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          <title><![CDATA[愛犬たちとの生活  #dogs #散歩 | つばさ製作所]]></title>
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          <title><![CDATA[dot&blue | つばさ製作所]]></title>
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          <pubDate>Fri, 03 Jan 2025 20:43:10 GMT</pubDate>
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          <title><![CDATA[#Dogs | Misaki]]></title>
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          <pubDate>Wed, 26 Nov 2025 15:58:55 GMT</pubDate>
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          <title><![CDATA[#Dogs | Misaki]]></title>
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          <pubDate>Wed, 26 Nov 2025 12:34:33 GMT</pubDate>
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          <title><![CDATA[Light finds its way through the leaves, like it always does. Slow, quiet, certain.  | benjamin]]></title>
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            <media:description><![CDATA[在cizucu上查看更多benjamin的精彩作品。]]></media:description>
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          <title><![CDATA[Red Dot | w_nston]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/eIjublML7IPlhtMZtKoW</link>
          <description><![CDATA[在cizucu上查看更多w_nston的精彩作品。]]></description>
          <author>
            <name>w_nston</name>
            <uri>https://www.cizucu.com/zh-tw/users/XV1d7qwKjPfhauDzIVWMxFO5eVA2</uri>
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          <pubDate>Fri, 17 Apr 2026 02:33:43 GMT</pubDate>
          <atom:updated>2026-04-17T02:33:43+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多w_nston的精彩作品。]]></media:description>
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          <title><![CDATA[Found a spot with lots of light from the sunset, and waited for subjects to walk into the light | Ed]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ThAYvU38IgUbt2kF3Tr7</link>
          <description><![CDATA[在cizucu上查看更多Ed的精彩作品。]]></description>
          <author>
            <name>Ed</name>
            <uri>https://www.cizucu.com/zh-tw/10969espada</uri>
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          <pubDate>Mon, 30 Mar 2026 19:08:31 GMT</pubDate>
          <atom:updated>2026-03-30T19:08:31+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Ed的精彩作品。]]></media:description>
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          <title><![CDATA[Big Red Dot  #osaka #worldexpo2025 #kansai #singapore | w_nston]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bqETAW9PO4HTRLI8qkr4</link>
          <description><![CDATA[在cizucu上查看更多w_nston的精彩作品。]]></description>
          <author>
            <name>w_nston</name>
            <uri>https://www.cizucu.com/zh-tw/users/XV1d7qwKjPfhauDzIVWMxFO5eVA2</uri>
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          <pubDate>Fri, 17 Apr 2026 02:25:10 GMT</pubDate>
          <atom:updated>2026-04-17T02:25:10+09:00</atom:updated>
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            <media:title><![CDATA[Big Red Dot  #osaka #worldexpo2025 #kansai #singapore | w_nston]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bqETAW9PO4HTRLI8qkr4.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多w_nston的精彩作品。]]></media:description>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/mXCKJcjBdjZJvYzybHbi</link>
          <description><![CDATA[在cizucu上查看更多Wee的精彩作品。]]></description>
          <author>
            <name>Wee</name>
            <uri>https://www.cizucu.com/zh-tw/users/canqHYy9pXY5B11gyQqx3jcPe5z1</uri>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-02-22T16:57:32+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Wee的精彩作品。]]></media:description>
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          <title><![CDATA[Urban Pause  Red plays a soft and insistent role here. The red man from the traffic light does not shout. It whispers a quiet command which takes center stage and tells you to “wait”. Time is suspended in this moment as one waits for the red man to fade away into another version of itself. | Sean Teo]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/UkoVB64CYBHNUN0aWi5b</link>
          <description><![CDATA[在cizucu上查看更多Sean Teo的精彩作品。]]></description>
          <author>
            <name>Sean Teo</name>
            <uri>https://www.cizucu.com/zh-tw/users/PKQwZV1dTtgSH6NXC8Z9fMrUCaI2</uri>
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          <pubDate>Tue, 17 Feb 2026 00:52:09 GMT</pubDate>
          <atom:updated>2026-02-17T00:52:09+09:00</atom:updated>
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            <media:title><![CDATA[Urban Pause  Red plays a soft and insistent role here. The red man from the traffic light does not shout. It whispers a quiet command which takes center stage and tells you to “wait”. Time is suspended in this moment as one waits for the red man to fade away into another version of itself. | Sean Teo]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/UkoVB64CYBHNUN0aWi5b.jpg?fm=jpg" type="image/jpeg" width="2048" height="3089" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/UkoVB64CYBHNUN0aWi5b.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Sean Teo的精彩作品。]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></description>
