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          <title><![CDATA[Presence | blake islington blake]]></title>
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          <description><![CDATA[在cizucu上查看更多blake islington blake的精彩作品。]]></description>
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          <pubDate>Fri, 10 Apr 2026 01:54:28 GMT</pubDate>
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          <title><![CDATA[Your children need your presence more than your presents. | Yosuke0312]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ymoUxA16asH5DRAJarTM</link>
          <description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></description>
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            <name>Yosuke0312</name>
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          <pubDate>Thu, 10 Apr 2025 18:54:21 GMT</pubDate>
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            <media:title><![CDATA[Your children need your presence more than your presents. | Yosuke0312]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></media:description>
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          <title><![CDATA[Presence of the Everyday  #silhouette #minimalism #quietmoments  #negativespace #wintermood  #streetphotography #urbanwildlife | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/0OvbEQn46SHFslPwDi6V</link>
          <description><![CDATA[在cizucu上查看更多dz a.k.a dashan的精彩作品。]]></description>
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            <name>dz a.k.a dashan</name>
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          <pubDate>Sun, 22 Feb 2026 17:26:15 GMT</pubDate>
          <atom:updated>2026-02-22T17:26:15+09:00</atom:updated>
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            <media:title><![CDATA[Presence of the Everyday  #silhouette #minimalism #quietmoments  #negativespace #wintermood  #streetphotography #urbanwildlife | dz a.k.a dashan]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多dz a.k.a dashan的精彩作品。]]></media:description>
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          <title><![CDATA['Blurring Lines'  A plains zebra moves across open ground, with signs of human presence beyond. The boundaries between natural and built environments continue to blur.  | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/yLsZqyfnf0sznULMQlYV</link>
          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
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          <pubDate>Mon, 06 Apr 2026 08:52:14 GMT</pubDate>
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            <media:title><![CDATA['Blurring Lines'  A plains zebra moves across open ground, with signs of human presence beyond. The boundaries between natural and built environments continue to blur.  | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
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            <name>Lousycameraman</name>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
          <atom:updated>2026-01-20T16:30:45+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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          <title><![CDATA[Rather than attracting attention, the subject presence feels small and temporary, while being absorbed by the landscape. This image speaks co-existence rather than dominance.   Suzhou, China. | Kei]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/7IKcpFbj336Dstaos2Ii</link>
          <description><![CDATA[在cizucu上查看更多Kei的精彩作品。]]></description>
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            <name>Kei</name>
            <uri>https://www.cizucu.com/zh-tw/users/9ErU57o6D8ZdUbiQN7HoW6EvE9x2</uri>
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          <pubDate>Sat, 17 Jan 2026 09:16:54 GMT</pubDate>
          <atom:updated>2026-01-17T09:16:54+09:00</atom:updated>
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            <media:title><![CDATA[Rather than attracting attention, the subject presence feels small and temporary, while being absorbed by the landscape. This image speaks co-existence rather than dominance.   Suzhou, China. | Kei]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Kei的精彩作品。]]></media:description>
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          <title><![CDATA[Surreal Echoes  A moment captured within the symmetry of Leadenhall Market, where architecture and human presence intersect. The lone figure introduces scale and emotion, while the enhanced reflection blurs reality, suggesting both solitude and clarity within the same space. | Reumel Brooks]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/7d0nRFwc2Mv2PXoTXVum</link>
          <description><![CDATA[在cizucu上查看更多Reumel Brooks的精彩作品。]]></description>
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            <name>Reumel Brooks</name>
            <uri>https://www.cizucu.com/zh-tw/users/oo8U3Aq5tGVnWrv3kfA6LpNFt6h1</uri>
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          <pubDate>Sun, 05 Apr 2026 21:37:15 GMT</pubDate>
          <atom:updated>2026-04-05T21:37:15+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Reumel Brooks的精彩作品。]]></media:description>
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          <title><![CDATA[As an introvert, I’m drawn to the quiet corners most people walk right past. I wanted to capture these three standing together, showing that you don’t need to be loud to have a monumental presence. It’s a study in the beauty of being still. | Ajay]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/aJiRyMbTLxZwJTqUqRq6</link>
          <description><![CDATA[在cizucu上查看更多Ajay的精彩作品。]]></description>
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            <name>Ajay</name>
            <uri>https://www.cizucu.com/zh-tw/users/wWZNzdef0HM2piHGyiQg5nB7ZBr1</uri>
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          <pubDate>Sun, 22 Mar 2026 15:24:14 GMT</pubDate>
          <atom:updated>2026-03-22T15:24:14+09:00</atom:updated>
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            <media:title><![CDATA[As an introvert, I’m drawn to the quiet corners most people walk right past. I wanted to capture these three standing together, showing that you don’t need to be loud to have a monumental presence. It’s a study in the beauty of being still. | Ajay]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Ajay的精彩作品。]]></media:description>
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          <title><![CDATA[She stood beneath the festival lights, not dazzled by them, but listening. Each glow seemed to rise gently toward her face, settling into the quiet lines of devotion, memory, and hope. In that moment, light was not spectacle, it was presence. It revealed not just colour and ornament, but a lifetime of faith carried softly, eyes lifted, heart steady. | gary.pwk]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ps4jc4XzLX6BoCzheup9</link>
          <description><![CDATA[在cizucu上查看更多gary.pwk的精彩作品。]]></description>
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          <pubDate>Sat, 17 Jan 2026 22:57:35 GMT</pubDate>
          <atom:updated>2026-01-17T22:57:35+09:00</atom:updated>
