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          <title><![CDATA[This picture depicts a shop in Hongkong, selling local street food. | Keira Low]]></title>
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          <description><![CDATA[在cizucu上查看更多Keira Low的精彩作品。]]></description>
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            <name>Keira Low</name>
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          <pubDate>Tue, 03 Feb 2026 16:22:17 GMT</pubDate>
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            <media:title><![CDATA[This picture depicts a shop in Hongkong, selling local street food. | Keira Low]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Keira Low的精彩作品。]]></media:description>
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          <title><![CDATA[Hanoi is a city of constant contrasts — stillness and motion, waiting and rushing, order and chaos. This image seeks to hold that contradiction in a single, quiet yet telling moment. | Simon]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ULFJ6goO5K76zKE5Imwc</link>
          <description><![CDATA[在cizucu上查看更多Simon的精彩作品。]]></description>
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            <name>Simon</name>
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          <pubDate>Fri, 13 Feb 2026 16:48:09 GMT</pubDate>
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            <media:title><![CDATA[Hanoi is a city of constant contrasts — stillness and motion, waiting and rushing, order and chaos. This image seeks to hold that contradiction in a single, quiet yet telling moment. | Simon]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Simon的精彩作品。]]></media:description>
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          <title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/l6PApopjFqAxzegIdmWb</link>
          <description><![CDATA[在cizucu上查看更多vemuon的精彩作品。]]></description>
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            <name>vemuon</name>
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          <pubDate>Tue, 20 Feb 2024 20:58:35 GMT</pubDate>
          <atom:updated>2024-11-22T17:28:15+09:00</atom:updated>
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            <media:title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多vemuon的精彩作品。]]></media:description>
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          <title><![CDATA[That day, my brother and I braved our fist self-guided multi-day adventure through the Central Highlands of Tasmania/Luruwita. What looked like clear skies and path ahead took a turn when a raging blizzard arrived in the first hour. In hindsight, it was quite telling of what else lay ahead. That day was just the beginning of what we now reflect on as “The Hero’s Journey”. | nai.msz]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qJnNFlE9XeqYSoFj3kOI</link>
          <description><![CDATA[在cizucu上查看更多nai.msz的精彩作品。]]></description>
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            <name>nai.msz</name>
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          <pubDate>Sun, 15 Mar 2026 20:03:55 GMT</pubDate>
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            <media:title><![CDATA[That day, my brother and I braved our fist self-guided multi-day adventure through the Central Highlands of Tasmania/Luruwita. What looked like clear skies and path ahead took a turn when a raging blizzard arrived in the first hour. In hindsight, it was quite telling of what else lay ahead. That day was just the beginning of what we now reflect on as “The Hero’s Journey”. | nai.msz]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多nai.msz的精彩作品。]]></media:description>
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          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is one of the back streets of central Madrid. Joined a group-turned-one on one historical walking tour and captured this moment. My tour guide was probably telling me the history of the Church in front of me, but what stuck with me more is how the sun was setting nicely at this moment. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/fSrPFnnCB2gf07kryEIp</link>
          <description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></description>
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            <name>_jotriessomething</name>
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          <pubDate>Sat, 21 Mar 2026 17:40:51 GMT</pubDate>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is one of the back streets of central Madrid. Joined a group-turned-one on one historical walking tour and captured this moment. My tour guide was probably telling me the history of the Church in front of me, but what stuck with me more is how the sun was setting nicely at this moment. | _jotriessomething]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多_jotriessomething的精彩作品。]]></media:description>
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          <title><![CDATA[I did a series of photos after seeing how the Greenvines HBD Tampines had interesting colour walls and this was done as we were coming out from covid. I choose this photo because during covid I was battling through a lot of things in life, which almost defeated me. To have a friend who is like a sister to me, and who is always so willing to be my model means a lot to me. And this photo particularly means a lot because it shows how a person may be going through their own issues in life symbolize by the red glasses and plastic round tank on her head but still looking towards the light which symbolizes the future. | hy.sei.chan]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/J8t2cQHeRGBdWscsAHIv</link>
          <description><![CDATA[在cizucu上查看更多hy.sei.chan的精彩作品。]]></description>
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            <name>hy.sei.chan</name>
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          <pubDate>Sun, 19 Apr 2026 20:56:07 GMT</pubDate>
          <atom:updated>2026-04-19T20:56:07+09:00</atom:updated>
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            <media:title><![CDATA[I did a series of photos after seeing how the Greenvines HBD Tampines had interesting colour walls and this was done as we were coming out from covid. I choose this photo because during covid I was battling through a lot of things in life, which almost defeated me. To have a friend who is like a sister to me, and who is always so willing to be my model means a lot to me. And this photo particularly means a lot because it shows how a person may be going through their own issues in life symbolize by the red glasses and plastic round tank on her head but still looking towards the light which symbolizes the future. | hy.sei.chan]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多hy.sei.chan的精彩作品。]]></media:description>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bqXUVMgMXBlAsPM7Qjwu</link>
          <description><![CDATA[在cizucu上查看更多Lanna Shuttered Moments的精彩作品。]]></description>
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            <name>Lanna Shuttered Moments</name>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
          <atom:updated>2026-02-14T10:30:49+09:00</atom:updated>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lanna Shuttered Moments的精彩作品。]]></media:description>
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          <title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/RZLD1Q9AV4QDICbVbySD</link>
          <description><![CDATA[在cizucu上查看更多asri的精彩作品。]]></description>
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            <name>asri</name>
            <uri>https://www.cizucu.com/zh-tw/users/EuJS45RNWKgaql265KlaH8V0yE33</uri>
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          <pubDate>Fri, 01 May 2026 11:45:13 GMT</pubDate>
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            <media:title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多asri的精彩作品。]]></media:description>
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          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[在cizucu上查看更多Kentledger的精彩作品。]]></description>
          <author>
            <name>Kentledger</name>
            <uri>https://www.cizucu.com/zh-tw/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
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          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PX9Bj4iUmBnjDhCqkLVD.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Kentledger的精彩作品。]]></media:description>
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          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/a18natgq2Cvi84J6arq9</link>
          <description><![CDATA[在cizucu上查看更多JIYEJI的精彩作品。]]></description>
          <author>
            <name>JIYEJI</name>
            <uri>https://www.cizucu.com/zh-tw/jiyeji</uri>
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          <pubDate>Sun, 07 Sep 2025 19:23:19 GMT</pubDate>
          <atom:updated>2025-09-07T19:23:19+09:00</atom:updated>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多JIYEJI的精彩作品。]]></media:description>
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          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/0YqcAFIGmAt7Dv5EtyZy</link>
          <description><![CDATA[在cizucu上查看更多JIYEJI的精彩作品。]]></description>
          <author>
            <name>JIYEJI</name>
            <uri>https://www.cizucu.com/zh-tw/users/M2zHDaTlpZYaOsQpahReBUlgEWo2</uri>
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          <pubDate>Sun, 07 Sep 2025 17:31:56 GMT</pubDate>
          <atom:updated>2025-09-07T17:31:56+09:00</atom:updated>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多JIYEJI的精彩作品。]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[在cizucu上查看更多Tristan Tan的精彩作品。]]></description>
          <author>
            <name>Tristan Tan</name>
            <uri>https://www.cizucu.com/zh-tw/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2</uri>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/HYQtjMa45dQlz5PrPH13.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Tristan Tan的精彩作品。]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[在cizucu上查看更多W Mick的精彩作品。]]></description>
          <author>
            <name>W Mick</name>
            <uri>https://www.cizucu.com/zh-tw/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多W Mick的精彩作品。]]></media:description>
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