Chopper 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/chopper zh-tw 2026-04-23T15:24:25+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[I want to start a new chapter with you. | 佐藤亜梨沙 │ Sato Arisa]]> https://www.cizucu.com/zh-tw/photos/Uq6atS8tQE8oQbGYWbSx 佐藤亜梨沙 │ Sato Arisa https://www.cizucu.com/zh-tw/shirousa_uto https://www.cizucu.com/zh-tw/photos/Uq6atS8tQE8oQbGYWbSx Wed, 01 May 2024 01:07:36 GMT 2024-05-02T15:06:10+09:00 https://cdn.cizucu.com/images/photos/Uq6atS8tQE8oQbGYWbSx.jpg?auto=compress,format <![CDATA[A cropped red reveals its essence. | Lawrence Liou]]> https://www.cizucu.com/zh-tw/photos/hIyubK60iHZrvKu9Plh0 Lawrence Liou https://www.cizucu.com/zh-tw/momoliou https://www.cizucu.com/zh-tw/photos/hIyubK60iHZrvKu9Plh0 Mon, 16 Feb 2026 19:06:59 GMT 2026-02-16T19:06:59+09:00 https://cdn.cizucu.com/images/photos/hIyubK60iHZrvKu9Plh0.jpg?auto=compress,format <![CDATA[Our love story is a journey, and I’m enjoying every chapter. | im.ha_hmiee]]> https://www.cizucu.com/zh-tw/photos/8bDHfGlJcNDKL2ufr4Lt im.ha_hmiee https://www.cizucu.com/zh-tw/users/jZqs3ccR6sQRDL0NpzhJ0soXXdH3 https://www.cizucu.com/zh-tw/photos/8bDHfGlJcNDKL2ufr4Lt Thu, 16 Apr 2026 21:20:42 GMT 2026-04-16T21:20:42+09:00 https://cdn.cizucu.com/images/photos/8bDHfGlJcNDKL2ufr4Lt.jpg?auto=compress,format <![CDATA[Full sized photo of my submission as it had to be cropped for the exhibition. Cropping can never do any justice to a medium format photograph. | Kitty Chirapongse]]> https://www.cizucu.com/zh-tw/photos/bu7fk0l4mbjINwy1AfcF Kitty Chirapongse https://www.cizucu.com/zh-tw/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/zh-tw/photos/bu7fk0l4mbjINwy1AfcF Mon, 06 Apr 2026 13:39:36 GMT 2026-04-06T13:39:36+09:00 https://cdn.cizucu.com/images/photos/bu7fk0l4mbjINwy1AfcF.jpg?auto=compress,format <![CDATA[The end of a chapter is never easy. As the montage of their hard work and grind played over the projector onto the stage, NRA (the dance group, or rather, part of) let go and let all their emotions out. The blood, sweat, and now, tears, in putting together a grand show, and they are now on the big stage, performing their masterpiece. Crescendo - 2026 | Yellow Monyet]]> https://www.cizucu.com/zh-tw/photos/Txv74V5BmXHpVWa164bQ Yellow Monyet https://www.cizucu.com/zh-tw/users/sunGi1xJemTwvU0CCDEfLnt5Gdm2 https://www.cizucu.com/zh-tw/photos/Txv74V5BmXHpVWa164bQ Sun, 22 Mar 2026 05:09:12 GMT 2026-03-22T05:09:12+09:00 https://cdn.cizucu.com/images/photos/Txv74V5BmXHpVWa164bQ.jpg?auto=compress,format <![CDATA[To me, Kaohsiung is not just beautiful, but a place that has preserved a chapter of my life that will never come again. Those days slowly became warm words written by time, like the sea breeze brushing past Xiziwan at sunset, quiet yet unforgettable. So I always find a reason to visit Kaohsiung, not just to see the scenery, but to revisit those moments still carefully preserved by this city, the images etched deep in my memory. #urban | Lawrence Liou]]> https://www.cizucu.com/zh-tw/photos/vYud2YEyOGXPbmCZzQXO