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          <title><![CDATA[I sought healing from the earth  #和歌山 #海 #曇 #飛行機 | Daichi]]></title>
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          <description><![CDATA[下載Daichi拍攝的高品質且免費的海上的美麗日落照片，盡情使用。]]></description>
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          <pubDate>Mon, 23 Sep 2024 12:10:37 GMT</pubDate>
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          <title><![CDATA[Caught | blake islington blake]]></title>
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          <description><![CDATA[在cizucu上查看更多blake islington blake的精彩作品。]]></description>
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          <pubDate>Fri, 10 Apr 2026 01:57:46 GMT</pubDate>
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          <title><![CDATA[Thoughts caught in the autumn light.  #Portrait #Monochrome | gvzzv]]></title>
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          <pubDate>Fri, 28 Mar 2025 14:32:33 GMT</pubDate>
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          <title><![CDATA[#moment   A moment when everyone — adults and children alike — can hold onto their childlike wonder and laugh endlessly.  | seungcheol ha]]></title>
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          <description><![CDATA[在cizucu上查看更多seungcheol ha的精彩作品。]]></description>
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            <name>seungcheol ha</name>
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          <pubDate>Thu, 05 Mar 2026 14:08:17 GMT</pubDate>
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          <title><![CDATA[While exploring Wat Pho in Bangkok, the interplay of light and shadow caught my eye as these monks made their way through the complex. To me, this scene visually represents the idea of 'the path.' | Samuel Sze]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/sTFJpzQWPACPZBleaTZJ</link>
          <description><![CDATA[在cizucu上查看更多Samuel Sze的精彩作品。]]></description>
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            <name>Samuel Sze</name>
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          <pubDate>Sun, 18 Jan 2026 12:08:07 GMT</pubDate>
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          <title><![CDATA[While exploring Wat Pho in Bangkok, the interplay of light and shadow caught my eye as these monks made their way through the complex. To me, this scene visually represents the idea of 'the path.' | Samuel Sze]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/4c24yx6HeoD6Ey6rNXjb</link>
          <description><![CDATA[在cizucu上查看更多Samuel Sze的精彩作品。]]></description>
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            <name>Samuel Sze</name>
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          <pubDate>Fri, 16 Jan 2026 12:35:28 GMT</pubDate>
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          <title><![CDATA[While exploring Wat Pho in Bangkok, the interplay of light and shadow caught my eye as these monks made their way through the complex. To me, this scene visually represents the idea of 'the path.' | Samuel Sze]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/3143kMILEgnuBRjGsX5T</link>
          <description><![CDATA[在cizucu上查看更多Samuel Sze的精彩作品。]]></description>
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            <name>Samuel Sze</name>
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          <pubDate>Sun, 18 Jan 2026 11:49:34 GMT</pubDate>
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          <title><![CDATA[While exploring a rainy West Lake in Hangzhou, the vivid red against the grey mist caught my eye as this man stood motionless in his Hanfu. To me, this scene visually represents a moment of timelessness amidst the modern crowd. | Samuel Sze]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Euxc8AGNtXvBqK53bTEx</link>
          <description><![CDATA[在cizucu上查看更多Samuel Sze的精彩作品。]]></description>
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            <name>Samuel Sze</name>
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          <pubDate>Sun, 18 Jan 2026 13:37:25 GMT</pubDate>
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          <title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/tsl1VRZ8bYFrRR9EBMyT</link>
          <description><![CDATA[在cizucu上查看更多Danish Yaqin的精彩作品。]]></description>
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            <name>Danish Yaqin</name>
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          <pubDate>Thu, 15 Jan 2026 17:03:51 GMT</pubDate>
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            <media:title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Danish Yaqin的精彩作品。]]></media:description>
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          <title><![CDATA[At 7 am, on a boat approaching Pulau Ubin, the rising sun casts a near-perfect golden light across the water. The glow falls directly onto a man’s face, forcing him to raise his hand to shield his eyes. In that fleeting gesture, his expression turns quietly melancholic, as if caught between discomfort and reflection. | Njnonis]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/PvnKDAsI8qaHedrBv5ZU</link>
          <description><![CDATA[在cizucu上查看更多Njnonis的精彩作品。]]></description>
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            <name>Njnonis</name>
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          <pubDate>Sat, 21 Mar 2026 00:19:07 GMT</pubDate>
          <atom:updated>2026-03-21T00:19:07+09:00</atom:updated>
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            <media:title><![CDATA[At 7 am, on a boat approaching Pulau Ubin, the rising sun casts a near-perfect golden light across the water. The glow falls directly onto a man’s face, forcing him to raise his hand to shield his eyes. In that fleeting gesture, his expression turns quietly melancholic, as if caught between discomfort and reflection. | Njnonis]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Njnonis的精彩作品。]]></media:description>
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          <title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/hJhexYMY0rbdasa9NHTY</link>
          <description><![CDATA[在cizucu上查看更多Shikhar Bafna的精彩作品。]]></description>
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            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/zh-tw/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Tue, 17 Mar 2026 00:11:35 GMT</pubDate>
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            <media:title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/hJhexYMY0rbdasa9NHTY.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Shikhar Bafna的精彩作品。]]></media:description>
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          <title><![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/0OiIoYuBJeFD7umOgQ40</link>
          <description><![CDATA[在cizucu上查看更多aman.photos_的精彩作品。]]></description>
