thu, 26 Feb 2026 18:38:51 GMT</pubDate>
          <atom:updated>2026-02-26T18:38:51+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多pwdrolls的精彩作品。]]></media:description>
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          <title><![CDATA[Everyday I walk this path.  Today, I saw it differently.  For a moment, I stopped walking and noticed.  Nothing has changed. But I was finally there.  | benjamin]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/z7oCxwzLxVwoiXHWXeqY</link>
          <description><![CDATA[在cizucu上查看更多benjamin的精彩作品。]]></description>
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            <name>benjamin</name>
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          <pubDate>Sat, 21 Mar 2026 20:09:32 GMT</pubDate>
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            <media:title><![CDATA[Everyday I walk this path.  Today, I saw it differently.  For a moment, I stopped walking and noticed.  Nothing has changed. But I was finally there.  | benjamin]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多benjamin的精彩作品。]]></media:description>
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          <title><![CDATA[I still remember the first time I stepped into Gardens by the Bay—it felt like walking into a dream I didn’t know I had been waiting for. | Bluhend Eyes]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/iMOymCVrvSrYx06VFBHZ</link>
          <description><![CDATA[在cizucu上查看更多Bluhend Eyes的精彩作品。]]></description>
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            <name>Bluhend Eyes</name>
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          <pubDate>Mon, 23 Mar 2026 00:52:53 GMT</pubDate>
          <atom:updated>2026-03-23T00:52:53+09:00</atom:updated>
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            <media:title><![CDATA[I still remember the first time I stepped into Gardens by the Bay—it felt like walking into a dream I didn’t know I had been waiting for. | Bluhend Eyes]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Bluhend Eyes的精彩作品。]]></media:description>
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          <title><![CDATA[That day in Bhutan, I stopped and looked up. Pine branches crossed the sky, reminding me how much beauty waits in a simple pause. | Franz N]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/go38jlk5PBGYTouRvB1T</link>
          <description><![CDATA[在cizucu上查看更多Franz N的精彩作品。]]></description>
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            <name>Franz N</name>
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          <pubDate>Mon, 16 Mar 2026 01:24:37 GMT</pubDate>
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            <media:title><![CDATA[That day in Bhutan, I stopped and looked up. Pine branches crossed the sky, reminding me how much beauty waits in a simple pause. | Franz N]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Franz N的精彩作品。]]></media:description>
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          <title><![CDATA[Some moments don’t need colour to scream.  Unusually stripped off colours that the festival's messy joy brings, with colour smeared hands slathering paste on the boy's face amid the frenzy, his wide-open mouth echoing the burn of chemical dyes. | Rushabh Javeri]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/o5Q9D1boAedaierKzo08</link>
          <description><![CDATA[在cizucu上查看更多Rushabh Javeri的精彩作品。]]></description>
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            <name>Rushabh Javeri</name>
            <uri>https://www.cizucu.com/zh-tw/users/WuislRqmQjSBLJrbrZjiHHH4b8G2</uri>
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          <pubDate>Sat, 14 Mar 2026 15:24:54 GMT</pubDate>
          <atom:updated>2026-03-14T15:24:54+09:00</atom:updated>
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            <media:title><![CDATA[Some moments don’t need colour to scream.  Unusually stripped off colours that the festival's messy joy brings, with colour smeared hands slathering paste on the boy's face amid the frenzy, his wide-open mouth echoing the burn of chemical dyes. | Rushabh Javeri]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Rushabh Javeri的精彩作品。]]></media:description>
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          <title><![CDATA[Although my work as a photographer usually leans toward more dynamic candid scenes, this photograph was taken in the quiet surroundings near my home in Vienna, Austria. In the morning, this is a time when working people and children on their way to school share the same streets.  As I stepped out of my apartment, I captured the silhouette of a child standing still, watching a worker cleaning the windows of a tall building in the distance. | Chansik Park]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/DE50eyellrjhoyXSMp5E</link>
          <description><![CDATA[在cizucu上查看更多Chansik Park的精彩作品。]]></description>
          <author>
            <name>Chansik Park</name>
            <uri>https://www.cizucu.com/zh-tw/musikael</uri>
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          <pubDate>Mon, 09 Feb 2026 18:56:56 GMT</pubDate>
          <atom:updated>2026-02-09T18:56:56+09:00</atom:updated>
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            <media:title><![CDATA[Although my work as a photographer usually leans toward more dynamic candid scenes, this photograph was taken in the quiet surroundings near my home in Vienna, Austria. In the morning, this is a time when working people and children on their way to school share the same streets.  As I stepped out of my apartment, I captured the silhouette of a child standing still, watching a worker cleaning the windows of a tall building in the distance. | Chansik Park]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Chansik Park的精彩作品。]]></media:description>
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          <title><![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/FOivrtLqJYASxtRrBAel</link>
