Boya 的照片 | 下載免版稅及高解析度圖片 https://www.cizucu.com/zh-tw/explore/photos/boya zh-tw 2026-05-02T18:34:23+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-tw https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[静かな朝 #雪景色 #洞爺湖 #Lake Toya | moto]]> https://www.cizucu.com/zh-tw/photos/Jtw5n9F1EDROSpS1hSMa moto https://www.cizucu.com/zh-tw/moto52 https://www.cizucu.com/zh-tw/photos/Jtw5n9F1EDROSpS1hSMa Tue, 18 Feb 2025 14:27:41 GMT 2025-02-19T20:00:17+09:00 https://cdn.cizucu.com/images/photos/Jtw5n9F1EDROSpS1hSMa.jpg?auto=compress,format <![CDATA[夜明けの洞爺湖 Lake Toya at dawn #洞爺湖　#朝　#北海道　#風景 | S.Yasu Photo]]> https://www.cizucu.com/zh-tw/photos/xQW61soXstyeA3FNyq0W S.Yasu Photo https://www.cizucu.com/zh-tw/users/efbGJOvSNuVOk457sVVfKpi7pAC2 https://www.cizucu.com/zh-tw/photos/xQW61soXstyeA3FNyq0W Tue, 28 May 2024 07:32:42 GMT 2024-05-29T08:05:56+09:00 https://cdn.cizucu.com/images/photos/xQW61soXstyeA3FNyq0W.jpg?auto=compress,format <![CDATA[Moon boy | dede dos film]]> https://www.cizucu.com/zh-tw/photos/gP8gc8btijTI9EOYRjgg dede dos film https://www.cizucu.com/zh-tw/users/ou3Xb5dQZWfMwCFVM6fhXb4k2jj1 https://www.cizucu.com/zh-tw/photos/gP8gc8btijTI9EOYRjgg Fri, 05 Jul 2024 10:20:11 GMT 2024-08-22T07:43:38+09:00 https://cdn.cizucu.com/images/photos/gP8gc8btijTI9EOYRjgg.jpg?auto=compress,format <![CDATA[BOYS | Yosuke0312]]> https://www.cizucu.com/zh-tw/photos/lQ5u9F3mOJnaktBsJUwV Yosuke0312 https://www.cizucu.com/zh-tw/Yosuke0312 https://www.cizucu.com/zh-tw/photos/lQ5u9F3mOJnaktBsJUwV Fri, 23 Jan 2026 10:41:43 GMT 2026-01-23T10:41:43+09:00 https://cdn.cizucu.com/images/photos/lQ5u9F3mOJnaktBsJUwV.jpg?auto=compress,format <![CDATA[Boys be ambitious | Yosuke0312]]> https://www.cizucu.com/zh-tw/photos/RCJiv3qARPBOd6v80Vme Yosuke0312 https://www.cizucu.com/zh-tw/Yosuke0312 https://www.cizucu.com/zh-tw/photos/RCJiv3qARPBOd6v80Vme Fri, 02 May 2025 13:33:30 GMT 2025-05-02T13:33:53+09:00 https://cdn.cizucu.com/images/photos/RCJiv3qARPBOd6v80Vme.jpg?auto=compress,format <![CDATA[Boys be ambitious | Yosuke0312]]> https://www.cizucu.com/zh-tw/photos/F9WxVt5XsNg4Uibhgb2J Yosuke0312 https://www.cizucu.com/zh-tw/Yosuke0312 https://www.cizucu.com/zh-tw/photos/F9WxVt5XsNg4Uibhgb2J Sat, 03 May 2025 05:10:22 GMT 2025-05-03T05:10:54+09:00 https://cdn.cizucu.com/images/photos/F9WxVt5XsNg4Uibhgb2J.jpg?auto=compress,format <![CDATA[BOY | Yosuke0312]]> https://www.cizucu.com/zh-tw/photos/MC36vvSkq3n7sZedDLzB Yosuke0312 https://www.cizucu.com/zh-tw/Yosuke0312 https://www.cizucu.com/zh-tw/photos/MC36vvSkq3n7sZedDLzB Thu, 22 Jan 2026 19:39:27 GMT 2026-01-22T19:39:27+09:00 https://cdn.cizucu.com/images/photos/MC36vvSkq3n7sZedDLzB.jpg?auto=compress,format <![CDATA[A quiet morning at Lake