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          <title><![CDATA[Whether the flower or the seed comes first, I'm sure your smile will come first  #yellow  #flower  #iPhone  | daphoto]]></title>
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          <title><![CDATA[Before winter comes  | Chamoda Gallage]]></title>
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          <pubDate>Thu, 29 Jan 2026 09:49:06 GMT</pubDate>
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          <title><![CDATA[what if tomorrow never comes? | Mikie Lee]]></title>
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          <pubDate>Sun, 19 Apr 2026 19:48:52 GMT</pubDate>
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          <title><![CDATA[Harvest When the autumn comes, truck roars through the field and collects the reap of the summer. | Eating Lai]]></title>
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          <pubDate>Fri, 10 Oct 2025 20:13:53 GMT</pubDate>
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          <title><![CDATA[Taken at Songkran 2026. A moment when everyone and everything comes together to make this split sec shot.  | Nekostudio]]></title>
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          <pubDate>Thu, 23 Apr 2026 20:03:20 GMT</pubDate>
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          <title><![CDATA[Milky Way & Comet Tsuchinshan-ATLAS #タイ #ナーン県 #天の川  紫金山・アトラス彗星に出会った夜 | masashi7069]]></title>
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          <description><![CDATA[在cizucu上查看更多masashi7069的精彩作品。]]></description>
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          <pubDate>Thu, 22 Jan 2026 17:28:13 GMT</pubDate>
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          <title><![CDATA[Snowman made with love, shot in Mt Buller, Melbourne, Australia.   Growing up in a tropical country, touching snow is a privilege not many get the chance to touch. Yet, many communities comes to Mt Buller to ski daily, weekly. For us, we hope Mr. Snowman would stay longer than we could.   | lucion j. orion]]></title>
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          <pubDate>Sat, 18 Apr 2026 15:02:19 GMT</pubDate>
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            <media:title><![CDATA[Snowman made with love, shot in Mt Buller, Melbourne, Australia.   Growing up in a tropical country, touching snow is a privilege not many get the chance to touch. Yet, many communities comes to Mt Buller to ski daily, weekly. For us, we hope Mr. Snowman would stay longer than we could.   | lucion j. orion]]></media:title>
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          <title><![CDATA[This is from a wrestling show i was a photographer at. This comes as a full circle moment because as a kid this was the first show my dad took me to and also the first show I had the privilege of shooting. | Antony James]]></title>
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          <pubDate>Sun, 05 Apr 2026 00:37:15 GMT</pubDate>
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          <title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | Keith Wee]]></title>
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          <pubDate>Tue, 13 Jan 2026 22:38:30 GMT</pubDate>
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            <media:title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | Keith Wee]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Keith Wee的精彩作品。]]></media:description>
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          <title><![CDATA[もう誰も訪れないかのように、ひっそりと孤独な空気をまとっていた固城の召乙非浦城址。  Soeulbipo Fortress Site in Goseong — a place that felt lonely, as if no one comes here anymore. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/jEHyM1szXu4yfRsjdorl</link>
          <description><![CDATA[在cizucu上查看更多Park Seongjjn的精彩作品。]]></description>
          <author>
            <name>Park Seongjjn</name>
            <uri>https://www.cizucu.com/zh-tw/users/ya4adYGh3hVOG6C3qVT7j6kHqx13</uri>
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          <pubDate>Thu, 16 Apr 2026 21:49:25 GMT</pubDate>
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            <media:title><![CDATA[もう誰も訪れないかのように、ひっそりと孤独な空気をまとっていた固城の召乙非浦城址。  Soeulbipo Fortress Site in Goseong — a place that felt lonely, as if no one comes here anymore. | Park Seongjjn]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Park Seongjjn的精彩作品。]]></media:description>
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          <title><![CDATA[It was a gloomy evening in the City of London when the fog suddenly rolled in, thicker and lower than anything I had ever experienced before. I had my Nikon F80 loaded with CineStill 800T, and the film captured the atmosphere perfectly, turning the red aviation lights into something almost otherworldly. One of those rare evenings where everything just comes together in the most unexpected way. | jan.onfilm]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/BFygWEW5tiUY8HZyMWZt</link>
          <description><![CDATA[在cizucu上查看更多jan.onfilm的精彩作品。]]></description>
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            <name>jan.onfilm</name>
            <uri>https://www.cizucu.com/zh-tw/users/1ImxtRpVhSVMpna3Y7cjjyOCIKQ2</uri>
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          <pubDate>Tue, 31 Mar 2026 16:33:37 GMT</pubDate>
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            <media:title><![CDATA[It was a gloomy evening in the City of London when the fog suddenly rolled in, thicker and lower than anything I had ever experienced before. I had my Nikon F80 loaded with CineStill 800T, and the film captured the atmosphere perfectly, turning the red aviation lights into something almost otherworldly. One of those rare evenings where everything just comes together in the most unexpected way. | jan.onfilm]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/BFygWEW5tiUY8HZyMWZt.jpg?fm=jpg" type="image/jpeg" width="2433" height="3637" />
