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          <title><![CDATA[牆上的街頭藝術，展示摩托車角色及EXIT與PEACE字樣 | ぎずもの]]></title>
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          <title><![CDATA[【exit】 #blackandwhite #monochrome | KBT]]></title>
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          <pubDate>Fri, 28 Mar 2025 01:13:58 GMT</pubDate>
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          <title><![CDATA[Subway entrance/exit  #AKS #MNT #tokyo #cityscape #station #metro | つばさ製作所]]></title>
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          <description><![CDATA[下載つばさ製作所拍攝的高品質且免費的黑暗背景中的磚牆和標誌照片，盡情使用。]]></description>
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          <pubDate>Fri, 31 Jan 2025 22:28:27 GMT</pubDate>
          <atom:updated>2025-03-19T23:24:43+09:00</atom:updated>
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          <title><![CDATA[Shadows Fallen at the West Exit | kazrin]]></title>
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          <pubDate>Sat, 27 Dec 2025 12:32:43 GMT</pubDate>
          <atom:updated>2026-01-17T23:29:34+09:00</atom:updated>
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          <title><![CDATA[EXIT  #streetphotography | 朽蓮 kyu-ren]]></title>
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          <title><![CDATA[Exit  #film #night | uhe]]></title>
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          <title><![CDATA[街角的出口指示牌與人行道 | @nickydaphotography]]></title>
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          <pubDate>Sun, 03 May 2026 18:11:51 GMT</pubDate>
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          <title><![CDATA[Shadows Fallen at the West Exit | kazrin]]></title>
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          <pubDate>Sat, 27 Dec 2025 12:32:43 GMT</pubDate>
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          <title><![CDATA['Changing Ground'   A white rhino stands against a backdrop of human development. As landscapes change, survival depends on how both species learn to exist within the same boundaries. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/okBdwvFB1GBedXt0Ul6R</link>
          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
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          <title><![CDATA[おそらく、2024年最後に撮影したものになると思う一枚。無意識にシャッターボタンを押していたようで、どこかの地面が写ってました。 明日、どこを撮ったのか現場を探してみよう。使っているカメラはGPS内蔵だから常にExifに位置情報が記録されていて便利です。  #misstake #street #AKS #MNT #tokyo #where #cityscape | つばさ製作所]]></title>
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          <description><![CDATA[下載つばさ製作所拍攝的高品質且免費的鋪設的人行道特寫圖像 整齊排列的混凝土磚塊照片，盡情使用。]]></description>
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          <pubDate>Tue, 31 Dec 2024 18:38:26 GMT</pubDate>
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            <media:description><![CDATA[下載つばさ製作所拍攝的高品質且免費的鋪設的人行道特寫圖像 整齊排列的混凝土磚塊照片，盡情使用。]]></media:description>
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          <link>https://www.cizucu.com/zh-tw/photos/1QnDQXxe4bCN8gi9z6Hz</link>
          <description><![CDATA[在cizucu上查看更多みーちん🧜‍♀️的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多みーちん🧜‍♀️的精彩作品。]]></media:description>
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          <title><![CDATA['Changing Ground'   A white rhino stands against a backdrop of human development. As landscapes change, survival depends on how both species learn to exist within the same boundaries. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/okBdwvFB1GBedXt0Ul6R</link>
          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
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          <pubDate>Mon, 06 Apr 2026 08:52:14 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></media:description>
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          <title><![CDATA[星空との邂逅  camera: EOS R6 lens: RF24-70mm F2.8 L IS USM edit: Lightroom  / Sequator  ※リンクのInstagramでレタッチ違いの投稿を載せています。 | mamo]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/LfmKXHKoY7uzrvFpo8XH</link>
          <description><![CDATA[在cizucu上查看更多mamo的精彩作品。]]></description>
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            <name>mamo</name>
            <uri>https://www.cizucu.com/zh-tw/mamo1708</uri>
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          <pubDate>Tue, 19 Nov 2024 17:18:11 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多mamo的精彩作品。]]></media:description>
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          <title><![CDATA[Location 淡水漁人碼頭 Date 2016年10月20日 EXIF 55(82)mm 1/10 f5.6 1600 | JimChen]]></title>
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          <description><![CDATA[在cizucu上查看更多JimChen的精彩作品。]]></description>
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          <pubDate>Sat, 11 Oct 2025 17:45:55 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多JimChen的精彩作品。]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[下載Him謙拍攝的高品質且免費的九張黑白海岸風景照片的拼列展示照片，盡情使用。]]></description>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
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          <description><![CDATA[下載Wee拍攝的高品質且免費的斑馬線路口黃色雨傘遮住購物籃照片，盡情使用。]]></description>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-05-03T14:44:45+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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