Currant 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/currant zh-tw 2026-05-05T14:00:02+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[モノクロフィルム | Andy]]> https://www.cizucu.com/zh-tw/photos/zMibbSp5tUIcwcwyK4Cs Andy https://www.cizucu.com/zh-tw/andy https://www.cizucu.com/zh-tw/photos/zMibbSp5tUIcwcwyK4Cs Tue, 17 Dec 2024 09:12:18 GMT 2024-12-17T22:30:34+09:00 https://cdn.cizucu.com/images/photos/zMibbSp5tUIcwcwyK4Cs.jpg?auto=compress,format <![CDATA[Laser train | Gonta]]> https://www.cizucu.com/zh-tw/photos/1ovLxOXbweY9hT9zf3OP Gonta https://www.cizucu.com/zh-tw/users/24n3U291BeT3mYqe3w3flVA89QD2 https://www.cizucu.com/zh-tw/photos/1ovLxOXbweY9hT9zf3OP Sat, 09 Mar 2024 22:03:08 GMT 2024-11-21T12:51:39+09:00 https://cdn.cizucu.com/images/photos/1ovLxOXbweY9hT9zf3OP.jpg?auto=compress,format <![CDATA[旭川サンロク | Kosei Tanaka]]> https://www.cizucu.com/zh-tw/photos/uezZlL2NnURxfYi43We0 Kosei Tanaka https://www.cizucu.com/zh-tw/esco0821 https://www.cizucu.com/zh-tw/photos/uezZlL2NnURxfYi43We0 Wed, 05 Nov 2025 13:31:13 GMT 2025-11-05T13:31:13+09:00 https://cdn.cizucu.com/images/photos/uezZlL2NnURxfYi43We0.jpg?auto=compress,format <![CDATA[地下トンネル、地下鉄、地下線路 | 底野　庵太]]> https://www.cizucu.com/zh-tw/photos/KqYS9eyjnEIAAhyPovzQ 底野　庵太 https://www.cizucu.com/zh-tw/users/0o7IfuBkg5YaKkOWIy3FJFQbBna2 https://www.cizucu.com/zh-tw/photos/KqYS9eyjnEIAAhyPovzQ Wed, 05 Jun 2024 20:55:29 GMT 2024-06-05T20:55:47+09:00 https://cdn.cizucu.com/images/photos/KqYS9eyjnEIAAhyPovzQ.jpg?auto=compress,format <![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate. Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology. "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]> https://www.cizucu.com/zh-tw/photos/y4dUsQS7SWFJtsiebLQ6 JuskoLiy https://www.cizucu.com/zh-tw/juskoliy https://www.cizucu.com/zh-tw/photos/y4dUsQS7SWFJtsiebLQ6 Sat, 21 Mar 2026 09:11:14 GMT 2026-03-21T09:11:14+09:00 https://cdn.cizucu.com/images/photos/y4dUsQS7SWFJtsiebLQ6.jpg?auto=compress,format <![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate. Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology. "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]> https://www.cizucu.com/zh-tw/photos/y4dUsQS7SWFJtsiebLQ6 JuskoLiy https://www.cizucu.com/zh-tw/juskoliy https://www.cizucu.com/zh-tw/photos/y4dUsQS7SWFJtsiebLQ6 Sat, 21 Mar 2026 09:11:14 GMT 2026-03-21T09:11:39+09:00 https://cdn.cizucu.com/images/photos/y4dUsQS7SWFJtsiebLQ6.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/zh-tw/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:10+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/zh-tw/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/zh-tw/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:16+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:52:00+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format