Lawrence Liou https://www.cizucu.com/zh-tw/momoliou https://www.cizucu.com/zh-tw/photos/vYud2YEyOGXPbmCZzQXO Mon, 16 Feb 2026 14:07:55 GMT 2026-02-16T14:07:55+09:00 https://cdn.cizucu.com/images/photos/vYud2YEyOGXPbmCZzQXO.jpg?auto=compress,format <![CDATA[The Last Interred I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]> https://www.cizucu.com/zh-tw/photos/p4nmJi7ozAJ0V0pp0po0 Kitty Chirapongse https://www.cizucu.com/zh-tw/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/zh-tw/photos/p4nmJi7ozAJ0V0pp0po0 Mon, 06 Apr 2026 13:35:44 GMT 2026-04-06T13:35:44+09:00 https://cdn.cizucu.com/images/photos/p4nmJi7ozAJ0V0pp0po0.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-tw/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-tw/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love. For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go. The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude. This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]> https://www.cizucu.com/zh-tw/photos/bm1s4iqsLRZClLEvpQxw Nishikantsnaps https://www.cizucu.com/zh-tw/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/zh-tw/photos/bm1s4iqsLRZClLEvpQxw Fri, 13 Mar 2026 13:43:41 GMT 2026-03-13T13:43:41+09:00 https://cdn.cizucu.com/images/photos/bm1s4iqsLRZClLEvpQxw.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/zh-tw/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/zh-tw/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/zh-tw/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]> https://www.cizucu.com/zh-tw/photos/MCq2HUqc07Cf0tkiHfQs Nicholas https://www.cizucu.com/zh-tw/nickkloo https://www.cizucu.com/zh-tw/photos/MCq2HUqc07Cf0tkiHfQs Sat, 17 Jan 2026 23:42:28 GMT 2026-01-17T23:42:28+09:00 https://cdn.cizucu.com/images/photos/MCq2HUqc07Cf0tkiHfQs.jpg?auto=compress,format <![CDATA[這張照片拍攝於法國巴黎蒙馬特高地，靠近聖心堂的一處斜坡。現場的建築其實是筆直佇立的，但透過地勢與取景角度的轉換，畫面呈現出傾斜的視覺效果，形成介於真實與錯覺之間的感知。 我在按下快門的當下，意識到我們所看見的，往往並不完全等同於事物本身。視角的改變，可以重新定義現實的樣貌。 這張照片拍攝於我前往日本生活之前的一段獨自旅行之中。對我而言，那是一段帶著不確定與期待的過渡時期，也是面對未知的練習。 或許就像這個畫面一樣，世界並不總是穩定而確定的，但也正因如此，我們得以在其中找到新的觀看方式與前進的方向。 この写真は、パリ・モンマルトルの坂道で撮影したものです。本来まっすぐな建物が、視点と地形によって傾いて見えています。 見えているものが、そのままの現実とは限らない。視点が変わるだけで、世界のかたちは大きく変わると感じました。 日本での生活を始める前、一人で旅をしていたときの一枚です。不安と期待のあいだで踏み出した、小さな一歩でもありました。 This photograph was taken on a hillside in Montmartre, Paris. Although the building stands upright in reality, it appears tilted through the angle of view and terrain. It reminded me that what we see is not always the reality itself. A shift in perspective can completely transform how the world appears. I took this photo while traveling alone, just before starting a new chapter of my life in Japan.It reflects a small step I took between uncertainty and anticipation. | Sherry]]> https://www.cizucu.com/zh-tw/photos/aJ6lf1OBvCTgTp9ljqKa Sherry https://www.cizucu.com/zh-tw/sherrylulo https://www.cizucu.com/zh-tw/photos/aJ6lf1OBvCTgTp9ljqKa Sat, 04 Apr 2026 22:20:56 GMT 2026-04-04T22:20:56+09:00 https://cdn.cizucu.com/images/photos/aJ6lf1OBvCTgTp9ljqKa.jpg?auto=compress,format