          <author>
            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/zh-tw/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T02:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?fm=jpg" type="image/jpeg" width="4492" height="6774" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></media:description>
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          <title><![CDATA[I welcomed September by climbing Mt. Fuji and captured this photo while watching one of the most beautiful sunsets of my life. That same week, I had just discovered a song with these lyrics:  ‘En un atardecer Solo aparecen dos cosas La luna y el sol’  Which means:  ‘In a sunset Only two things appear The Moon and the Sun’  The coincidence, together with that sunset, made it an unforgettable moment in my life.  In the photo, clouds float in the sunset, the moon watches quietly, and the breeze lifts a woman’s hair, capturing the magic of the moment. | suleler]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/OmTXUiV6catsR7DSP71C</link>
          <description><![CDATA[在cizucu上查看更多suleler的精彩作品。]]></description>
          <author>
            <name>suleler</name>
            <uri>https://www.cizucu.com/zh-tw/users/nULyQxGLgJZeLFAru8Ybwfq4x4x2</uri>
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          <pubDate>Sat, 06 Sep 2025 22:04:16 GMT</pubDate>
          <atom:updated>2025-09-06T22:04:16+09:00</atom:updated>
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            <media:title><![CDATA[I welcomed September by climbing Mt. Fuji and captured this photo while watching one of the most beautiful sunsets of my life. That same week, I had just discovered a song with these lyrics:  ‘En un atardecer Solo aparecen dos cosas La luna y el sol’  Which means:  ‘In a sunset Only two things appear The Moon and the Sun’  The coincidence, together with that sunset, made it an unforgettable moment in my life.  In the photo, clouds float in the sunset, the moon watches quietly, and the breeze lifts a woman’s hair, capturing the magic of the moment. | suleler]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/OmTXUiV6catsR7DSP71C.jpg?fm=jpg" type="image/jpeg" width="1240" height="1654" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OmTXUiV6catsR7DSP71C.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多suleler的精彩作品。]]></media:description>
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          <title><![CDATA["Searching for hope" — that was the thought that came to me when I came across this elderly fruit seller in Seoul’s Gwangjang market. The stacked fruits glow under the hanging light, while she sits in the shadow, almost submerged by everything she sells. She reminded me of our fading wet market and hawker culture, as consumers have shifted toward supermarkets, delivery, and modern dining options. What does it mean to keep something alive when the world has quietly moved away from? | Jodi]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/RpDaIviiNurewFeVKDGi</link>
          <description><![CDATA[在cizucu上查看更多Jodi的精彩作品。]]></description>
          <author>
            <name>Jodi</name>
            <uri>https://www.cizucu.com/zh-tw/imjodi</uri>
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          <pubDate>Thu, 16 Apr 2026 21:52:27 GMT</pubDate>
          <atom:updated>2026-04-16T21:52:27+09:00</atom:updated>
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            <media:title><![CDATA["Searching for hope" — that was the thought that came to me when I came across this elderly fruit seller in Seoul’s Gwangjang market. The stacked fruits glow under the hanging light, while she sits in the shadow, almost submerged by everything she sells. She reminded me of our fading wet market and hawker culture, as consumers have shifted toward supermarkets, delivery, and modern dining options. What does it mean to keep something alive when the world has quietly moved away from? | Jodi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/RpDaIviiNurewFeVKDGi.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/RpDaIviiNurewFeVKDGi.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/RpDaIviiNurewFeVKDGi.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Jodi的精彩作品。]]></media:description>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
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            <name>Lousycameraman</name>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
          <atom:updated>2026-01-20T13:05:15+09:00</atom:updated>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[在cizucu上查看更多Urasha的精彩作品。]]></description>
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            <name>Urasha</name>
            <uri>https://www.cizucu.com/zh-tw/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Urasha的精彩作品。]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[在cizucu上查看更多Tristan Tan的精彩作品。]]></description>
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            <name>Tristan Tan</name>
            <uri>https://www.cizucu.com/zh-tw/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2</uri>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Tristan Tan的精彩作品。]]></media:description>
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