Failure 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/failure zh-tw 2026-04-20T23:28:47+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[海外からの観光客のみなさんには、どのように映っているのだろう。 #figure #president #sushi #AKS #MNT #tokyo #cityscape | つばさ製作所]]> https://www.cizucu.com/zh-tw/photos/y0PCOI3975KrtHpKz6QZ つばさ製作所 https://www.cizucu.com/zh-tw/tsubasa_mfg https://www.cizucu.com/zh-tw/photos/y0PCOI3975KrtHpKz6QZ Fri, 03 Jan 2025 19:50:08 GMT 2025-01-11T09:19:02+09:00 https://cdn.cizucu.com/images/photos/y0PCOI3975KrtHpKz6QZ.jpg?auto=compress,format <![CDATA[お店の窓際に飾られていた子たち #figure #doll #MAOY #MNT #TOKYO #display #cityscape | つばさ製作所]]> https://www.cizucu.com/zh-tw/photos/9EsRrZGqu5fCuaKZ8yYR つばさ製作所 https://www.cizucu.com/zh-tw/tsubasa_mfg https://www.cizucu.com/zh-tw/photos/9EsRrZGqu5fCuaKZ8yYR Wed, 25 Dec 2024 22:56:50 GMT 2024-12-27T22:09:16+09:00 https://cdn.cizucu.com/images/photos/9EsRrZGqu5fCuaKZ8yYR.jpg?auto=compress,format <![CDATA[figure in the mist | vemuon]]> https://www.cizucu.com/zh-tw/photos/RfPuVrciL46XXZLRIMLG vemuon https://www.cizucu.com/zh-tw/vemuon https://www.cizucu.com/zh-tw/photos/RfPuVrciL46XXZLRIMLG Tue, 20 Jan 2026 00:34:48 GMT 2026-01-20T00:34:48+09:00 https://cdn.cizucu.com/images/photos/RfPuVrciL46XXZLRIMLG.jpg?auto=compress,format <![CDATA[Longing is created by unanswered questions, sketching invisible doorways in the thin air.  Ordinary afternoons turn into constellations of possibility; silence becomes sacred. Once I stood on solid ground. The allure of unanswered possibility lingers throughout the universe.  | The Monochromatic Society]]> https://www.cizucu.com/zh-tw/photos/bQO2TQiqeUBIOLT3b8jq The Monochromatic Society https://www.cizucu.com/zh-tw/users/P7rAItiV10cIu7YIF8lT26YypiK2 https://www.cizucu.com/zh-tw/photos/bQO2TQiqeUBIOLT3b8jq Fri, 20 Feb 2026 22:20:49 GMT 2026-02-20T22:20:49+09:00 https://cdn.cizucu.com/images/photos/bQO2TQiqeUBIOLT3b8jq.jpg?auto=compress,format <![CDATA[Surreal Echoes A moment captured within the symmetry of Leadenhall Market, where architecture and human presence intersect. The lone figure introduces scale and emotion, while the enhanced reflection blurs reality, suggesting both solitude and clarity within the same space. | Reumel Brooks]]> https://www.cizucu.com/zh-tw/photos/7d0nRFwc2Mv2PXoTXVum Reumel Brooks https://www.cizucu.com/zh-tw/users/oo8U3Aq5tGVnWrv3kfA6LpNFt6h1 https://www.cizucu.com/zh-tw/photos/7d0nRFwc2Mv2PXoTXVum Sun, 05 Apr 2026 21:37:15 GMT 2026-04-05T21:37:15+09:00 https://cdn.cizucu.com/images/photos/7d0nRFwc2Mv2PXoTXVum.jpg?auto=compress,format <![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]> https://www.cizucu.com/zh-tw/photos/nenShS4kXESrtZTORN2U __rohit.uk https://www.cizucu.com/zh-tw/users/EkllMyLWYUZnXsclfgSc1GTOYUC3 https://www.cizucu.com/zh-tw/photos/nenShS4kXESrtZTORN2U Thu, 26 Mar 2026 07:23:01 GMT 2026-03-26T07:23:01+09:00 https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format <![CDATA[This photograph was taken last year in Bangkok at Wat Saket Ratchawora Mahawihan temple while I was preparing a travel article about places worth visiting in the city. As I stood there enjoying the view and the quiet atmosphere, I noticed a monk descending the staircase. The figure with an umbrella in hand captivated me — I had time for only one frame before he passed by. | Olga Vial]]> https://www.cizucu.com/zh-tw/photos/mzoaKd2TEVvNGTe05wQH Olga Vial https://www.cizucu.com/zh-tw/users/JseO4ucprhMUbaNHhEPCx16VPJ72 