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          <title><![CDATA[#wall | PAPALIN]]></title>
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          <description><![CDATA[在 cizucu 免費下載由 PAPALIN 拍攝的高品質圖片，內容為「玻璃店面的黑白插圖拼貼 畫出各種日常場景和物體」。]]></description>
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          <pubDate>Sat, 25 Oct 2025 23:28:29 GMT</pubDate>
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            <media:description><![CDATA[在 cizucu 免費下載由 PAPALIN 拍攝的高品質圖片，內容為「玻璃店面的黑白插圖拼貼 畫出各種日常場景和物體」。]]></media:description>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
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          <description><![CDATA[在 cizucu 免費下載由 Adisatrya Johari 拍攝的高品質圖片，內容為「海邊站立的人們與延伸的地平線距離感」。]]></description>
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            <name>Adisatrya Johari</name>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
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            <media:description><![CDATA[在 cizucu 免費下載由 Adisatrya Johari 拍攝的高品質圖片，內容為「海邊站立的人們與延伸的地平線距離感」。]]></media:description>
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          <title><![CDATA[This was taken in a quiet Tokyo neighborhood at sunset. A delivery rider pausing for a moment between work and evening. I’m drawn to scenes like this, where ordinary life feels cinematic without trying to be. | verduyo]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/SkS1lCeyIKE8ppLHc4p8</link>
          <description><![CDATA[在cizucu上查看更多verduyo的精彩作品。]]></description>
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          <pubDate>Fri, 10 Oct 2025 13:25:12 GMT</pubDate>
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          <title><![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。  There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/nrmMSu53qtACfC79tYUG</link>
          <description><![CDATA[在cizucu上查看更多SSU JUNG-LIN的精彩作品。]]></description>
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            <name>SSU JUNG-LIN</name>
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          <pubDate>Sat, 11 Apr 2026 18:29:42 GMT</pubDate>
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            <media:title><![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。  There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多SSU JUNG-LIN的精彩作品。]]></media:description>
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          <title><![CDATA[Wherever she walks, her world walks with her  This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments.  #blackandwhite #life #motherhood #photographer #streetphotography #canon | Akshob Ram Kumar]]></title>
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          <description><![CDATA[在cizucu上查看更多Akshob Ram Kumar的精彩作品。]]></description>
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            <name>Akshob Ram Kumar</name>
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          <pubDate>Mon, 26 Jan 2026 12:06:44 GMT</pubDate>
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            <media:title><![CDATA[Wherever she walks, her world walks with her  This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments.  #blackandwhite #life #motherhood #photographer #streetphotography #canon | Akshob Ram Kumar]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Akshob Ram Kumar的精彩作品。]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></description>
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            <name>Lee Mia</name>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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            <name>a.da.md</name>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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