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          <title><![CDATA[peach | fujikko]]></title>
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          <title><![CDATA[桃アート  #桃 #果物 #フルーツ #アート #art #peach #fruit #butt | eriko]]></title>
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          <title><![CDATA[Speed Limit 30  #hill #cityscape #MAOY #MNT #tokyo   | つばさ製作所]]></title>
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          <title><![CDATA[【日本初のLLC】 Peachが飛んで行く...  #Peach #LLC #中部国際空港 #セントレア #展墓デッキ #AIRBUS #エアバス | RYUURI]]></title>
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          <description><![CDATA[下載RYUURI拍攝的高品質且免費的一架粉色飛機起飛，背景是山脈照片，盡情使用。]]></description>
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          <title><![CDATA[Peach Fortress  #nightscape #桃 #岡山 | yNAK]]></title>
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          <pubDate>Sat, 12 Jul 2025 05:53:19 GMT</pubDate>
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          <title><![CDATA[ーSpeed crossingー  SONY α7Ⅲ  FE 28-70mm F3.5-5.6 OSS | Mushi]]></title>
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          <title><![CDATA[THSR, Taiwan High Speed Rail  | JAY TANG]]></title>
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          <title><![CDATA[真夏の三重奏  青空とひまわりとpeach機の共演  #夏 #ひまわり #飛行機 | SHINGO]]></title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NS93qGdUfH8PXPCOkFuO.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多SHINGO的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[The Taiwan High Speed Rail travel environment, under natural light, reveals a sense of lightness and soothing comfort. The orderly flow of boarding and alighting also reflects a gentle, self-disciplined public aesthetic. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/i4TAeQDMsR4AbTshTJ5c</link>
          <description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></description>
          <author>
            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/zh-tw/momoliou</uri>
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          <pubDate>Sun, 29 Mar 2026 11:10:01 GMT</pubDate>
          <atom:updated>2026-03-29T11:10:01+09:00</atom:updated>
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            <media:title><![CDATA[The Taiwan High Speed Rail travel environment, under natural light, reveals a sense of lightness and soothing comfort. The orderly flow of boarding and alighting also reflects a gentle, self-disciplined public aesthetic. | Lawrence Liou]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/i4TAeQDMsR4AbTshTJ5c.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/i4TAeQDMsR4AbTshTJ5c.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></media:description>
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          <title><![CDATA[I took this photo wanting to create a film photograph in the Impressionistic tradition. This was from a roll of Lucky C200, shot at box speed at Yuantouzhu, Wuxi, on a rangefinder. | Darren Low]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/9yufpIskHeqXXMppX61K</link>
          <description><![CDATA[在cizucu上查看更多Darren Low的精彩作品。]]></description>
          <author>
            <name>Darren Low</name>
            <uri>https://www.cizucu.com/zh-tw/users/8JLOzi8u1ocu6rE9SzLlkpjxVzn2</uri>
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          <pubDate>Tue, 07 Apr 2026 21:11:09 GMT</pubDate>
          <atom:updated>2026-04-07T21:11:09+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo wanting to create a film photograph in the Impressionistic tradition. This was from a roll of Lucky C200, shot at box speed at Yuantouzhu, Wuxi, on a rangefinder. | Darren Low]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9yufpIskHeqXXMppX61K.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9yufpIskHeqXXMppX61K.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9yufpIskHeqXXMppX61K.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Darren Low的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/DVqwj97uZqe2SH06OmL4</link>
          <description><![CDATA[在cizucu上查看更多sho13nabe的精彩作品。]]></description>
          <author>
            <name>sho13nabe</name>
            <uri>https://www.cizucu.com/zh-tw/sho_13</uri>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
          <atom:updated>2026-03-25T19:40:59+09:00</atom:updated>
