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          <title><![CDATA[Model : Cheer leader 이호정 李晧禎 攝影師：Yuanyu.lin | Yuanyu Lin]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/W0o5k5I8qhTNBPUdRG7Q</link>
          <description><![CDATA[在cizucu上查看更多Yuanyu Lin的精彩作品。]]></description>
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            <name>Yuanyu Lin</name>
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          <pubDate>Mon, 22 Dec 2025 01:03:00 GMT</pubDate>
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          <title><![CDATA[Model: Cheer Leader 李晧禎 이호정 攝影師:Yuanyu.lin | Yuanyu Lin]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/4tN6n1VQiTYMQPvU2IJ3</link>
          <description><![CDATA[在cizucu上查看更多Yuanyu Lin的精彩作品。]]></description>
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            <name>Yuanyu Lin</name>
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          <pubDate>Sun, 21 Dec 2025 03:04:50 GMT</pubDate>
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          <title><![CDATA[Model: Cheer leader 이호정 李晧禎 攝影師：林元御 | Yuanyu Lin]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5XKLaXtJUxJBjl3EpkBE</link>
          <description><![CDATA[在cizucu上查看更多Yuanyu Lin的精彩作品。]]></description>
          <author>
            <name>Yuanyu Lin</name>
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          <pubDate>Sat, 20 Dec 2025 20:00:35 GMT</pubDate>
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          <title><![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for.  | Anamika]]></title>
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          <description><![CDATA[在cizucu上查看更多Anamika的精彩作品。]]></description>
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          <pubDate>Mon, 09 Feb 2026 13:24:37 GMT</pubDate>
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            <media:title><![CDATA[A moment when you get really good at noticing —especially the quiet, tender ones that feel like they’re standing in for something missing. hitting deeper because it’s holding an emotion you didn’t always have words for.  | Anamika]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Anamika的精彩作品。]]></media:description>
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          <title><![CDATA[远方来信  A Letter from Far Away  #airport #Narita #departure #mono #film #空港 #成田 #フィルム #白黒 | Feilu Yu]]></title>
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          <description><![CDATA[在cizucu上查看更多Feilu Yu的精彩作品。]]></description>
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            <name>Feilu Yu</name>
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          <pubDate>Thu, 14 Aug 2025 20:20:44 GMT</pubDate>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Zj6P1fgkM9oPCMFAGuev</link>
          <description><![CDATA[在cizucu上查看更多Adisatrya Johari的精彩作品。]]></description>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
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            <media:title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></media:title>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
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          <description><![CDATA[在cizucu上查看更多Lanna Shuttered Moments的精彩作品。]]></description>
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            <name>Lanna Shuttered Moments</name>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lanna Shuttered Moments的精彩作品。]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[在cizucu上查看更多Nishikantsnaps的精彩作品。]]></description>
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            <name>Nishikantsnaps</name>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></title>
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          <description><![CDATA[在cizucu上查看更多Nicholas的精彩作品。]]></description>
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          <pubDate>Sat, 17 Jan 2026 23:42:28 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Nicholas的精彩作品。]]></media:description>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
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          <description><![CDATA[在cizucu上查看更多shotbyje9_3的精彩作品。]]></description>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
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            <media:title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></media:title>
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