Toya. | vestibule]]> https://www.cizucu.com/zh-tw/photos/zaSS66Ub1ghvi1A0d2e9 vestibule https://www.cizucu.com/zh-tw/users/IoVFLEC80McwPdnC1fdb82Az2iA2 https://www.cizucu.com/zh-tw/photos/zaSS66Ub1ghvi1A0d2e9 Tue, 05 Nov 2024 21:57:19 GMT 2024-11-05T21:57:54+09:00 https://cdn.cizucu.com/images/photos/zaSS66Ub1ghvi1A0d2e9.jpg?auto=compress,format <![CDATA[girls,boys,,,and | まつざか]]> https://www.cizucu.com/zh-tw/photos/Fsj9zOgw0nHeRdaI26ut まつざか https://www.cizucu.com/zh-tw/users/HJzfQxC2p2h7oJwpEuzLlaIhfS92 https://www.cizucu.com/zh-tw/photos/Fsj9zOgw0nHeRdaI26ut Wed, 25 Feb 2026 23:09:47 GMT 2026-02-25T23:09:47+09:00 https://cdn.cizucu.com/images/photos/Fsj9zOgw0nHeRdaI26ut.jpg?auto=compress,format <![CDATA[camera boy (camera) #kodak retina IIa (tags) #filmphotography #film #kodak | Naruki]]> https://www.cizucu.com/zh-tw/photos/GSThtS2FHyELW7y4UhOb Naruki https://www.cizucu.com/zh-tw/naru1439 https://www.cizucu.com/zh-tw/photos/GSThtS2FHyELW7y4UhOb Sat, 29 Nov 2025 01:13:00 GMT 2025-11-29T01:13:00+09:00 https://cdn.cizucu.com/images/photos/GSThtS2FHyELW7y4UhOb.jpg?auto=compress,format <![CDATA[downtown boy 人目の気にならない時に 恥ずかしそうにポーズをとってくれた #kobe #階段 #portrait #路地 | yNAK]]> https://www.cizucu.com/zh-tw/photos/lP1qJkpFWgdLsZaBVdR8 yNAK https://www.cizucu.com/zh-tw/ynak https://www.cizucu.com/zh-tw/photos/lP1qJkpFWgdLsZaBVdR8 Wed, 04 Sep 2024 00:31:28 GMT 2024-09-06T13:36:41+09:00 https://cdn.cizucu.com/images/photos/lP1qJkpFWgdLsZaBVdR8.jpg?auto=compress,format <![CDATA[11月23日ーー 「TOYA」が待ってるよ 北海道洞爺湖温泉・イルミネーショントンネル #イルミネーション　#洞爺湖温泉　#北海道　#11月 | S.Yasu Photo]]> https://www.cizucu.com/zh-tw/photos/c4qzC8w8iHk9KbhE6kqY S.Yasu Photo https://www.cizucu.com/zh-tw/users/efbGJOvSNuVOk457sVVfKpi7pAC2 https://www.cizucu.com/zh-tw/photos/c4qzC8w8iHk9KbhE6kqY Sun, 23 Nov 2025 20:21:09 GMT 2025-11-23T20:21:09+09:00 https://cdn.cizucu.com/images/photos/c4qzC8w8iHk9KbhE6kqY.jpg?auto=compress,format <![CDATA[During monsoon went out side for stories , i came across small rice field i saw a boy runnimg through muddy water , laughing as droplets splashed around him . with his hand ricegrass , he seemed connected to nature so just captured this beautiful moment with sony a6700 camera . | Streetoholicc31]]> https://www.cizucu.com/zh-tw/photos/qBdH1mcCp5udAE5CVrOJ Streetoholicc31 https://www.cizucu.com/zh-tw/users/MeDS9wkEpVeOsOLq0rv7gYKF7wG3 https://www.cizucu.com/zh-tw/photos/qBdH1mcCp5udAE5CVrOJ Sat, 14 Mar 2026 14:34:10 GMT 2026-03-14T14:34:10+09:00 https://cdn.cizucu.com/images/photos/qBdH1mcCp5udAE5CVrOJ.jpg?auto=compress,format <![CDATA[“Boys be ambitious” - 「少年よ、大志を抱け」 札幌農学校の初代教頭としてアメリカから赴任していたクラーク博士が日本を去るときに学生たちに残した言葉。 