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            <media:title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?fm=jpg" type="image/jpeg" width="2048" height="1365" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多sho13nabe的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[During my time in Japan, I often photographed people on the street using slow shutter speeds. One evening, just before the end of the workday, I encountered an office worker standing at a crosswalk, momentarily lost in thought. Through the use of a slow shutter, the atmosphere of his working life was gently softened, rendered a little lighter, and less heavy than it might have felt in reality. | shotbyje9_3]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/tSIfEWLMHno8LISBBm7K</link>
          <description><![CDATA[在cizucu上查看更多shotbyje9_3的精彩作品。]]></description>
          <author>
            <name>shotbyje9_3</name>
            <uri>https://www.cizucu.com/zh-tw/users/hmqEmG8wfhU70SggnLFpm5U0eVy1</uri>
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          <pubDate>Sat, 14 Feb 2026 16:13:03 GMT</pubDate>
          <atom:updated>2026-02-14T16:13:03+09:00</atom:updated>
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            <media:title><![CDATA[During my time in Japan, I often photographed people on the street using slow shutter speeds. One evening, just before the end of the workday, I encountered an office worker standing at a crosswalk, momentarily lost in thought. Through the use of a slow shutter, the atmosphere of his working life was gently softened, rendered a little lighter, and less heavy than it might have felt in reality. | shotbyje9_3]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tSIfEWLMHno8LISBBm7K.jpg?fm=jpg" type="image/jpeg" width="3200" height="4800" />
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            <media:description><![CDATA[在cizucu上查看更多shotbyje9_3的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bITb7ULYlXIwtideTst0</link>
          <description><![CDATA[在cizucu上查看更多thebirdingdude的精彩作品。]]></description>
          <author>
            <name>thebirdingdude</name>
            <uri>https://www.cizucu.com/zh-tw/users/uumn11m9lkgtduPibPPUk24xETm2</uri>
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          <pubDate>Thu, 12 Mar 2026 22:48:04 GMT</pubDate>
          <atom:updated>2026-03-12T22:48:04+09:00</atom:updated>
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            <media:title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?fm=jpg" type="image/jpeg" width="3023" height="4276" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多thebirdingdude的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/O9au9ySiwGPQG4TZBOsg</link>
          <description><![CDATA[在cizucu上查看更多ylint的精彩作品。]]></description>
          <author>
            <name>ylint</name>
            <uri>https://www.cizucu.com/zh-tw/users/iHw53gEfltarEIvJWOpFJmxiwUF2</uri>
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          <pubDate>Tue, 13 Jan 2026 15:23:46 GMT</pubDate>
          <atom:updated>2026-01-13T15:23:46+09:00</atom:updated>
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            <media:title><![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?fm=jpg" type="image/jpeg" width="3344" height="4938" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多ylint的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。  There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/nrmMSu53qtACfC79tYUG</link>
          <description><![CDATA[在cizucu上查看更多SSU JUNG-LIN的精彩作品。]]></description>
          <author>
            <name>SSU JUNG-LIN</name>
            <uri>https://www.cizucu.com/zh-tw/users/3Gt1sECFJgTHYNVKKNZk1guHeOv1</uri>
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          <pubDate>Sat, 11 Apr 2026 18:29:42 GMT</pubDate>
          <atom:updated>2026-04-11T18:29:42+09:00</atom:updated>
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            <media:title><![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。  There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/nrmMSu53qtACfC79tYUG.jpg?fm=jpg" type="image/jpeg" width="4914" height="6950" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nrmMSu53qtACfC79tYUG.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nrmMSu53qtACfC79tYUG.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多SSU JUNG-LIN的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/SaattyEITUWZ19MyOfcT</link>
          <description><![CDATA[在cizucu上查看更多Shetty Karthik的精彩作品。]]></description>
          <author>
            <name>Shetty Karthik</name>
            <uri>https://www.cizucu.com/zh-tw/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232</uri>
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          <pubDate>Tue, 24 Feb 2026 18:17:48 GMT</pubDate>
          <atom:updated>2026-02-24T18:17:48+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Shetty Karthik的精彩作品。]]></media:description>
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