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            <media:description><![CDATA[在cizucu上查看更多jan.onfilm的精彩作品。]]></media:description>
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          <title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/0ufaljTfbGbNMY5rPlRC</link>
          <description><![CDATA[在cizucu上查看更多Poulomi Das的精彩作品。]]></description>
          <author>
            <name>Poulomi Das</name>
            <uri>https://www.cizucu.com/zh-tw/users/jn2H4skRTIQEknDvI1p3oRzn9AC2</uri>
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          <pubDate>Sat, 14 Mar 2026 22:35:46 GMT</pubDate>
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            <media:title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0ufaljTfbGbNMY5rPlRC.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Poulomi Das的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/f18ScarEIZLJgxhe8xOy</link>
          <description><![CDATA[在cizucu上查看更多Erica_林瑋瑜的精彩作品。]]></description>
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            <name>Erica_林瑋瑜</name>
            <uri>https://www.cizucu.com/zh-tw/erica09174</uri>
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          <pubDate>Wed, 18 Feb 2026 13:09:43 GMT</pubDate>
          <atom:updated>2026-02-18T13:09:43+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Erica_林瑋瑜的精彩作品。]]></media:description>
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          <title><![CDATA[Mother and Me These are the hands of my mother and mine. The bond between us has always been complex— filled with so much love. Sometimes it feels warm, and sometimes it feels like a kind of restraint. But no matter what, it comes from a heart that is sincere and deeply passionate.  母親與我 這是我和母親的手。 我們之間的情感總是複雜—— 有很多的愛， 有時是溫暖，有時也像一種限制。 但無論如何， 那始終是一顆真切而炙熱的心。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/oQZh62u7bm1FGPw62ST6</link>
          <description><![CDATA[在cizucu上查看更多JoJo Tsai  蔡易蓁的精彩作品。]]></description>
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            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/zh-tw/jojotsai</uri>
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          <pubDate>Thu, 19 Feb 2026 04:04:55 GMT</pubDate>
          <atom:updated>2026-02-19T04:04:55+09:00</atom:updated>
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            <media:title><![CDATA[Mother and Me These are the hands of my mother and mine. The bond between us has always been complex— filled with so much love. Sometimes it feels warm, and sometimes it feels like a kind of restraint. But no matter what, it comes from a heart that is sincere and deeply passionate.  母親與我 這是我和母親的手。 我們之間的情感總是複雜—— 有很多的愛， 有時是溫暖，有時也像一種限制。 但無論如何， 那始終是一顆真切而炙熱的心。 | JoJo Tsai  蔡易蓁]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/oQZh62u7bm1FGPw62ST6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多JoJo Tsai  蔡易蓁的精彩作品。]]></media:description>
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          <title><![CDATA[He sits on the bus back to Tokyo, still in his best suit, asleep before the journey has really begun. Finally giving in to the quiet as the sunlight rests on his face, revealing lines that feel less like age and more like a record of everything he’s lived through. Subtle details of time, not as wear, but as something earned. There’s a sense that whatever filled his day, he met it fully. Not perfectly, but with experience. The kind that only comes from years of showing up and figuring things out as you go. Allowing himself this small pause, not an ending, just a moment to rest before everything begins again. | arvin nicholas]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/NUqqo1OU6sirqUbXKdgJ</link>
          <description><![CDATA[在cizucu上查看更多arvin nicholas的精彩作品。]]></description>
          <author>
            <name>arvin nicholas</name>
            <uri>https://www.cizucu.com/zh-tw/users/F64DZVCtptYc69iFRCXLID3O8Fk2</uri>
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          <pubDate>Thu, 30 Apr 2026 04:19:20 GMT</pubDate>
          <atom:updated>2026-04-30T04:19:20+09:00</atom:updated>
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            <media:title><![CDATA[He sits on the bus back to Tokyo, still in his best suit, asleep before the journey has really begun. Finally giving in to the quiet as the sunlight rests on his face, revealing lines that feel less like age and more like a record of everything he’s lived through. Subtle details of time, not as wear, but as something earned. There’s a sense that whatever filled his day, he met it fully. Not perfectly, but with experience. The kind that only comes from years of showing up and figuring things out as you go. Allowing himself this small pause, not an ending, just a moment to rest before everything begins again. | arvin nicholas]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/NUqqo1OU6sirqUbXKdgJ.jpg?fm=jpg" type="image/jpeg" width="4128" height="6192" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NUqqo1OU6sirqUbXKdgJ.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NUqqo1OU6sirqUbXKdgJ.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多arvin nicholas的精彩作品。]]></media:description>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[在cizucu上查看更多Liza Medvedeva的精彩作品。]]></description>
          <author>
            <name>Liza Medvedeva</name>
            <uri>https://www.cizucu.com/zh-tw/users/izN8mAH1xrflfRBeXFE1dCE6BIw1</uri>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Liza Medvedeva的精彩作品。]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></description>
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            <name>Victor Tan KH</name>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:43:45+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></media:description>
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