Luft 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/luft zh-tw 2026-04-16T04:52:42+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Left #cityscape #crossing #tokyo #street #AKS | つばさ製作所]]> https://www.cizucu.com/zh-tw/photos/PmnIeBqwOLCWDZyCSypf つばさ製作所 https://www.cizucu.com/zh-tw/tsubasa_mfg https://www.cizucu.com/zh-tw/photos/PmnIeBqwOLCWDZyCSypf Tue, 08 Apr 2025 23:15:39 GMT 2025-04-22T22:52:23+09:00 https://cdn.cizucu.com/images/photos/PmnIeBqwOLCWDZyCSypf.jpg?auto=compress,format <![CDATA[War does not determine who is right, only who is left. | Yosuke0312]]> https://www.cizucu.com/zh-tw/photos/GSE2mevmsvgdzwtWaOZM Yosuke0312 https://www.cizucu.com/zh-tw/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12 https://www.cizucu.com/zh-tw/photos/GSE2mevmsvgdzwtWaOZM Sat, 29 Mar 2025 00:34:58 GMT 2025-04-15T23:50:47+09:00 https://cdn.cizucu.com/images/photos/GSE2mevmsvgdzwtWaOZM.jpg?auto=compress,format <![CDATA[Some stories were left hanging in the night #懷舊氛圍 #Nostalgia #UrbanStories #NightPhotography #PayphoneVibes #城市夜景 #MoodyVibes #Street | Wee]]> https://www.cizucu.com/zh-tw/photos/durt3XMsZpLRVGHhDmOk Wee https://www.cizucu.com/zh-tw/users/canqHYy9pXY5B11gyQqx3jcPe5z1 https://www.cizucu.com/zh-tw/photos/durt3XMsZpLRVGHhDmOk Wed, 08 Oct 2025 16:59:09 GMT 2025-10-08T16:59:09+09:00 https://cdn.cizucu.com/images/photos/durt3XMsZpLRVGHhDmOk.jpg?auto=compress,format <![CDATA[Shot on Lumix S9 Lens: TTartisan 50mm F1.4 ASPH LUT: Sample LUT3 Nipponbashi, Osaka #osakastreet #lumix #nipponbashi | ArchFramer H]]> https://www.cizucu.com/zh-tw/photos/BcYmsq0ZrvfP6Nqf1MUf ArchFramer H https://www.cizucu.com/zh-tw/users/NMRIl3oQK1V24l7BYG4lJiEiEJK2 https://www.cizucu.com/zh-tw/photos/BcYmsq0ZrvfP6Nqf1MUf Sun, 21 Dec 2025 23:55:12 GMT 2025-12-21T23:55:12+09:00 https://cdn.cizucu.com/images/photos/BcYmsq0ZrvfP6Nqf1MUf.jpg?auto=compress,format <![CDATA[就在刚刚人类乘坐飞船离开 Just after the humans left in a spaceship #woods #mono #film #森 #白黒 #フィルム | Feilu Yu]]> https://www.cizucu.com/zh-tw/photos/GK0mdZo9Ql9ZwPdy4DvN Feilu Yu https://www.cizucu.com/zh-tw/users/r92xKXSF0KW6RqxZyKP5KhNdF1F3 https://www.cizucu.com/zh-tw/photos/GK0mdZo9Ql9ZwPdy4DvN Thu, 14 Aug 2025 20:39:56 GMT 2025-08-14T20:39:56+09:00 https://cdn.cizucu.com/images/photos/GK0mdZo9Ql9ZwPdy4DvN.jpg?auto=compress,format <![CDATA[From above, the world is naturally divided into proportions. The road occupies one third, the rest left to the sea and the wind. A vehicle moves along the Aewol coast of Jeju Island, not to reach a destination, but to let the eye wander freely within the choice of one third. | Lawrence Liou]]> https://www.cizucu.com/zh-tw/photos/grqy00opHf90rY5rdRkA Lawrence Liou https://www.cizucu.com/zh-tw/momoliou https://www.cizucu.com/zh-tw/photos/grqy00opHf90rY5rdRkA Mon, 26 Jan 2026 09:37:23 GMT 2026-01-26T09:37:23+09:00 https://cdn.cizucu.com/images/photos/grqy00opHf90rY5rdRkA.jpg?auto=compress,format <![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second. As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]> https://www.cizucu.com/zh-tw/photos/l6PApopjFqAxzegIdmWb vemuon https://www.cizucu.com/zh-tw/vemuon https://www.cizucu.com/zh-tw/photos/l6PApopjFqAxzegIdmWb Tue, 20 Feb 2024 20:58:35 GMT 2024-11-22T17:28:15+09:00 https://cdn.cizucu.com/images/photos/l6PApopjFqAxzegIdmWb.jpg?auto=compress,format <![CDATA[Left behind, by the window. Light lingers where someone once stood— a quiet trace, almost gone. — 窓辺に、置き去りにされたもの。 光の中に、さっきまでの気配が 静かに残っている。 #日常の再発見 #静かな時間 #光と影 | benjamin]]> https://www.cizucu.com/zh-tw/photos/zetA4pd8NNub7vWUUyAb benjamin https://www.cizucu.com/zh-tw/benjamin https://www.cizucu.com/zh-tw/photos/zetA4pd8NNub7vWUUyAb Thu, 26 Mar 2026 20:09:57 GMT 2026-03-26T20:09:57+09:00 https://cdn.cizucu.com/images/photos/zetA4pd8NNub7vWUUyAb.jpg?auto=compress,format <![CDATA[Title: “Still There” This was my last morning in the condo I stayed in during COVID. It was my safe space. Nothing special happened here, but it held a lot of quiet moments. I left, but something of me stayed. Even now, I still think about this room. | Paikography]]> https://www.cizucu.com/zh-tw/photos/AMw9m3EIxHkr7poTbLtS Paikography https://www.cizucu.com/zh-tw/users/dIShQCeptpYPVeYYyCXGdaGj7OL2 https://www.cizucu.com/zh-tw/photos/AMw9m3EIxHkr7poTbLtS Sun, 12 Apr 2026 04:04:09 GMT 2026-04-12T04:04:09+09:00 https://cdn.cizucu.com/images/photos/AMw9m3EIxHkr7poTbLtS.jpg?auto=compress,format <![CDATA[Some people feel that black and white photos look like memorial photos, But to me, it’s not about death it feels more like a trace that's left behind When color is taken away, we