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          <title><![CDATA[The early bird gets the worm. | Yosuke0312]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Sl9OsrwjfFZrHtPh3Wbh</link>
          <description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></description>
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          <pubDate>Thu, 24 Apr 2025 09:18:50 GMT</pubDate>
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          <title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/g88J64lQJj6l7N8jfLy9</link>
          <description><![CDATA[在cizucu上查看更多kevouthere的精彩作品。]]></description>
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          <pubDate>Wed, 18 Feb 2026 20:05:35 GMT</pubDate>
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            <media:title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多kevouthere的精彩作品。]]></media:description>
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          <title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/OPN3NpM6QdtFUYQeC5SZ</link>
          <description><![CDATA[在cizucu上查看更多Sophie Harris-Taylor的精彩作品。]]></description>
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            <name>Sophie Harris-Taylor</name>
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          <pubDate>Sun, 05 Apr 2026 22:40:45 GMT</pubDate>
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            <media:title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Sophie Harris-Taylor的精彩作品。]]></media:description>
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          <title><![CDATA[That day, there was little to no crowd at this restaurant. I first noticed the light, then the geometrical lines drew my eyes in.  The service staff was doing his job diligently under the natural spotlight.  I asked myself, "Would you do what you did if the world isn't watching?"   That day, I was glad to capture this moment as a reminder that whether or not your effort gets seen, at the end of the day you only have yourself to answer to. | pixbypegs]]></title>
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          <description><![CDATA[在cizucu上查看更多pixbypegs的精彩作品。]]></description>
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          <pubDate>Sun, 15 Mar 2026 18:45:56 GMT</pubDate>
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            <media:title><![CDATA[That day, there was little to no crowd at this restaurant. I first noticed the light, then the geometrical lines drew my eyes in.  The service staff was doing his job diligently under the natural spotlight.  I asked myself, "Would you do what you did if the world isn't watching?"   That day, I was glad to capture this moment as a reminder that whether or not your effort gets seen, at the end of the day you only have yourself to answer to. | pixbypegs]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多pixbypegs的精彩作品。]]></media:description>
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          <title><![CDATA[Chinatown gets busy amidst covid, in Feb 2021. Red is forbidding but also auspicious, depending on how you look at it. Chinatown in Singapore has always been one of my favourite places to photograph no matter how much it has become gentrified. There are still bits of authenticity remaining in the older generation who still frequent the area. It is a simple moment but I love the small nuances to be had in the gusto of this elderly woman as she crosses the road. | Mindy Tan, Photographer]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bJX0AHMaZhZx6gKIiYqO</link>
          <description><![CDATA[在cizucu上查看更多Mindy Tan, Photographer的精彩作品。]]></description>
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            <name>Mindy Tan, Photographer</name>
            <uri>https://www.cizucu.com/zh-tw/users/lXOYju7KKDgYUcMQsLoeC5eaz9f1</uri>
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          <pubDate>Tue, 13 Jan 2026 18:53:33 GMT</pubDate>
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            <media:title><![CDATA[Chinatown gets busy amidst covid, in Feb 2021. Red is forbidding but also auspicious, depending on how you look at it. Chinatown in Singapore has always been one of my favourite places to photograph no matter how much it has become gentrified. There are still bits of authenticity remaining in the older generation who still frequent the area. It is a simple moment but I love the small nuances to be had in the gusto of this elderly woman as she crosses the road. | Mindy Tan, Photographer]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Mindy Tan, Photographer的精彩作品。]]></media:description>
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          <title><![CDATA[We went to Kazakhstan in December of 2024, fully prepared for temperatures hovering around zero degrees, and a week of exploring Almaty; imagine our surprise when, the moment we landed, temperatures dipped to -15!   Thank goodness for second-hand winter-wear stores, for the spirit of adventure needed to travel, and for a wife that pushes me fully out of my comfort zone, onto a horse, and into the Kazak mountains.   This was a landmark moment for us, just before our fifth anniversary,  and the beginning of our horse-riding obsession,. For me personally, it was also the end of my drive to baby my gear; there's only so many times your Q2 can bump against a stainless steel saddle before you decide, hey, never mind the scratches.   Our toes went numb in the sub-zero temperatures, our guide-dog ate our lunch, and we found ourselves in pitch-darkness, navigating only by the village lights in the far distance. I wouldn't change a thing. | Jabariphotos]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/pKK6B44Zc6U6maOPGZPa</link>
          <description><![CDATA[在cizucu上查看更多Jabariphotos的精彩作品。]]></description>
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            <name>Jabariphotos</name>
            <uri>https://www.cizucu.com/zh-tw/users/ZFecu6n4qbdIiySwvI47tt31qYt2</uri>
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          <pubDate>Sat, 02 May 2026 13:58:56 GMT</pubDate>
          <atom:updated>2026-05-02T13:58:56+09:00</atom:updated>
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            <media:title><![CDATA[We went to Kazakhstan in December of 2024, fully prepared for temperatures hovering around zero degrees, and a week of exploring Almaty; imagine our surprise when, the moment we landed, temperatures dipped to -15!   Thank goodness for second-hand winter-wear stores, for the spirit of adventure needed to travel, and for a wife that pushes me fully out of my comfort zone, onto a horse, and into the Kazak mountains.   This was a landmark moment for us, just before our fifth anniversary,  and the beginning of our horse-riding obsession,. For me personally, it was also the end of my drive to baby my gear; there's only so many times your Q2 can bump against a stainless steel saddle before you decide, hey, never mind the scratches.   Our toes went numb in the sub-zero temperatures, our guide-dog ate our lunch, and we found ourselves in pitch-darkness, navigating only by the village lights in the far distance. I wouldn't change a thing. | Jabariphotos]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jabariphotos的精彩作品。]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/RsubPbXXibrVGCnrOtp8</link>
          <description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></description>
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            <name>Yash Rane</name>
            <uri>https://www.cizucu.com/zh-tw/users/p4C2inUv1ih89epMzxU1Djvz4B03</uri>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
          <atom:updated>2026-03-13T17:52:43+09:00</atom:updated>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[在cizucu上查看更多Chan Jian Liang的精彩作品。]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/zh-tw/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
          <atom:updated>2026-01-20T21:49:17+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Chan Jian Liang的精彩作品。]]></media:description>
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