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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
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          <title><![CDATA[Les paysages de Vincent Van Gogh  梵谷之路 | 7tsai]]></title>
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          <title><![CDATA[간극 (Interstice) - 고립된 틈이 아닌, 어제와 내일을 잇는 필연적인 통로가 되어주길. (May it be not a gap of isolation, but a necessary passage binding yesterday and tomorrow.) | veil]]></title>
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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
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          <title><![CDATA[Titled "Journey". It took me probably 10 years from getting to know about Stockholm metro stations via Instagram, to the time I got to visit the stations and see it with my own eyes. It was a wonderful moment when I get to experience this myself.  And I like how this shot also showed the movement of the metro against the 2 passengers, that depict the journey that both subjects are taking. | LKKBen]]></title>
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          <description><![CDATA[在cizucu上查看更多LKKBen的精彩作品。]]></description>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
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          <description><![CDATA[在cizucu上查看更多Felicity Gan的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多Felicity Gan的精彩作品。]]></media:description>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/wFqZnMBFteLEsFN7qFAj</link>
          <description><![CDATA[在cizucu上查看更多Felicity Gan的精彩作品。]]></description>
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          <description><![CDATA[在cizucu上查看更多efebeydersiniz的精彩作品。]]></description>
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          <title><![CDATA[Titled "Journey". It took me probably 10 years from getting to know about Stockholm metro stations via Instagram, to the time I got to visit the stations and see it with my own eyes. It was a wonderful moment when I get to experience this myself.  And I like how this shot also showed the movement of the metro against the 2 passengers, that depict the journey that both subjects are taking. | LKKBen]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/dcklMWoKT2Lv0zNY8a0U</link>
          <description><![CDATA[在cizucu上查看更多LKKBen的精彩作品。]]></description>
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          <pubDate>Fri, 09 Jan 2026 01:43:24 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多LKKBen的精彩作品。]]></media:description>
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          <link>https://www.cizucu.com/zh-tw/photos/t5EKWiV3l1RaxQZmQv0z</link>
          <description><![CDATA[在cizucu上查看更多efebeydersiniz的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多efebeydersiniz的精彩作品。]]></media:description>
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          <title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ZPLdPl9OCw2jT7XnH1P4</link>
          <description><![CDATA[在cizucu上查看更多donparohinog的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多donparohinog的精彩作品。]]></media:description>
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          <description><![CDATA[在cizucu上查看更多donparohinog的精彩作品。]]></description>
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          <title><![CDATA[Foliage under the water  This is a snapshot from a trip I went on a few years back in France. To me, it is thus a memory of that time.  The image itself, in its aesthetics, is rather abstract and does not refer to any specific location—it could be anywhere with water and some foliage underneath. It is both a memory and a metaphor thereof: the foliage as the memory, and the water as the passage of time that persists, where memory submerges, while at times it slips through and peeks out, intruding into consciousness. | Pieng-Or P.]]></title>
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          <description><![CDATA[在cizucu上查看更多Pieng-Or P.的精彩作品。]]></description>
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            <name>Pieng-Or P.</name>
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          <pubDate>Sun, 01 Mar 2026 15:29:31 GMT</pubDate>
          <atom:updated>2026-03-09T02:35:07+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Pieng-Or P.的精彩作品。]]></media:description>
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