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            <name>aman.photos_</name>
            <uri>https://www.cizucu.com/zh-tw/users/3wmG5WMIIKTuwvn2q8wR0bNp4s52</uri>
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          <pubDate>Sat, 03 Jan 2026 18:05:01 GMT</pubDate>
          <atom:updated>2026-01-03T18:05:01+09:00</atom:updated>
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            <media:title><![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多aman.photos_的精彩作品。]]></media:description>
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          <title><![CDATA[All I can hear from this picture is the laugh of my best friend, Tanisha who's been by my side forever and who never fails to amuse me with her humour, creativity and kindness. | Aditi Thakare]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/fUW091frV9dCXlveUlRj</link>
          <description><![CDATA[在cizucu上查看更多Aditi Thakare的精彩作品。]]></description>
          <author>
            <name>Aditi Thakare</name>
            <uri>https://www.cizucu.com/zh-tw/users/iag6AXbDP2NETHPig59NzrROPGm2</uri>
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          <pubDate>Tue, 17 Mar 2026 20:02:24 GMT</pubDate>
          <atom:updated>2026-03-17T20:02:24+09:00</atom:updated>
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            <media:title><![CDATA[All I can hear from this picture is the laugh of my best friend, Tanisha who's been by my side forever and who never fails to amuse me with her humour, creativity and kindness. | Aditi Thakare]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Aditi Thakare的精彩作品。]]></media:description>
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          <title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/w2KpM8saKCCGpGZzHDYt</link>
          <description><![CDATA[在cizucu上查看更多Hiren Patel的精彩作品。]]></description>
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            <name>Hiren Patel</name>
            <uri>https://www.cizucu.com/zh-tw/users/aJtaAuxlKONhjadDgut6wU01AA12</uri>
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          <pubDate>Thu, 12 Mar 2026 18:28:23 GMT</pubDate>
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            <media:title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Hiren Patel的精彩作品。]]></media:description>
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          <title><![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qv7pWM7bZwR8cqe3tQOp</link>
          <description><![CDATA[在cizucu上查看更多Rey Mok的精彩作品。]]></description>
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            <name>Rey Mok</name>
            <uri>https://www.cizucu.com/zh-tw/users/DTYczWff2eNITHA9i8IHSTICpOY2</uri>
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          <pubDate>Sun, 22 Mar 2026 01:51:46 GMT</pubDate>
          <atom:updated>2026-03-23T02:12:44+09:00</atom:updated>
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            <media:title><![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Rey Mok的精彩作品。]]></media:description>
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          <title><![CDATA[This was one of those evenings where I had no plan. I'd been moving through Tokyo all day and finally let myself sit down. The light started softening outside, Tokyo Tower caught the last of the sun, and the whole room fell into this gentle hush. I love that the chairs are empty here. It felt like the city was offering me a pause, and I just needed to notice it. One frame, handheld, no setup. A quiet memory I get to keep. | Mikie Lee]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/40kaTXIJ0fSF1uqlmHYH</link>
          <description><![CDATA[在cizucu上查看更多Mikie Lee的精彩作品。]]></description>
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            <name>Mikie Lee</name>
            <uri>https://www.cizucu.com/zh-tw/users/TA9p4dMEYjVF4CxE8raQqHnPemH3</uri>
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          <pubDate>Sun, 19 Apr 2026 20:44:09 GMT</pubDate>
          <atom:updated>2026-04-19T20:44:09+09:00</atom:updated>
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            <media:title><![CDATA[This was one of those evenings where I had no plan. I'd been moving through Tokyo all day and finally let myself sit down. The light started softening outside, Tokyo Tower caught the last of the sun, and the whole room fell into this gentle hush. I love that the chairs are empty here. It felt like the city was offering me a pause, and I just needed to notice it. One frame, handheld, no setup. A quiet memory I get to keep. | Mikie Lee]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/40kaTXIJ0fSF1uqlmHYH.jpg?fm=jpg" type="image/jpeg" width="4597" height="6896" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/40kaTXIJ0fSF1uqlmHYH.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Mikie Lee的精彩作品。]]></media:description>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/3E4rhpe5FtUxghqnpLYe</link>
          <description><![CDATA[在cizucu上查看更多Uday Khambadkone的精彩作品。]]></description>
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            <name>Uday Khambadkone</name>
            <uri>https://www.cizucu.com/zh-tw/users/fGsQRfunD0c4a7GMx48PJNbxaSE3</uri>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
          <atom:updated>2026-03-13T00:46:15+09:00</atom:updated>
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            <media:title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Uday Khambadkone的精彩作品。]]></media:description>
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          <title><![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery.  | Drishti Gowda]]></title>
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          <description><![CDATA[在cizucu上查看更多Drishti Gowda的精彩作品。]]></description>
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            <name>Drishti Gowda</name>
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          <pubDate>Mon, 16 Mar 2026 23:06:23 GMT</pubDate>
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            <media:title><![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery.  | Drishti Gowda]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Drishti Gowda的精彩作品。]]></media:description>
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          <title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></title>
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          <description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></description>
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            <name>Giuliana E. Miceli</name>
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          <pubDate>Sat, 06 Dec 2025 13:50:34 GMT</pubDate>
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            <media:title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Giuliana E. Miceli的精彩作品。]]></media:description>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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