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          <title><![CDATA[Ride on dad | Yosuke0312]]></title>
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          <title><![CDATA[菜の花  Do you know what rape blossoms look like?  #SONY  #flower  #yellow  #Sky  #菜の花  #rapeblossoms  | daphoto]]></title>
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          <title><![CDATA[Rapidly advanced  | Tanner Lubuk]]></title>
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          <title><![CDATA[Ride by | Sitti J]]></title>
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          <title><![CDATA[Hopping on a ride.  | Big_Dins_Photos]]></title>
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          <title><![CDATA[Last ride before night / enjoying the last lights  | Pikanchor]]></title>
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          <title><![CDATA[( ride into the sun )  Olympus 35 DC ILFORD PAN 400 | uni.z3]]></title>
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          <title><![CDATA['Shared Horizon'  A herd of antelope moves across open ground, set against the skyline of Nairobi. Wildlife and city meet along the same horizon, where natural movement continues alongside a rapidly changing landscape. | Jasmine Ee (Wildlife with Jas)]]></title>
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          <title><![CDATA[ Jadikan gambar tersebut menjadi HD di tambahan efek basah setelah hujan dan buatkan pantulan matahari terbenam di arah depan dan jangan buram harus rapih | tri Ulpa]]></title>
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            <media:description><![CDATA[在cizucu上查看更多tri Ulpa的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/fKjDjBEVTpOETCfW4SAz</link>
          <description><![CDATA[在cizucu上查看更多beanuptosomething的精彩作品。]]></description>
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            <name>beanuptosomething</name>
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          <pubDate>Sat, 17 Jan 2026 00:37:10 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多beanuptosomething的精彩作品。]]></media:description>
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          <title><![CDATA[At 7 am, on a boat approaching Pulau Ubin, the rising sun casts a near-perfect golden light across the water. The glow falls directly onto a man’s face, forcing him to raise his hand to shield his eyes. In that fleeting gesture, his expression turns quietly melancholic, as if caught between discomfort and reflection. | Njnonis]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/PvnKDAsI8qaHedrBv5ZU</link>
          <description><![CDATA[在cizucu上查看更多Njnonis的精彩作品。]]></description>
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            <name>Njnonis</name>
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          <pubDate>Sat, 21 Mar 2026 00:19:07 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Njnonis的精彩作品。]]></media:description>
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          <title><![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun.   I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/WzdwId8Hycik6J0VwAQS</link>
          <description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></description>
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            <name>_jotriessomething</name>
            <uri>https://www.cizucu.com/zh-tw/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2</uri>
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          <pubDate>Sat, 21 Mar 2026 16:36:00 GMT</pubDate>
          <atom:updated>2026-03-21T16:36:00+09:00</atom:updated>
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            <media:title><![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun.   I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/jrUyyDVwvyIJ5TtiMGXS</link>
          <description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></description>
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            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/zh-tw/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
          <atom:updated>2026-04-05T06:44:38+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/d7oBNJGRG3OmKgbsoSBc</link>
          <description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></description>
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            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/zh-tw/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:46:15 GMT</pubDate>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/CxXrx2pjX0GCiSt7KmKs</link>
          <description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/zh-tw/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:30:24 GMT</pubDate>
          <atom:updated>2026-04-05T06:30:24+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/zh-tw/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?fm=jpg" type="image/jpeg" width="4419" height="6629" />
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            <media:description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
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          <description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></description>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
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          <title><![CDATA[「美しく、春の陽射し」 #菜の花  #ナノハナ #冬 #黄 #イエロー #四季 #季節 #花 #はな #フラワー #フローラル #植物 #カラフル #美しい #綺麗 #キレイ #きれい #素敵 #ステキ #美麗 #色 #写真 #フォト #フォトグラフ #フォトグラフィック #マクロ #クローズアップ #接写 #前ボケ #ハイキー #アート #芸術 #美術 #観賞 #自然 #風景 #背景 #花壇 #庭園 #ガーデン #公園 #楽園 #環境 #情景 #静寂 #静か #新鮮 #屋外 #幻想 #幻想的 #ファンタジック #ファンタジー #ファンタスティック #夢 #日本 #Rape Blossom #Winter #Yellow #Season #Flower #Floral #Plant #Colorful #Beauty #Beautiful #Color #Photograph #Photography #Photographic #Macro #Close-Up #Bokeh #HighKey #Art #Nature #Landscape #Background #FlowerBed #Garden #Park #Paradise #Environment #Scene #Silence #Fresh #Outdoor #Illusion #Fantastic #Fantasy #Dream #Japan | TSUYOSHI ITO]]></title>
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          <description><![CDATA[在cizucu上查看更多TSUYOSHI ITO的精彩作品。]]></description>
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