https://www.cizucu.com/zh-tw/photos/mzoaKd2TEVvNGTe05wQH Sun, 15 Feb 2026 18:27:15 GMT 2026-02-15T18:27:15+09:00 https://cdn.cizucu.com/images/photos/mzoaKd2TEVvNGTe05wQH.jpg?auto=compress,format <![CDATA[Most days blur into one another ordinary walks, familiar streets, nothing that feels remarkable. But sometimes, without warning, a moment breaks through the routine. A sudden beam of light, a solitary figure passing through it, and the ordinary transforms into something quietly unforgettable. This is why it becomes that day—not because something grand happened, but because for a brief second, the world aligned in a way that made the moment impossible to ignore. | suleler]]> https://www.cizucu.com/zh-tw/photos/FDxZwCtZlx5CsXn4DCZP suleler https://www.cizucu.com/zh-tw/users/nULyQxGLgJZeLFAru8Ybwfq4x4x2 https://www.cizucu.com/zh-tw/photos/FDxZwCtZlx5CsXn4DCZP Tue, 10 Mar 2026 00:03:03 GMT 2026-03-10T00:03:03+09:00 https://cdn.cizucu.com/images/photos/FDxZwCtZlx5CsXn4DCZP.jpg?auto=compress,format <![CDATA[Designated Solitude In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible. The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]> https://www.cizucu.com/zh-tw/photos/3E4rhpe5FtUxghqnpLYe Uday Khambadkone https://www.cizucu.com/zh-tw/users/fGsQRfunD0c4a7GMx48PJNbxaSE3 https://www.cizucu.com/zh-tw/photos/3E4rhpe5FtUxghqnpLYe Fri, 13 Mar 2026 00:46:15 GMT 2026-03-13T00:46:15+09:00 https://cdn.cizucu.com/images/photos/3E4rhpe5FtUxghqnpLYe.jpg?auto=compress,format <![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt. Gentle Protection and the Loneliness of Being. An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.” Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects. Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated. The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness. Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence. To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world. Gentleness can be observed.Loneliness must be endured. | Wee]]> https://www.cizucu.com/zh-tw/photos/mXCKJcjBdjZJvYzybHbi Wee https://www.cizucu.com/zh-tw/users/canqHYy9pXY5B11gyQqx3jcPe5z1 https://www.cizucu.com/zh-tw/photos/mXCKJcjBdjZJvYzybHbi Sun, 22 Feb 2026 16:57:32 GMT 2026-02-22T16:57:32+09:00 https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/zh-tw/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:10+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]> https://www.cizucu.com/zh-tw/photos/ptgrWt5D0viXPBHMmuIv shantanu sarwade https://www.cizucu.com/zh-tw/users/z0yPobGDqLSJ9surYr8iKVCRybm2 https://www.cizucu.com/zh-tw/photos/ptgrWt5D0viXPBHMmuIv Fri, 13 Mar 2026 01:38:35 GMT 2026-03-13T01:38:35+09:00 https://cdn.cizucu.com/images/photos/ptgrWt5D0viXPBHMmuIv.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic. In this realm, nothing is settled with certainty. Is this sleep, surrender, or aftermath? ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]> https://www.cizucu.com/zh-tw/photos/A3CNYO4rLwcO7jbJhpI6 Yamedre https://www.cizucu.com/zh-tw/users/nPYRwjPDAzQvkj5YCdt2W5y5Xc62 https://www.cizucu.com/zh-tw/photos/A3CNYO4rLwcO7jbJhpI6 Sun, 21 Dec 2025 12:23:35 GMT 2025-12-21T12:23:35+09:00 https://cdn.cizucu.com/images/photos/A3CNYO4rLwcO7jbJhpI6.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/zh-tw/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/zh-tw/mick116 https://www.cizucu.com/zh-tw/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format