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          <title><![CDATA[埃塞俄比亞達納基爾低地的生動綠色鹽湖風景 | fyonetsu]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/YUJI9oWNTedLw0XlhzhX</link>
          <description><![CDATA[下載fyonetsu拍攝的高品質且免費的埃塞俄比亞達納基爾低地的生動綠色鹽湖風景照片，盡情使用。]]></description>
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          <pubDate>Tue, 23 Jan 2024 22:58:59 GMT</pubDate>
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          <link>https://www.cizucu.com/zh-tw/photos/TSk1O6JhljdKTKj28GGm</link>
          <description><![CDATA[下載fyonetsu拍攝的高品質且免費的埃塞俄比亞達納基爾低地的多彩景觀照片，盡情使用。]]></description>
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          <pubDate>Tue, 23 Jan 2024 22:59:02 GMT</pubDate>
          <atom:updated>2024-11-25T01:37:00+09:00</atom:updated>
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          <title><![CDATA[埃塞俄比亞達納基爾洼地的五彩繽紛的硫磺和鹽景觀 | fyonetsu]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/4BQMJwr3TIUDuQafm4pz</link>
          <description><![CDATA[下載fyonetsu拍攝的高品質且免費的埃塞俄比亞達納基爾洼地的五彩繽紛的硫磺和鹽景觀照片，盡情使用。]]></description>
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          <pubDate>Tue, 23 Jan 2024 23:00:19 GMT</pubDate>
          <atom:updated>2024-01-23T23:00:19+09:00</atom:updated>
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        <item>
          <title><![CDATA[沙漠盆地的淺水水窪與乾燥地表景觀 | OKI]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/vzi5nrIGbdgNZF2zCJ4V</link>
          <description><![CDATA[下載OKI拍攝的高品質且免費的沙漠盆地的淺水水窪與乾燥地表景觀照片，盡情使用。]]></description>
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            <name>OKI</name>
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          <pubDate>Mon, 22 Dec 2025 12:53:32 GMT</pubDate>
          <atom:updated>2026-05-03T17:49:04+09:00</atom:updated>
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          <title><![CDATA[เรื่องราวของเด็กหลายคนในยุคปัจจุบันที่มีความไวในการเติบโตและพัฒนาการทางความคิดอย่างรวดเร็วด้วยแรงขับเคลื่อนของโซเชียล โดยในภาพนี้จะสะท้อนถึงสภาวะทางความคิดของสมองของเด็กในภาพที่ต้องรับแรงกดดันเป็นอย่างมากในยุคปัจจุบันที่สมองรับภาระที่โตเกินวัยและส่งผลกระทบต่อจิตใจเป็นอย่างมาก ทั้งด้านการเรียน , ปัญหาภายในครอบครัว , รวมไปถึงอนาคตของตัวเอง จนทำให้มีผลกระทบถึงสารสื่อประสาทในสมองหรือชนิดโรคที่เรียกว่า Depressive disorder (โรคซึมเศร้า) | puttipong chattieng]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/F31GXcg6pObcEvWGrWEu</link>
          <description><![CDATA[在cizucu上查看更多puttipong chattieng的精彩作品。]]></description>
          <author>
            <name>puttipong chattieng</name>
            <uri>https://www.cizucu.com/zh-tw/users/9GIL0EkVVafj4VelIb1Mnqo5hXb2</uri>
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          <pubDate>Sun, 15 Feb 2026 03:53:55 GMT</pubDate>
          <atom:updated>2026-02-15T03:53:55+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多puttipong chattieng的精彩作品。]]></media:description>
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          <title><![CDATA[เรื่องราวของเด็กหลายคนในยุคปัจจุบันที่มีความไวในการเติบโตและพัฒนาการทางความคิดอย่างรวดเร็วด้วยแรงขับเคลื่อนของโซเชียล โดยในภาพนี้จะสะท้อนถึงสภาวะทางความคิดของสมองของเด็กในภาพที่ต้องรับแรงกดดันเป็นอย่างมากในยุคปัจจุบันที่สมองรับภาระที่โตเกินวัยและส่งผลกระทบต่อจิตใจเป็นอย่างมาก ทั้งด้านการเรียน , ปัญหาภายในครอบครัว , รวมไปถึงอนาคตของตัวเอง จนทำให้มีผลกระทบถึงสารสื่อประสาทในสมองหรือชนิดโรคที่เรียกว่า Depressive disorder (โรคซึมเศร้า) | puttipong chattieng]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/F31GXcg6pObcEvWGrWEu</link>
          <description><![CDATA[在cizucu上查看更多puttipong chattieng的精彩作品。]]></description>
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            <name>puttipong chattieng</name>
            <uri>https://www.cizucu.com/zh-tw/users/9GIL0EkVVafj4VelIb1Mnqo5hXb2</uri>
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          <pubDate>Sun, 15 Feb 2026 03:53:55 GMT</pubDate>
          <atom:updated>2026-02-15T03:53:58+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多puttipong chattieng的精彩作品。]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
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          <description><![CDATA[下載Him謙拍攝的高品質且免費的九張黑白海岸風景照片的拼列展示照片，盡情使用。]]></description>
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            <name>Him謙</name>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
          <atom:updated>2026-05-03T11:56:18+09:00</atom:updated>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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            <media:description><![CDATA[下載Him謙拍攝的高品質且免費的九張黑白海岸風景照片的拼列展示照片，盡情使用。]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[在cizucu上查看更多Him謙的精彩作品。]]></description>
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            <name>Him謙</name>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Him謙的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></title>
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          <description><![CDATA[在cizucu上查看更多Surabhi Manisha的精彩作品。]]></description>
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            <name>Surabhi Manisha</name>
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          <pubDate>Sat, 14 Mar 2026 22:52:50 GMT</pubDate>
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            <media:title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Surabhi Manisha的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/3qQ9cLri7b8sRcD0GTKu</link>
          <description><![CDATA[在cizucu上查看更多Surabhi Manisha的精彩作品。]]></description>
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