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            <media:description><![CDATA[在 cizucu 免費下載由 m4n4c 拍攝的高品質圖片，內容為「廢棄感的室內，光線從帶欄杆的窗戶透入」。]]></media:description>
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          <title><![CDATA[藍色燈光的地下通道向遠處延伸 | Shun]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/NUzyBPqRpii9hz2S0cA9</link>
          <description><![CDATA[在 cizucu 免費下載由 Shun 拍攝的高品質圖片，內容為「藍色燈光的地下通道向遠處延伸」。]]></description>
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          <pubDate>Mon, 04 Nov 2024 22:38:29 GMT</pubDate>
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            <media:description><![CDATA[在 cizucu 免費下載由 Shun 拍攝的高品質圖片，內容為「藍色燈光的地下通道向遠處延伸」。]]></media:description>
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          <title><![CDATA[朝の光(朝帰り) #電車内 #朝帰り #光 #窓の形 #朝の光 #虚ろ #光と影 #車輌内 #帰宅中  嬉しい恥ずかし朝帰り…w | ユウ3850]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/HVsrE24p5xdWWAD2qNyy</link>
          <description><![CDATA[在 cizucu 免費下載由 ユウ3850 拍攝的高品質圖片，內容為「火車車廂內，窗形光影交錯的歸途場景」。]]></description>
          <author>
            <name>ユウ3850</name>
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          <pubDate>Sun, 20 Jul 2025 13:32:20 GMT</pubDate>
          <atom:updated>2026-05-04T02:47:51+09:00</atom:updated>
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          <title><![CDATA[I wonder, how a person who came alone here for clicking photo must have felt. Looking at so many memories others created together. It’s only humane to feel the emptiness one carries inside.  | Anamika]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/pSUSOpE7ewDnB6ksueP3</link>
          <description><![CDATA[在 cizucu 免費下載由 Anamika 拍攝的高品質圖片，內容為「牆上張貼的照片列印展示」。]]></description>
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            <name>Anamika</name>
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          <pubDate>Fri, 06 Mar 2026 01:19:19 GMT</pubDate>
          <atom:updated>2026-03-06T03:00:35+09:00</atom:updated>
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            <media:description><![CDATA[在 cizucu 免費下載由 Anamika 拍攝的高品質圖片，內容為「牆上張貼的照片列印展示」。]]></media:description>
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          <title><![CDATA[作品名稱：白色的界線：孤寂 作品理念： 這是我人生中第一次與雪的相遇，於日本山形縣。這場初遇並未停留在浪漫的想像，而是意外遇上了一場猛烈的暴風雪。 畫面中，世界消融於白色的虛空。沒有聲音，只有在冰雪重壓下靜默的樹林。我刻意保留了風雪欲來時的深沉色調與雪地裡微細的灰階起伏，拒絕了常規風景照中討喜的明亮修飾。這張作品探討的是一種「崇高感（Sublime）」——當極致的寧靜帶來壓迫，人類在面對自然巨大的未知時，所感受到的孤寂、敬畏與恐懼之美。 | 逸錫 謝]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/di3OmgFAFV76YywYrtSr</link>
          <description><![CDATA[在cizucu上查看更多逸錫 謝的精彩作品。]]></description>
          <author>
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            <uri>https://www.cizucu.com/zh-tw/users/YKcTz2RFubO594vEe1Uyzr68ub33</uri>
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          <pubDate>Fri, 06 Mar 2026 21:00:13 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多逸錫 謝的精彩作品。]]></media:description>
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          <title><![CDATA[中国の廃棄病院 | 橘マツシン]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/uFIVnxf7gfY5a8lTOrZy</link>
          <description><![CDATA[在cizucu上查看更多橘マツシン的精彩作品。]]></description>
          <author>
            <name>橘マツシン</name>
            <uri>https://www.cizucu.com/zh-tw/users/yXRpNx5tEpQBifwMf8SuvzDD0NF2</uri>
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          <pubDate>Tue, 11 Nov 2025 19:55:27 GMT</pubDate>
          <atom:updated>2026-01-18T01:29:51+09:00</atom:updated>
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          <title><![CDATA[Midnight  Itaewon is one of Seoul’s most vibrant nightlife districts, known for its bars, clubs, and international crowd.  The night there never seems to sleep, always wearing an expression of excess. Neon signs, music, and laughter blur together, making the streets appear endlessly alive. Yet as midnight deepens, a quiet emptiness settles between the lights.  This photograph captures that quiet, hollow underside of Itaewon at the very hour when the night is expected to be at its brightest.  #Seoul #Nightscape | Chansik Park]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/2qp8kVyfHrhWW3hP6YX9</link>
          <description><![CDATA[在cizucu上查看更多Chansik Park的精彩作品。]]></description>
          <author>
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            <uri>https://www.cizucu.com/zh-tw/musikael</uri>
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          <pubDate>Wed, 18 Feb 2026 08:50:47 GMT</pubDate>
          <atom:updated>2026-03-03T09:30:10+09:00</atom:updated>
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            <media:title><![CDATA[Midnight  Itaewon is one of Seoul’s most vibrant nightlife districts, known for its bars, clubs, and international crowd.  The night there never seems to sleep, always wearing an expression of excess. Neon signs, music, and laughter blur together, making the streets appear endlessly alive. Yet as midnight deepens, a quiet emptiness settles between the lights.  This photograph captures that quiet, hollow underside of Itaewon at the very hour when the night is expected to be at its brightest.  #Seoul #Nightscape | Chansik Park]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Chansik Park的精彩作品。]]></media:description>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Q6N2AqNBGEyjTU9oR1AT</link>
          <description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></description>
          <author>
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            <uri>https://www.cizucu.com/zh-tw/users/cqB60J6ZoiXDbSDHNLKpcv12UR52</uri>
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          <pubDate>Tue, 10 Mar 2026 22:26:03 GMT</pubDate>
          <atom:updated>2026-05-03T14:00:53+09:00</atom:updated>
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            <media:title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></media:title>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
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          <description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></description>
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            <name>Jun Ciao 雋喬</name>
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          <pubDate>Tue, 10 Mar 2026 22:58:34 GMT</pubDate>
          <atom:updated>2026-03-10T22:59:01+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></media:description>
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