          <description><![CDATA[在cizucu上查看更多Joshua Chiew的精彩作品。]]></description>
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            <name>Joshua Chiew</name>
            <uri>https://www.cizucu.com/zh-tw/users/lsHOdpuaCKci2liwdAwjQsD2Rja2</uri>
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          <pubDate>Sun, 22 Mar 2026 23:07:39 GMT</pubDate>
          <atom:updated>2026-03-22T23:07:39+09:00</atom:updated>
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            <media:title><![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Joshua Chiew的精彩作品。]]></media:description>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/zh-tw/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
          <atom:updated>2026-01-20T13:05:15+09:00</atom:updated>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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          <title><![CDATA[I took this photograph during a casual photo walk with a friend. We were simply wandering through the busy streets when I noticed this man slowly riding his scooter toward me. Something about the moment felt visually striking the crowd, the street, and his calm presence moving through the chaos.  Instinctively, I stepped into the middle of the road, framed the scene, and took the shot just as he approached. It was a very spontaneous photograph, captured in a split second. What drew me to the image later was how it reflects the rhythm of everyday street life unpredictable, busy, yet full of small cinematic moments waiting to be noticed. | Binay Parida]]></title>
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          <pubDate>Fri, 13 Mar 2026 16:17:45 GMT</pubDate>
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            <media:title><![CDATA[I took this photograph during a casual photo walk with a friend. We were simply wandering through the busy streets when I noticed this man slowly riding his scooter toward me. Something about the moment felt visually striking the crowd, the street, and his calm presence moving through the chaos.  Instinctively, I stepped into the middle of the road, framed the scene, and took the shot just as he approached. It was a very spontaneous photograph, captured in a split second. What drew me to the image later was how it reflects the rhythm of everyday street life unpredictable, busy, yet full of small cinematic moments waiting to be noticed. | Binay Parida]]></media:title>
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          <title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/74Q0tIFH7p9FlrLoX3HE</link>
          <description><![CDATA[在cizucu上查看更多DM的精彩作品。]]></description>
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          <pubDate>Sun, 22 Mar 2026 02:33:41 GMT</pubDate>
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            <media:title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></media:title>
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          <title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/hJhexYMY0rbdasa9NHTY</link>
          <description><![CDATA[在cizucu上查看更多Shikhar Bafna的精彩作品。]]></description>
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            <name>Shikhar Bafna</name>
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          <pubDate>Tue, 17 Mar 2026 00:11:35 GMT</pubDate>
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            <media:title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></media:title>
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          <title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></title>
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          <description><![CDATA[在cizucu上查看更多Bombay Noir的精彩作品。]]></description>
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            <name>Bombay Noir</name>
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          <pubDate>Sat, 14 Mar 2026 13:27:45 GMT</pubDate>
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            <media:title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Bombay Noir的精彩作品。]]></media:description>
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          <title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/OJq0C8tvGcOSUud9DHMx</link>
          <description><![CDATA[在cizucu上查看更多Justin Ignatius Seow的精彩作品。]]></description>
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            <name>Justin Ignatius Seow</name>
            <uri>https://www.cizucu.com/zh-tw/users/Xio2aQc1xLVifEs8ZWI9QhWKGVz1</uri>
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          <pubDate>Mon, 16 Mar 2026 19:36:54 GMT</pubDate>
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            <media:title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Justin Ignatius Seow的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/u35nF2vuBkD5ZcGa44FI</link>
          <description><![CDATA[在cizucu上查看更多Nandan Nabodit的精彩作品。]]></description>
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            <name>Nandan Nabodit</name>
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          <pubDate>Fri, 13 Mar 2026 16:26:03 GMT</pubDate>
          <atom:updated>2026-03-13T16:26:03+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Nandan Nabodit的精彩作品。]]></media:description>
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          <title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/1FnugL2afdkL2CuUBwio</link>
          <description><![CDATA[在cizucu上查看更多Arijit Das的精彩作品。]]></description>
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            <name>Arijit Das</name>
            <uri>https://www.cizucu.com/zh-tw/users/tLqyycXyxrV9nzvrbsUePBeK9D12</uri>
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          <pubDate>Fri, 13 Mar 2026 16:50:12 GMT</pubDate>
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            <media:title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Arijit Das的精彩作品。]]></media:description>
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