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          <title><![CDATA[Not to forget.  | 佐藤亜梨沙 │ Sato Arisa]]></title>
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          <title><![CDATA[霧の日の住宅街の公園 昼間の賑やかさと対照に静寂が広がる。  公園 #霧 #住宅街 #夜景 #ブランコ #playground #foggy #nightscape | littlekiss photography]]></title>
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          <description><![CDATA[下載littlekiss photography拍攝的高品質且免費的霧中的公園有藍色秋千和燈光照片，盡情使用。]]></description>
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          <pubDate>Sat, 06 Apr 2024 16:55:08 GMT</pubDate>
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          <title><![CDATA[忘れな草 Forget Me Not | ナオーキー]]></title>
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          <pubDate>Wed, 21 Feb 2024 17:39:33 GMT</pubDate>
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          <title><![CDATA[foggy  #hydrangea #flower #nature  | 雪杜エリ｜Eri Yukimori]]></title>
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          <description><![CDATA[在cizucu上查看更多雪杜エリ｜Eri Yukimori的精彩作品。]]></description>
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          <pubDate>Fri, 27 Jun 2025 17:36:25 GMT</pubDate>
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          <title><![CDATA[煌めく夜の世界で2人きり。 ． ．  夜の世界で生きる、不安定な2人が過ごす煌めく儚いひととき。頼れるのはお互いしかいない。誰も信じることができないなか、唯一しがみつきあって生きる2人とは裏腹に、眩ゆい煌びやかな世界を。  ． ． ． #作品撮り #fujifilm #foggy #xt3 | 華元海美]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/PaN3628D1J2m9xxIwkXi</link>
          <description><![CDATA[在cizucu上查看更多華元海美的精彩作品。]]></description>
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            <name>華元海美</name>
            <uri>https://www.cizucu.com/zh-tw/seamtriver</uri>
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          <pubDate>Mon, 24 Mar 2025 23:42:37 GMT</pubDate>
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          <title><![CDATA[#朝焼け #霧 #バンクーバー #日常の一コマ #morningsun #foggy #vancouver #everydaylife #dalymoments | littlekiss photography]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/CDTyWdYB3Zfddo9pK7sa</link>
          <description><![CDATA[在cizucu上查看更多littlekiss photography的精彩作品。]]></description>
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          <pubDate>Sat, 01 Jun 2024 16:53:36 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多littlekiss photography的精彩作品。]]></media:description>
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          <title><![CDATA[Foggy morning in Utretch, Amsterdam | timkoh]]></title>
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          <description><![CDATA[在cizucu上查看更多timkoh的精彩作品。]]></description>
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          <pubDate>Mon, 05 Jan 2026 13:46:13 GMT</pubDate>
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          <title><![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]></title>
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          <description><![CDATA[在cizucu上查看更多DORI的精彩作品。]]></description>
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          <pubDate>Sat, 10 Jan 2026 14:29:13 GMT</pubDate>
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          <title><![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it.  Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]></title>
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          <pubDate>Fri, 20 Feb 2026 12:33:31 GMT</pubDate>
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          <title><![CDATA[This photo was taken outside Vauxhall Station on a foggy day. I used my phone first. When I tried my camera, the bird was already gone. This moment could easily be lost.  For me, memory works the same way. It is fast, unclear, and we don’t have time to control it. We catch it with instinct, or we miss it.  This image became very popular online, more than many photos I carefully planned. It made me realise that being present is more important than being perfect. Sometimes instinct sees before we think. | Miha Spring]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/l6wDkjrafjnCOnz7f6G3</link>
          <description><![CDATA[在cizucu上查看更多Miha Spring的精彩作品。]]></description>
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          <pubDate>Sat, 04 Apr 2026 20:54:09 GMT</pubDate>
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          <title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/q5Y2PPw0VqFRE9uckJR5</link>
          <description><![CDATA[在cizucu上查看更多Don Lim的精彩作品。]]></description>
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            <name>Don Lim</name>
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          <pubDate>Thu, 15 Jan 2026 16:03:31 GMT</pubDate>
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            <media:title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></media:title>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[在cizucu上查看更多Chan Jian Liang的精彩作品。]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Chan Jian Liang的精彩作品。]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
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          <description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></description>
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            <name>John Hupa</name>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></description>
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            <name>John Hupa</name>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多John Hupa的精彩作品。]]></media:description>
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