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          <title><![CDATA[水族館裡游動的海牛 | daichichi]]></title>
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          <title><![CDATA[水下游動的海牛 | daichichi]]></title>
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          <title><![CDATA[「時」  | masakun]]></title>
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          <title><![CDATA[落葉上擺放的舊鐘錶 | Sakino]]></title>
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          <title><![CDATA[#marble #marbling #三浦半島 #miurapeninsula #真名瀬海岸 #真名瀬 #真名瀬バス停 #海 #sea #sealover #sunset #goldenhour #pentax #ペンタックス #pentaxk3mkiii #k3iii #sigma 100-300mm F4.5-6.7 DL #photography #naturephotography | inojun]]></title>
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          <title><![CDATA[田地裡成排的拱形滴灌管與防草網 | pasta]]></title>
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          <title><![CDATA[#ねこ #ねこ店長 #いぬ店長 #台北  #taipei #キジトラ #nikonz8 #snap | naotake_speaks]]></title>
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          <title><![CDATA[Partnering with a friend of who is a Fashionista and executing an idea about recreating a modern Victorian style fashion  shoot.  Manage to get a perfect shot in St Andrew’s Cathedral. | Shahrizal]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/davd2CSqV0QKN6ONwzAA</link>
          <description><![CDATA[在cizucu上查看更多Shahrizal的精彩作品。]]></description>
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            <name>Shahrizal</name>
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          <pubDate>Thu, 15 Jan 2026 02:41:32 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Shahrizal的精彩作品。]]></media:description>
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          <title><![CDATA[The soul of a jazz musician.  Inspired by the Japanese animated film titled blue giant, I wanted to capture the emotions that a jazz musician experiences when they are engulfed in their zone. With the help Of a practical effect ghost filter, I managed to create a double image and blur, showing the complexities and intricacies of a jazz musician. | Goh Chiang Yang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qUgHVf2N7r5RyomT5h6y</link>
          <description><![CDATA[在cizucu上查看更多Goh Chiang Yang的精彩作品。]]></description>
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            <name>Goh Chiang Yang</name>
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          <pubDate>Sat, 02 May 2026 22:43:21 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Goh Chiang Yang的精彩作品。]]></media:description>
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          <title><![CDATA[As tomorrow is Mother's Day, for today, I want to dedicate this photo to another motherly-like figure in my household, my Aunt. Not long ago, one of my extended relatives passed away and during the period, I saw how resilient my Aunt is with coping with her emotions and regulating herself. Despite the adversity, i saw my Aunt always keeping her head up, keeping an open mind and not be too consumed by a dark spiral of thoughts. She still managed to uplift her mood interacting with my other relatives and I wanted to dedicate this to her to show how special she is to my household. Though our household is more of a traditional conservative household, i still love her for who she is and she always treat me the nicest. | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/NxlebByO5a3ZByz0ZiOu</link>
          <description><![CDATA[在cizucu上查看更多Chan Jian Liang的精彩作品。]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 28 Apr 2026 19:11:07 GMT</pubDate>
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            <media:title><![CDATA[As tomorrow is Mother's Day, for today, I want to dedicate this photo to another motherly-like figure in my household, my Aunt. Not long ago, one of my extended relatives passed away and during the period, I saw how resilient my Aunt is with coping with her emotions and regulating herself. Despite the adversity, i saw my Aunt always keeping her head up, keeping an open mind and not be too consumed by a dark spiral of thoughts. She still managed to uplift her mood interacting with my other relatives and I wanted to dedicate this to her to show how special she is to my household. Though our household is more of a traditional conservative household, i still love her for who she is and she always treat me the nicest. | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Chan Jian Liang的精彩作品。]]></media:description>
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          <title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qP7OA9AsJIst197jfDw4</link>
          <description><![CDATA[在cizucu上查看更多camphra的精彩作品。]]></description>
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            <name>camphra</name>
            <uri>https://www.cizucu.com/zh-tw/users/ynl2XtaUDrV1gJOMs7gskXpLV5w2</uri>
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          <pubDate>Sat, 25 Oct 2025 18:47:41 GMT</pubDate>
          <atom:updated>2026-05-03T20:31:33+09:00</atom:updated>
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            <media:title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多camphra的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></description>
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            <name>熊寶</name>
            <uri>https://www.cizucu.com/zh-tw/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
          <atom:updated>2026-05-03T12:00:06+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></media:description>
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