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            <media:description><![CDATA[在cizucu上查看更多konoda的精彩作品。]]></media:description>
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          <title><![CDATA[The end of a chapter is never easy. As the montage of their hard work and grind played over the projector onto the stage, NRA (the dance group, or rather, part of) let go and let all their emotions out. The blood, sweat, and now, tears, in putting together a grand show, and they are now on the big stage, performing their masterpiece.   Crescendo - 2026 | Yellow Monyet]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Txv74V5BmXHpVWa164bQ</link>
          <description><![CDATA[在cizucu上查看更多Yellow Monyet的精彩作品。]]></description>
          <author>
            <name>Yellow Monyet</name>
            <uri>https://www.cizucu.com/zh-tw/users/sunGi1xJemTwvU0CCDEfLnt5Gdm2</uri>
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          <pubDate>Sun, 22 Mar 2026 05:09:12 GMT</pubDate>
          <atom:updated>2026-03-22T05:09:12+09:00</atom:updated>
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            <media:title><![CDATA[The end of a chapter is never easy. As the montage of their hard work and grind played over the projector onto the stage, NRA (the dance group, or rather, part of) let go and let all their emotions out. The blood, sweat, and now, tears, in putting together a grand show, and they are now on the big stage, performing their masterpiece.   Crescendo - 2026 | Yellow Monyet]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yellow Monyet的精彩作品。]]></media:description>
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          <title><![CDATA[Urban Pause  Red plays a soft and insistent role here. The red man from the traffic light does not shout. It whispers a quiet command which takes center stage and tells you to “wait”. Time is suspended in this moment as one waits for the red man to fade away into another version of itself. | Sean Teo]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/UkoVB64CYBHNUN0aWi5b</link>
          <description><![CDATA[在cizucu上查看更多Sean Teo的精彩作品。]]></description>
          <author>
            <name>Sean Teo</name>
            <uri>https://www.cizucu.com/zh-tw/users/PKQwZV1dTtgSH6NXC8Z9fMrUCaI2</uri>
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          <pubDate>Tue, 17 Feb 2026 00:52:09 GMT</pubDate>
          <atom:updated>2026-02-17T00:52:09+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Sean Teo的精彩作品。]]></media:description>
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          <title><![CDATA[A CH-47SD Chinook helicopter carrying the Singapore state flag escorted by 2 AH-64D Apache Attack Helicopters during a National Day Parade rehearsal | Denzyl K Thomas]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bLM4uGI7baYZcacprthD</link>
          <description><![CDATA[在cizucu上查看更多Denzyl K Thomas的精彩作品。]]></description>
          <author>
            <name>Denzyl K Thomas</name>
            <uri>https://www.cizucu.com/zh-tw/users/pWCdWqQG81MPj1SmXEC8ffzgKMA3</uri>
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          <pubDate>Sun, 15 Mar 2026 17:59:10 GMT</pubDate>
          <atom:updated>2026-03-15T17:59:10+09:00</atom:updated>
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            <media:title><![CDATA[A CH-47SD Chinook helicopter carrying the Singapore state flag escorted by 2 AH-64D Apache Attack Helicopters during a National Day Parade rehearsal | Denzyl K Thomas]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Denzyl K Thomas的精彩作品。]]></media:description>
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          <title><![CDATA[The only place that lives in the past and present at the same time. Bangkok is more than just a city. Bangkok is a state of mind. | kiijutsu]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ltPFGJwpYv1SCrRFOuEg</link>
          <description><![CDATA[在cizucu上查看更多kiijutsu的精彩作品。]]></description>
          <author>
            <name>kiijutsu</name>
            <uri>https://www.cizucu.com/zh-tw/users/uaiiQlv8ePMs8CipgWtF1uap2In2</uri>
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          <pubDate>Sun, 15 Feb 2026 23:10:06 GMT</pubDate>
          <atom:updated>2026-02-15T23:10:06+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多kiijutsu的精彩作品。]]></media:description>
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          <title><![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Z0hY2Gi2z60hWW1ApyKb</link>
          <description><![CDATA[在cizucu上查看更多Nic Harris的精彩作品。]]></description>
          <author>
            <name>Nic Harris</name>
            <uri>https://www.cizucu.com/zh-tw/users/Jn1OiKohyBeljT9LRxsrenDFUK93</uri>
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          <pubDate>Sat, 21 Mar 2026 01:03:25 GMT</pubDate>
          <atom:updated>2026-03-21T01:03:25+09:00</atom:updated>
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            <media:title><![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Nic Harris的精彩作品。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></description>
          <author>
            <name>Eli Mastaine</name>
            <uri>https://www.cizucu.com/zh-tw/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3</uri>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[在cizucu上查看更多Saikiran Kesari的精彩作品。]]></description>
          <author>
            <name>Saikiran Kesari</name>
            <uri>https://www.cizucu.com/zh-tw/users/7yxwA3chDThYdBy723P8VLpXbGP2</uri>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
          <atom:updated>2026-03-15T19:21:10+09:00</atom:updated>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Saikiran Kesari的精彩作品。]]></media:description>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/zh-tw/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-03-16T19:26:03+09:00</atom:updated>
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          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
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          <description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></description>
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            <name>Jun Ciao 雋喬</name>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
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          <description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></description>
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            <name>Jun Ciao 雋喬</name>
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          <pubDate>Tue, 10 Mar 2026 22:26:03 GMT</pubDate>
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