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          <title><![CDATA[一位驚訝的女性手持文件 | chikyujin]]></title>
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          <title><![CDATA[黑白圖片顯示一個人穿著黑色衣物的腳在瓷磚地面上 | Stoneriver]]></title>
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          <title><![CDATA[柔和的粉紅色背景帶有微妙的閃光效果，營造出柔和的印象 | fkyh]]></title>
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          <title><![CDATA[一位穿著白色裙子的女性站在簡單優雅的背景前 | 門田睦]]></title>
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          <description><![CDATA[下載門田睦拍攝的高品質且免費的一位穿著白色裙子的女性站在簡單優雅的背景前照片，盡情使用。]]></description>
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          <title><![CDATA[抽象圖像，模糊光線和漸變色 | BUG / Yosuke Saiki]]></title>
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          <description><![CDATA[下載BUG / Yosuke Saiki拍攝的高品質且免費的抽象圖像，模糊光線和漸變色照片，盡情使用。]]></description>
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          <title><![CDATA[#像 | sachikophoto]]></title>
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          <title><![CDATA[藍色背景中的人影 | 夜寝子]]></title>
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          <pubDate>Sun, 01 Feb 2026 16:24:19 GMT</pubDate>
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          <title><![CDATA[เรื่องราวของเด็กหลายคนในยุคปัจจุบันที่มีความไวในการเติบโตและพัฒนาการทางความคิดอย่างรวดเร็วด้วยแรงขับเคลื่อนของโซเชียล โดยในภาพนี้จะสะท้อนถึงสภาวะทางความคิดของสมองของเด็กในภาพที่ต้องรับแรงกดดันเป็นอย่างมากในยุคปัจจุบันที่สมองรับภาระที่โตเกินวัยและส่งผลกระทบต่อจิตใจเป็นอย่างมาก ทั้งด้านการเรียน , ปัญหาภายในครอบครัว , รวมไปถึงอนาคตของตัวเอง จนทำให้มีผลกระทบถึงสารสื่อประสาทในสมองหรือชนิดโรคที่เรียกว่า Depressive disorder (โรคซึมเศร้า) | puttipong chattieng]]></title>
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          <description><![CDATA[在cizucu上查看更多puttipong chattieng的精彩作品。]]></description>
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          <pubDate>Sun, 15 Feb 2026 03:53:55 GMT</pubDate>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
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          <description><![CDATA[下載Him謙拍攝的高品質且免費的九張黑白海岸風景照片的拼列展示照片，盡情使用。]]></description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
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          <description><![CDATA[在cizucu上查看更多Him謙的精彩作品。]]></description>
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            <name>Him謙</name>
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          <title><![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。  畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。  紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。  The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday.  Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development.  The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/xfe6FBSx8ZpSdo7Yn4Vv</link>
          <description><![CDATA[在cizucu上查看更多Jerry Hung的精彩作品。]]></description>
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