Pepper 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/pepper zh-tw 2026-05-01T16:22:47+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[歩道橋の階段に落ちていたモノ 8 Palms #paper #tobacco #stair #MAOY #tokyo #cityscape | つばさ製作所]]> https://www.cizucu.com/zh-tw/photos/lcuf0ms6AAkxq6DCElNp つばさ製作所 https://www.cizucu.com/zh-tw/tsubasa_mfg https://www.cizucu.com/zh-tw/photos/lcuf0ms6AAkxq6DCElNp Mon, 10 Mar 2025 22:57:58 GMT 2025-03-12T22:35:01+09:00 https://cdn.cizucu.com/images/photos/lcuf0ms6AAkxq6DCElNp.jpg?auto=compress,format <![CDATA[Thinking Time… #beverage #DrPepper #coke #softdrink #RPG #MNT #tokyo #cityscape #sightseeing | つばさ製作所]]> https://www.cizucu.com/zh-tw/photos/ny5kzlOzaz8bcgpkJBXf つばさ製作所 https://www.cizucu.com/zh-tw/tsubasa_mfg https://www.cizucu.com/zh-tw/photos/ny5kzlOzaz8bcgpkJBXf Thu, 30 Jan 2025 21:56:36 GMT 2025-02-05T21:03:56+09:00 https://cdn.cizucu.com/images/photos/ny5kzlOzaz8bcgpkJBXf.jpg?auto=compress,format <![CDATA[落ち着いた色の紙が結ばれている #shrine #AKS #tokyo #paper #wish #縁結い | つばさ製作所]]> https://www.cizucu.com/zh-tw/photos/XPtNHknPvhw5zyrakqBJ つばさ製作所 https://www.cizucu.com/zh-tw/tsubasa_mfg https://www.cizucu.com/zh-tw/photos/XPtNHknPvhw5zyrakqBJ Tue, 29 Oct 2024 22:14:14 GMT 2024-10-30T07:32:22+09:00 https://cdn.cizucu.com/images/photos/XPtNHknPvhw5zyrakqBJ.jpg?auto=compress,format <![CDATA[Origami is a traditional Japanese art. You can play with just one sheet of paper. Please come to Japan and experience Origami ! | bikkya]]> https://www.cizucu.com/zh-tw/photos/O4QKX14iBOci4WSaGvUW bikkya https://www.cizucu.com/zh-tw/users/KqVuwDUWy6PnZGMNa3SYPgcd0Pi2 https://www.cizucu.com/zh-tw/photos/O4QKX14iBOci4WSaGvUW Sun, 26 May 2024 15:52:21 GMT 2025-03-27T23:52:37+09:00 https://cdn.cizucu.com/images/photos/O4QKX14iBOci4WSaGvUW.jpg?auto=compress,format <![CDATA[Imagine the wind you feel at 10,326 feet. It is mysteriously dangerous yet incredibly beautiful here at Fansipan. you get to feel like a paper. | Anamika]]> https://www.cizucu.com/zh-tw/photos/nLkTho2KiC5xXcnIxkDT Anamika https://www.cizucu.com/zh-tw/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/zh-tw/photos/nLkTho2KiC5xXcnIxkDT Thu, 30 Apr 2026 20:30:03 GMT 2026-04-30T20:30:03+09:00 https://cdn.cizucu.com/images/photos/nLkTho2KiC5xXcnIxkDT.jpg?auto=compress,format <![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for. | Anamika]]> https://www.cizucu.com/zh-tw/photos/P0wyA2jQZFZ1cpBGSlAF Anamika https://www.cizucu.com/zh-tw/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/zh-tw/photos/P0wyA2jQZFZ1cpBGSlAF Mon, 09 Feb 2026 13:24:37 GMT 2026-02-09T13:24:37+09:00 https://cdn.cizucu.com/images/photos/P0wyA2jQZFZ1cpBGSlAF.jpg?auto=compress,format <![CDATA[There’s an unused joss paper burner sitting in the open space downstairs. I never noticed how interesting it looks under the sunset until now, so I decided to capture this moment. | Eric Xu]]> https://www.cizucu.com/zh-tw/photos/lEfAjtAMlwZsrhl11t69 Eric Xu https://www.cizucu.com/zh-tw/users/PJ9uTm33skZ4J50od5SMd5vpsuA2 https://www.cizucu.com/zh-tw/photos/lEfAjtAMlwZsrhl11t69 Mon, 23 Mar 2026 15:51:33 GMT 2026-03-23T15:51:33+09:00 https://cdn.cizucu.com/images/photos/lEfAjtAMlwZsrhl11t69.jpg?auto=compress,format <![CDATA[This is a corner where hopes and dreams are stuck in the corner of the post office, they provide space to stick written paper on the wall which is entitled "Wall Fame of" | lembayung senja]]> https://www.cizucu.com/zh-tw/photos/s6ILbthjLO743SJz7UcG lembayung senja https://www.cizucu.com/zh-tw/users/HPJuOrimuEcynaGrsDOFLFCLPBH2 https://www.cizucu.com/zh-tw/photos/s6ILbthjLO743SJz7UcG Thu, 23 Apr 2026 22:15:54 GMT 2026-04-23T22:15:54+09:00 https://cdn.cizucu.com/images/photos/s6ILbthjLO743SJz7UcG.jpg?auto=compress,format <![CDATA[I had a dream once of this paper boat floating in a vast sea so I end up recreating it. | Renuka Murmu]]> https://www.cizucu.com/zh-tw/photos/OSsRMow4BzmQMWewgR1n Renuka Murmu https://www.cizucu.com/zh-tw/users/adjijrgvwAcERes2Y4L8cTOVtH12 https://www.cizucu.com/zh-tw/photos/OSsRMow4BzmQMWewgR1n Wed, 04 Mar 2026 19:40:44 GMT 2026-03-04T19:40:44+09:00 https://cdn.cizucu.com/images/photos/OSsRMow4BzmQMWewgR1n.jpg?auto=compress,format <![CDATA[A shoreline moment where proximity and distance coexist. I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame. Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]> https://www.cizucu.com/zh-tw/photos/Zj6P1fgkM9oPCMFAGuev Adisatrya Johari https://www.cizucu.com/zh-tw/adisatryajohari https://www.cizucu.com/zh-tw/photos/Zj6P1fgkM9oPCMFAGuev Mon, 16 Mar 2026 13:12:44 GMT 2026-03-16T13:12:44+09:00 https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format <![CDATA[There is something quietly magical about cherry blossoms. I've been drawn to them since I was a child. Although I dream of visiting Japan someday to see them in full bloom, Gardens by the Bay gave us a chance to exper ience that fleeting beauty right here in Singapore. | Anamika]]> https://www.cizucu.com/zh-tw/photos/dCOcwFPvb6eXviyPC1PK Anamika https://www.cizucu.com/zh-tw/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/zh-tw/photos/dCOcwFPvb6eXviyPC1PK Tue, 20 Jan 2026 15:47:35 GMT 2026-01-20T15:47:35+09:00 https://cdn.cizucu.com/images/photos/dCOcwFPvb6eXviyPC1PK.jpg?auto=compress,format <![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life. Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]> https://www.cizucu.com/zh-tw/photos/QSmZJSkwkQbEHeB2lxtJ Lawrence Liou https://www.cizucu.com/zh-tw/momoliou https://www.cizucu.com/zh-tw/photos/QSmZJSkwkQbEHeB2lxtJ Sat, 21 Mar 2026 13:53:18 GMT 2026-03-21T13:53:18+09:00 https://cdn.cizucu.com/images/photos/QSmZJSkwkQbEHeB2lxtJ.jpg?auto=compress,format <![CDATA[These 2 photo are from my photo series called “無” (VOID) "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence. All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]> https://www.cizucu.com/zh-tw/photos/F3NgSSzO6r8lgqyxoKae Him謙 https://www.cizucu.com/zh-tw/users/zjBHZF3XZ2fazvjboU8yuc0bVdA3 https://www.cizucu.com/zh-tw/photos/F3NgSSzO6r8lgqyxoKae Wed, 15 Apr 2026 13:40:04 GMT 2026-04-15T13:40:04+09:00 https://cdn.cizucu.com/images/photos/F3NgSSzO6r8lgqyxoKae.jpg?auto=compress,format <![CDATA[A Language Beyond Words Chiang Mai taught me that the deepest conversations do not always depend on perfect language. I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper. Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]> https://www.cizucu.com/zh-tw/photos/bqXUVMgMXBlAsPM7Qjwu Lanna Shuttered Moments https://www.cizucu.com/zh-tw/users/zLWK6aZf3majg9NHN7feKot3mzs1 https://www.cizucu.com/zh-tw/photos/bqXUVMgMXBlAsPM7Qjwu Sat, 14 Feb 2026 10:30:49 GMT 2026-02-14T10:30:49+09:00 https://cdn.cizucu.com/images/photos/bqXUVMgMXBlAsPM7Qjwu.jpg?auto=compress,format <![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love. For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go. The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude. This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]> https://www.cizucu.com/zh-tw/photos/bm1s4iqsLRZClLEvpQxw Nishikantsnaps https://www.cizucu.com/zh-tw/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/zh-tw/photos/bm1s4iqsLRZClLEvpQxw Fri, 13 Mar 2026 13:43:41 GMT 2026-03-13T13:43:41+09:00 https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?auto=compress,format <![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’. Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world. Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me. It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary. His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]> https://www.cizucu.com/zh-tw/photos/RsubPbXXibrVGCnrOtp8 Yash Rane https://www.cizucu.com/zh-tw/users/p4C2inUv1ih89epMzxU1Djvz4B03 https://www.cizucu.com/zh-tw/photos/RsubPbXXibrVGCnrOtp8 Fri, 13 Mar 2026 17:52:43 GMT 2026-03-13T17:52:43+09:00 https://cdn.cizucu.com/images/photos/RsubPbXXibrVGCnrOtp8.jpg?auto=compress,format <![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]> https://www.cizucu.com/zh-tw/photos/MCq2HUqc07Cf0tkiHfQs Nicholas https://www.cizucu.com/zh-tw/nickkloo https://www.cizucu.com/zh-tw/photos/MCq2HUqc07Cf0tkiHfQs Sat, 17 Jan 2026 23:42:28 GMT 2026-01-17T23:42:28+09:00 https://cdn.cizucu.com/images/photos/MCq2HUqc07Cf0tkiHfQs.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/zh-tw/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/zh-tw/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/zh-tw/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format