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          <title><![CDATA[mirror speaking. | Jersey Yen]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/QDpHYkyS3lFvuJbKwTxS</link>
          <description><![CDATA[在cizucu上查看更多Jersey Yen的精彩作品。]]></description>
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            <name>Jersey Yen</name>
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          <pubDate>Sun, 01 Feb 2026 15:59:56 GMT</pubDate>
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            <media:title><![CDATA[mirror speaking. | Jersey Yen]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jersey Yen的精彩作品。]]></media:description>
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          <title><![CDATA[Day dreaming | Stevy]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5Lp3VPGBLo6FmKNgynAO</link>
          <description><![CDATA[在cizucu上查看更多Stevy的精彩作品。]]></description>
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            <name>Stevy</name>
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          <pubDate>Mon, 19 Jan 2026 00:59:27 GMT</pubDate>
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            <media:title><![CDATA[Day dreaming | Stevy]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Stevy的精彩作品。]]></media:description>
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          <title><![CDATA[My and their quiet moments. The elderly and the young. The elder one looking at natural clouds whilst the younger one staring into the device digital cloud. My quiet moment as I travel in a train | chetpin8]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/DBA0cMcjheHNWwKRsn1Z</link>
          <description><![CDATA[在cizucu上查看更多chetpin8的精彩作品。]]></description>
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            <name>chetpin8</name>
            <uri>https://www.cizucu.com/zh-tw/users/gXnGEEFoIHTQyq3jpEAxVGw41zw1</uri>
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          <pubDate>Sun, 29 Mar 2026 21:09:30 GMT</pubDate>
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            <media:title><![CDATA[My and their quiet moments. The elderly and the young. The elder one looking at natural clouds whilst the younger one staring into the device digital cloud. My quiet moment as I travel in a train | chetpin8]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多chetpin8的精彩作品。]]></media:description>
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          <title><![CDATA[My and their quiet moments. The elderly and the young. The elder one looking at natural clouds whilst the younger one staring into the device digital cloud. My quiet moment as I travel in a train. | chetpin8]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/p9soLc2fYtOe6LKh7MrQ</link>
          <description><![CDATA[在cizucu上查看更多chetpin8的精彩作品。]]></description>
          <author>
            <name>chetpin8</name>
            <uri>https://www.cizucu.com/zh-tw/users/gXnGEEFoIHTQyq3jpEAxVGw41zw1</uri>
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          <pubDate>Fri, 20 Mar 2026 16:11:06 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多chetpin8的精彩作品。]]></media:description>
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          <title><![CDATA[The city doesn’t ask if you’re tired. It just keeps going.  So I learned to keep going too.  Through pressure. Through silence. Through nights where giving up felt easier.  Concrete life didn’t break me — it built me.  Still here. Still dreaming. Never give up.  | Alan Ng]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/2xfn0NaTYQvQ7zq6RWEV</link>
          <description><![CDATA[在cizucu上查看更多Alan Ng的精彩作品。]]></description>
          <author>
            <name>Alan Ng</name>
            <uri>https://www.cizucu.com/zh-tw/5fivegraphy</uri>
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          <pubDate>Tue, 20 Jan 2026 23:38:08 GMT</pubDate>
          <atom:updated>2026-01-20T23:38:08+09:00</atom:updated>
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            <media:title><![CDATA[The city doesn’t ask if you’re tired. It just keeps going.  So I learned to keep going too.  Through pressure. Through silence. Through nights where giving up felt easier.  Concrete life didn’t break me — it built me.  Still here. Still dreaming. Never give up.  | Alan Ng]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/2xfn0NaTYQvQ7zq6RWEV.jpg?fm=jpg" type="image/jpeg" width="2790" height="3487" />
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            <media:description><![CDATA[在cizucu上查看更多Alan Ng的精彩作品。]]></media:description>
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          <title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/URadMcQ5lDbUIkVT6Bwe</link>
          <description><![CDATA[在cizucu上查看更多timkoh的精彩作品。]]></description>
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            <name>timkoh</name>
            <uri>https://www.cizucu.com/zh-tw/users/bA9PZhPWC4NAyvvJrVO3q1vuEbl2</uri>
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          <pubDate>Mon, 05 Jan 2026 13:14:38 GMT</pubDate>
          <atom:updated>2026-01-05T13:14:38+09:00</atom:updated>
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            <media:title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多timkoh的精彩作品。]]></media:description>
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          <title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5Ziz9Ckz3TpGlEq3rcU3</link>
          <description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></description>
          <author>
            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/zh-tw/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <pubDate>Sat, 06 Dec 2025 13:50:34 GMT</pubDate>
          <atom:updated>2025-12-06T13:50:34+09:00</atom:updated>
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            <media:title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></description>
          <author>
            <name>Lee Mia</name>
            <uri>https://www.cizucu.com/zh-tw/users/MknbfnePALYkgmaciy5ZWKr2Hi22</uri>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
          <atom:updated>2026-01-11T20:20:38+09:00</atom:updated>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></media:description>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[在cizucu上查看更多Streetwala的精彩作品。]]></description>
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            <name>Streetwala</name>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:03+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
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          <title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/74Q0tIFH7p9FlrLoX3HE</link>
          <description><![CDATA[在cizucu上查看更多DM的精彩作品。]]></description>
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            <name>DM</name>
            <uri>https://www.cizucu.com/zh-tw/users/OppWVhKsx6UfCRxeYHVXekOmHpx1</uri>
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          <pubDate>Sun, 22 Mar 2026 02:33:41 GMT</pubDate>
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            <media:title><![CDATA[TOO CLOSE FOR COMFORT  Being one with Nature is the most comforting and sublime experience that i have ever had.   I was in the jungles of India and travelling in an open top jeep as usual. On a small bumpy road we saw a deer running and jumping across the road about 5 yards in front of us. We kept driving and suddenly we see that a Tiger was chasing the Deer and as our jeep reached that point - the Tiger was in his stride to jump across the road in an attempt to catch the deer. The Tiger stopped as soon as he saw our jeep in his path.   If we were even half a second late - the TIger may not have been able to stop and likely would have leapt - probably landing in our jeep.  He stopped in time - he sat and stared at us for a while and then walked away from the jeep.   We waited in the area - and the Tiger also staye din the vicinity - sitting for a bit and then walking around. Staring at us angrily from time to time   I hope i have been able to capture his displeasure / anger in this picture | DM]]></media:title>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/LcfITjpuir5fca1v6H39</link>
          <description><![CDATA[在cizucu上查看更多Leonie Freeman的精彩作品。]]></description>
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            <name>Leonie Freeman</name>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
          <atom:updated>2026-04-07T23:00:52+09:00</atom:updated>
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            <media:title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Leonie Freeman的精彩作品。]]></media:description>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[在cizucu上查看更多analogbysissi的精彩作品。]]></description>
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            <name>analogbysissi</name>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
          <atom:updated>2026-04-10T15:23:09+09:00</atom:updated>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
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