Profonde 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/profonde zh-tw 2026-05-08T12:29:06+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[2025, France, Paris #film #pentax17 #paris #france | peca]]> https://www.cizucu.com/zh-tw/photos/uugq4CCD40WxSHu0yB9U peca https://www.cizucu.com/zh-tw/users/DJqSKiMgAegOFotuGYrA10nICpJ3 https://www.cizucu.com/zh-tw/photos/uugq4CCD40WxSHu0yB9U Mon, 03 Nov 2025 09:23:35 GMT 2026-01-18T01:56:32+09:00 https://cdn.cizucu.com/images/photos/uugq4CCD40WxSHu0yB9U.jpg?auto=compress,format <![CDATA[profound in silence #静かな美 #花と暮らす #育てる時間 #洋ラン #カトレア | hiroshi.k]]> https://www.cizucu.com/zh-tw/photos/a3BImjpdn71YLJecAoOM hiroshi.k https://www.cizucu.com/zh-tw/users/u9b6vNZy6SXFRnorzEClxOINtEr1 https://www.cizucu.com/zh-tw/photos/a3BImjpdn71YLJecAoOM Fri, 23 Jan 2026 18:29:23 GMT 2026-01-23T18:29:41+09:00 https://cdn.cizucu.com/images/photos/a3BImjpdn71YLJecAoOM.jpg?auto=compress,format <![CDATA["A World Beyond" Astrophotography often reminds us that while we look toward distant worlds, some of the most profound experiences happen here on Earth. This image captures both: A world far beyond our reach, and the start of something unexpectedly close. | Bhavya Bhasin]]> https://www.cizucu.com/zh-tw/photos/hXXPApOOwqgPXoM4X0bV Bhavya Bhasin https://www.cizucu.com/zh-tw/users/sy24bFu06QbkDSnCLUDbCv4v3SG3 https://www.cizucu.com/zh-tw/photos/hXXPApOOwqgPXoM4X0bV Sun, 15 Mar 2026 05:55:55 GMT 2026-03-15T05:56:20+09:00 https://cdn.cizucu.com/images/photos/hXXPApOOwqgPXoM4X0bV.jpg?auto=compress,format <![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。 私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。 Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue. When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]> https://www.cizucu.com/zh-tw/photos/JbuzsqUrrYKLPsJ0inNn Park Seongjjn https://www.cizucu.com/zh-tw/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/zh-tw/photos/JbuzsqUrrYKLPsJ0inNn Thu, 16 Apr 2026 21:53:37 GMT 2026-04-17T03:02:02+09:00 https://cdn.cizucu.com/images/photos/JbuzsqUrrYKLPsJ0inNn.jpg?auto=compress,format <![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。 私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。 Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue. When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]> https://www.cizucu.com/zh-tw/photos/7GIVycJ7jNLjlkaVhlO8 Park Seongjjn https://www.cizucu.com/zh-tw/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/zh-tw/photos/7GIVycJ7jNLjlkaVhlO8 Thu, 16 Apr 2026 21:53:37 GMT 2026-04-17T03:02:02+09:00 https://cdn.cizucu.com/images/photos/7GIVycJ7jNLjlkaVhlO8.jpg?auto=compress,format <![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]> https://www.cizucu.com/zh-tw/photos/0OiIoYuBJeFD7umOgQ40 aman.photos_ https://www.cizucu.com/zh-tw/users/3wmG5WMIIKTuwvn2q8wR0bNp4s52 https://www.cizucu.com/zh-tw/photos/0OiIoYuBJeFD7umOgQ40 Sat, 03 Jan 2026 18:05:01 GMT 2026-01-17T23:12:47+09:00 https://cdn.cizucu.com/images/photos/0OiIoYuBJeFD7umOgQ40.jpg?auto=compress,format <![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]> https://www.cizucu.com/zh-tw/photos/dcfORlyKmnH1LiUHfiKc nicoleakanikkiko https://www.cizucu.com/zh-tw/users/OYX7hrVO6WWnggzng32aEgu2AFD3 https://www.cizucu.com/zh-tw/photos/dcfORlyKmnH1LiUHfiKc Tue, 13 Jan 2026 15:32:03 GMT 2026-01-17T22:48:54+09:00 https://cdn.cizucu.com/images/photos/dcfORlyKmnH1LiUHfiKc.jpg?auto=compress,format <![CDATA[Puffins on the Great Saltee, Ireland In the summer of 2024, I finally had the chance to go on a trip that included puffin-watching. One thing led to another. My obsession with puffins spiralled into a profound interest in birds as a whole. Birds are a sentinel species. Their wellbeing is indicative of the health of the environment. They play a vital role in biodiversity. Caring about them leads to caring about other beings and the environment, and this sentiment is crucial in this climate, whether in the literal or political sense. | Pieng-Or P.]]