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          <title><![CDATA[Merci | ザワ]]></title>
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          <pubDate>Mon, 04 Dec 2023 13:14:11 GMT</pubDate>
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          <title><![CDATA[一個藍色的桶，上面貼有MERCO標籤，背景為磚牆 | つばさ製作所]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/XdDHZq3KvhnAc66IfxXN</link>
          <description><![CDATA[下載つばさ製作所拍攝的高品質且免費的一個藍色的桶，上面貼有MERCO標籤，背景為磚牆照片，盡情使用。]]></description>
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          <pubDate>Mon, 13 May 2024 20:12:13 GMT</pubDate>
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          <title><![CDATA[一個白色花盆裡的仙人掌，上面有Merci Paris的字樣，放在木架上 | mire2024]]></title>
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          <description><![CDATA[下載mire2024拍攝的高品質且免費的一個白色花盆裡的仙人掌，上面有Merci Paris的字樣，放在木架上照片，盡情使用。]]></description>
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          <pubDate>Mon, 20 May 2024 16:45:07 GMT</pubDate>
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          <title><![CDATA[在風中搖曳的蓬鬆白色草和背景中的五彩樹木 | しずか]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/imyOI1mtla7UA9C0peFJ</link>
          <description><![CDATA[下載しずか拍攝的高品質且免費的在風中搖曳的蓬鬆白色草和背景中的五彩樹木照片，盡情使用。]]></description>
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            <name>しずか</name>
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          <pubDate>Mon, 06 Jan 2025 09:11:40 GMT</pubDate>
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          <title><![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/aIpmISUF1oEVQwC51aMx</link>
          <description><![CDATA[在cizucu上查看更多Matthieu的精彩作品。]]></description>
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            <name>Matthieu</name>
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          <pubDate>Mon, 09 Feb 2026 00:53:17 GMT</pubDate>
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            <media:title><![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Matthieu的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[在cizucu上查看更多Saikiran Kesari的精彩作品。]]></description>
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            <name>Saikiran Kesari</name>
            <uri>https://www.cizucu.com/zh-tw/users/7yxwA3chDThYdBy723P8VLpXbGP2</uri>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Saikiran Kesari的精彩作品。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[在cizucu上查看更多Lucho Dávila的精彩作品。]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></description>
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            <name>Eli Mastaine</name>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></media:description>
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