focus more on the expression, emotion, and the details we usually miss. Black and white doesn’t create distance, it actually brings us closer to the subject. So this image is not about an ending, it's about a more honest way of seeing. and also i took this photo is her birthday present | Vanness Choon]]> https://www.cizucu.com/zh-tw/photos/4qSsAEGav42A4r1AUng8 Vanness Choon https://www.cizucu.com/zh-tw/users/MId4f4RKdtcmg9JLGphmluDRwKv2 https://www.cizucu.com/zh-tw/photos/4qSsAEGav42A4r1AUng8 Tue, 07 Apr 2026 19:26:51 GMT 2026-04-07T19:26:51+09:00 https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format <![CDATA[‘Defiance at Play’ Kiddos everywhere are the same - curious, playful and defiant. It was early morning when this 6–8-week-old lion cub wanted to leave the bush to play with its sibling. Each time they wandered too far, their mother would lift her head and call them back. The cycle repeated multiple times, testing boundaries and her patience. This moment was captured when one cub refused to listen. Instead of calling again, the mother walked over and lifted her cub, carrying it back to safety. The cub’s expression says it all - a brief flash of defiance, so familiar and relatable. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/zh-tw/photos/SUYObiXYLWQ1ISQ8Y6pt Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/zh-tw/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/zh-tw/photos/SUYObiXYLWQ1ISQ8Y6pt Sat, 10 Jan 2026 17:24:25 GMT 2026-01-10T17:24:25+09:00 https://cdn.cizucu.com/images/photos/SUYObiXYLWQ1ISQ8Y6pt.jpg?auto=compress,format <![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]> https://www.cizucu.com/zh-tw/photos/vOfOprNBcvhNFXsHILn6 msquare more https://www.cizucu.com/zh-tw/users/8LGtWpKS5AUrfGB03etTTcj6NqV2 https://www.cizucu.com/zh-tw/photos/vOfOprNBcvhNFXsHILn6 Fri, 13 Mar 2026 04:24:26 GMT 2026-03-13T04:24:26+09:00 https://cdn.cizucu.com/images/photos/vOfOprNBcvhNFXsHILn6.jpg?auto=compress,format <![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]> https://www.cizucu.com/zh-tw/photos/io77e6tUt3Nu20F4uxUV msquare more https://www.cizucu.com/zh-tw/users/8LGtWpKS5AUrfGB03etTTcj6NqV2 https://www.cizucu.com/zh-tw/photos/io77e6tUt3Nu20F4uxUV Fri, 13 Mar 2026 04:31:49 GMT 2026-03-13T04:31:49+09:00 https://cdn.cizucu.com/images/photos/io77e6tUt3Nu20F4uxUV.jpg?auto=compress,format <![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult. Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]> https://www.cizucu.com/zh-tw/photos/pIDW724HfD5EDuCOIaUm hichubbypotato https://www.cizucu.com/zh-tw/users/gZWO4xQetegER2Nxn1ToiXNuzrd2 https://www.cizucu.com/zh-tw/photos/pIDW724HfD5EDuCOIaUm Sun, 05 Apr 2026 10:17:07 GMT 2026-04-05T10:17:07+09:00 https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?auto=compress,format <![CDATA[March, Unlived I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence. In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls. Here, where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between. And yet I find myself missing that fragile hesitation. The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months. I traded that uncertainty for endless warmth, for skies that do not question themselves. But March— March was never about certainty. It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return. Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole. And here, palm leaves move without memory. I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility. And maybe that is what I miss most: not the cold, not the country— but the feeling of something beginning without knowing if it will last. | analogbysissi]]> https://www.cizucu.com/zh-tw/photos/ZGnqRjAS6NTCzWe3Irv5 analogbysissi https://www.cizucu.com/zh-tw/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/zh-tw/photos/ZGnqRjAS6NTCzWe3Irv5 Wed, 25 Mar 2026 15:24:24 GMT 2026-03-25T15:24:24+09:00 https://cdn.cizucu.com/images/photos/ZGnqRjAS6NTCzWe3Irv5.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/zh-tw/photos/v0tznKhGxq4p8f6QJS7I JoJo Tsai 蔡易蓁 https://www.cizucu.com/zh-tw/jojotsai https://www.cizucu.com/zh-tw/photos/v0tznKhGxq4p8f6QJS7I Thu, 19 Feb 2026 04:15:08 GMT 2026-02-19T04:15:08+09:00 https://cdn.cizucu.com/images/photos/v0tznKhGxq4p8f6QJS7I.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/zh-tw/photos/M1X8wUZ1MnOhWKaCnonb JoJo Tsai 蔡易蓁 https://www.cizucu.com/zh-tw/jojotsai https://www.cizucu.com/zh-tw/photos/M1X8wUZ1MnOhWKaCnonb Thu, 19 Feb 2026 04:18:22 GMT 2026-02-19T04:18:22+09:00 https://cdn.cizucu.com/images/photos/M1X8wUZ1MnOhWKaCnonb.jpg?auto=compress,format