> https://www.cizucu.com/zh-tw/photos/zQFTBTKiwqDU7FxTtr7M Pieng-Or P. https://www.cizucu.com/zh-tw/protectpuffins https://www.cizucu.com/zh-tw/photos/zQFTBTKiwqDU7FxTtr7M Sun, 08 Feb 2026 17:53:35 GMT 2026-02-20T16:06:47+09:00 https://cdn.cizucu.com/images/photos/zQFTBTKiwqDU7FxTtr7M.jpg?auto=compress,format <![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]> https://www.cizucu.com/zh-tw/photos/VmClkI1Pa2cn3PZ2Aruh nicoleakanikkiko https://www.cizucu.com/zh-tw/users/OYX7hrVO6WWnggzng32aEgu2AFD3 https://www.cizucu.com/zh-tw/photos/VmClkI1Pa2cn3PZ2Aruh Tue, 13 Jan 2026 15:32:54 GMT 2026-01-17T22:48:52+09:00 https://cdn.cizucu.com/images/photos/VmClkI1Pa2cn3PZ2Aruh.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/zh-tw/photos/z51tp1hZVa8RWblaxQor Souvik Roy https://www.cizucu.com/zh-tw/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/zh-tw/photos/z51tp1hZVa8RWblaxQor Sat, 14 Mar 2026 18:17:45 GMT 2026-03-14T18:18:08+09:00 https://cdn.cizucu.com/images/photos/z51tp1hZVa8RWblaxQor.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/zh-tw/photos/2liSNRVpSQ1iBWS2wvoy Souvik Roy https://www.cizucu.com/zh-tw/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/zh-tw/photos/2liSNRVpSQ1iBWS2wvoy Mon, 16 Mar 2026 03:16:14 GMT 2026-05-03T13:45:59+09:00 https://cdn.cizucu.com/images/photos/2liSNRVpSQ1iBWS2wvoy.jpg?auto=compress,format <![CDATA[等待 Waiting 月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。 一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。 A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness. It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]> https://www.cizucu.com/zh-tw/photos/Q6N2AqNBGEyjTU9oR1AT Jun Ciao 雋喬 https://www.cizucu.com/zh-tw/users/cqB60J6ZoiXDbSDHNLKpcv12UR52 https://www.cizucu.com/zh-tw/photos/Q6N2AqNBGEyjTU9oR1AT Tue, 10 Mar 2026 22:26:03 GMT 2026-05-03T14:00:53+09:00 https://cdn.cizucu.com/images/photos/Q6N2AqNBGEyjTU9oR1AT.jpg?auto=compress,format <![CDATA[等待 Waiting 月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。 一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。 A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness. It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]> https://www.cizucu.com/zh-tw/photos/lpmN402luIxIwpGQAk42 Jun Ciao 雋喬 https://www.cizucu.com/zh-tw/users/cqB60J6ZoiXDbSDHNLKpcv12UR52 https://www.cizucu.com/zh-tw/photos/lpmN402luIxIwpGQAk42 Tue, 10 Mar 2026 22:58:34 GMT 2026-03-10T22:59:01+09:00 https://cdn.cizucu.com/images/photos/lpmN402luIxIwpGQAk42.jpg?auto=compress,format <![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。 畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。 紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。 The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday. Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development. The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]> https://www.cizucu.com/zh-tw/photos/xfe6FBSx8ZpSdo7Yn4Vv Jerry Hung https://www.cizucu.com/zh-tw/users/aVcN0i4tMPhFbKu7NacTApD5Ifk2 https://www.cizucu.com/zh-tw/photos/xfe6FBSx8ZpSdo7Yn4Vv Wed, 11 Mar 2026 02:56:35 GMT 2026-03-11T02:57:54+09:00 https://cdn.cizucu.com/images/photos/xfe6FBSx8ZpSdo7Yn4Vv.jpg?auto=compress,format