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            <media:title><![CDATA[She stood beneath the festival lights, not dazzled by them, but listening. Each glow seemed to rise gently toward her face, settling into the quiet lines of devotion, memory, and hope. In that moment, light was not spectacle, it was presence. It revealed not just colour and ornament, but a lifetime of faith carried softly, eyes lifted, heart steady. | gary.pwk]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多gary.pwk的精彩作品。]]></media:description>
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          <title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/nenShS4kXESrtZTORN2U</link>
          <description><![CDATA[在cizucu上查看更多__rohit.uk的精彩作品。]]></description>
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            <name>__rohit.uk</name>
            <uri>https://www.cizucu.com/zh-tw/users/EkllMyLWYUZnXsclfgSc1GTOYUC3</uri>
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          <pubDate>Thu, 26 Mar 2026 07:23:01 GMT</pubDate>
          <atom:updated>2026-03-26T07:23:01+09:00</atom:updated>
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            <media:title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多__rohit.uk的精彩作品。]]></media:description>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Zj6P1fgkM9oPCMFAGuev</link>
          <description><![CDATA[在cizucu上查看更多Adisatrya Johari的精彩作品。]]></description>
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            <name>Adisatrya Johari</name>
            <uri>https://www.cizucu.com/zh-tw/adisatryajohari</uri>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
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            <media:title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Adisatrya Johari的精彩作品。]]></media:description>
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          <title><![CDATA[Shape of Solitude is a quiet homage to a hush. A tribute to the soul’s strange hunger for its own echo, for the unseen refuge it builds in the heart of chaos, It is not the absence of sound, but the presence of a thought.  Mitre Peak, a 1,683 m mountain is dwarfed by an a tree in the foreground. | Pravin Tamang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ai1wVqgqDzsz0lQoUi4o</link>
          <description><![CDATA[在cizucu上查看更多Pravin Tamang的精彩作品。]]></description>
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            <name>Pravin Tamang</name>
            <uri>https://www.cizucu.com/zh-tw/users/oXU4Gb6tPsgEZeWf2a8ZLcffVdK2</uri>
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          <pubDate>Sun, 22 Feb 2026 20:39:10 GMT</pubDate>
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            <media:title><![CDATA[Shape of Solitude is a quiet homage to a hush. A tribute to the soul’s strange hunger for its own echo, for the unseen refuge it builds in the heart of chaos, It is not the absence of sound, but the presence of a thought.  Mitre Peak, a 1,683 m mountain is dwarfed by an a tree in the foreground. | Pravin Tamang]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Pravin Tamang的精彩作品。]]></media:description>
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          <title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5Ziz9Ckz3TpGlEq3rcU3</link>
          <description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></description>
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            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/zh-tw/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <pubDate>Sat, 06 Dec 2025 13:50:34 GMT</pubDate>
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            <media:title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></description>
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            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/zh-tw/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></media:description>
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          <title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/trC4T1git609KqNYjLla</link>
          <description><![CDATA[在cizucu上查看更多Chawin Terk的精彩作品。]]></description>
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            <name>Chawin Terk</name>
            <uri>https://www.cizucu.com/zh-tw/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3</uri>
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          <pubDate>Mon, 02 Feb 2026 18:05:46 GMT</pubDate>
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            <media:title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:description><![CDATA[在cizucu上查看更多Chawin Terk的精彩作品。]]></media:description>
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          <title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/uwvj8lq11KXp18A8xkWV</link>
          <description><![CDATA[在cizucu上查看更多Zhi Heng的精彩作品。]]></description>
          <author>
            <name>Zhi Heng</name>
            <uri>https://www.cizucu.com/zh-tw/users/jj3BdCn1YxVrCdFL995iWfIDMY63</uri>
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          <pubDate>Sat, 10 Jan 2026 17:11:31 GMT</pubDate>
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            <media:title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Zhi Heng的精彩作品。]]></media:description>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/dcfORlyKmnH1LiUHfiKc</link>
          <description><![CDATA[在cizucu上查看更多nicoleakanikkiko的精彩作品。]]></description>
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            <name>nicoleakanikkiko</name>
            <uri>https://www.cizucu.com/zh-tw/users/OYX7hrVO6WWnggzng32aEgu2AFD3</uri>
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          <pubDate>Tue, 13 Jan 2026 15:32:03 GMT</pubDate>
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          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/VmClkI1Pa2cn3PZ2Aruh</link>
          <description><![CDATA[在cizucu上查看更多nicoleakanikkiko的精彩作品。]]></description>
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            <name>nicoleakanikkiko</name>
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          <pubDate>Tue, 13 Jan 2026 15:32:54 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多nicoleakanikkiko的精彩作品。]]></media:description>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
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          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></media:description>
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          <title><![CDATA[I took this photograph during a casual photo walk with a friend. We were simply wandering through the busy streets when I noticed this man slowly riding his scooter toward me. Something about the moment felt visually striking the crowd, the street, and his calm presence moving through the chaos.  Instinctively, I stepped into the middle of the road, framed the scene, and took the shot just as he approached. It was a very spontaneous photograph, captured in a split second. What drew me to the image later was how it reflects the rhythm of everyday street life unpredictable, busy, yet full of small cinematic moments waiting to be noticed. | Binay Parida]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/LZFgMcAjNa53iMyv59sw</link>
          <description><![CDATA[在cizucu上查看更多Binay Parida的精彩作品。]]></description>
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            <name>Binay Parida</name>
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          <pubDate>Fri, 13 Mar 2026 16:17:45 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Binay Parida的精彩作品。]]></media:description>
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