このフレーズだけが有名だが、実際は、“Boys, be ambitious like this old man”- 「この老人のように」と自分のことを指してアメリカ帰国の際に馬上から学生たちにと言ったとされ、それは「さよなら」の挨拶の代わりとなるようなものだったとも。 諸説あるが、クラーク博士は札幌農学校の学生らに対し、「紳士たれ」というもうひとつの名言をも残していた。 ずっと住んでいるのにおそらく初めてここに来たきがする。 あまり振り返ることもない遠い昔の母校にまつわるエピソードだが、春休みなのか日本各地から沢山の若い学生とおぼしき人たちが観光に来ていた。 大志ではなくとも成し遂げたいことは改めて徹底的に取り組みたいと若者のように心新たに思った。 人はみな自分の人生の開拓者なのとつくづく思う。 そして道なき道であってさえもそれは決して止むことがない道なのであると。 羊ヶ丘展望台　クラーク博士像 #北海道　#札幌市　#羊ヶ丘展望台　#クラーク博士　#札幌農学校　#ウィリアム・スミス・クラーク　#大志の誓い | Icecandle]]> https://www.cizucu.com/zh-tw/photos/JcN3PqwwrPmIDuth9K8b Icecandle https://www.cizucu.com/zh-tw/users/KYOTpzvt1qRcuis1xV3As9GTiCf2 https://www.cizucu.com/zh-tw/photos/JcN3PqwwrPmIDuth9K8b Tue, 05 Mar 2024 15:20:26 GMT 2024-11-21T18:49:35+09:00 https://cdn.cizucu.com/images/photos/JcN3PqwwrPmIDuth9K8b.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude. A young boy sits beneath a tree, absorbed in his own small world while the surrounding environment fades into shadow. The image explores the contrast between stillness and the larger world around him, highlighting how simple moments can carry deep meaning. The photograph was created using natural light to emphasise the mood and intimacy of the scene. By using black and white, the focus shifts from colour to emotion, allowing the viewer to reflect on the subject’s quiet concentration and the calm atmosphere of the setting. Through this work, I aim to present an honest and timeless moment of everyday life. It invites viewers to pause and reflect on the quiet spaces that exist within our busy world. | Akshob Ram Kumar]]> https://www.cizucu.com/zh-tw/photos/TEzS1WccQibnKLVjPtrC Akshob Ram Kumar https://www.cizucu.com/zh-tw/akvisuals04 https://www.cizucu.com/zh-tw/photos/TEzS1WccQibnKLVjPtrC Sat, 14 Mar 2026 10:47:05 GMT 2026-03-14T10:47:05+09:00 https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments. Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection. Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]> https://www.cizucu.com/zh-tw/photos/LAPIO77FAZzvwhueWaVW Akshob Ram Kumar https://www.cizucu.com/zh-tw/akvisuals04 https://www.cizucu.com/zh-tw/photos/LAPIO77FAZzvwhueWaVW Sat, 14 Mar 2026 10:56:17 GMT 2026-03-14T10:56:17+09:00 https://cdn.cizucu.com/images/photos/LAPIO77FAZzvwhueWaVW.jpg?auto=compress,format <![CDATA[Living in Happyland In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in. I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere. As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances. This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]> https://www.cizucu.com/zh-tw/photos/5rLps4AdmWu1rEHn4sQW Victor Tan KH https://www.cizucu.com/zh-tw/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2 https://www.cizucu.com/zh-tw/photos/5rLps4AdmWu1rEHn4sQW Sun, 18 Jan 2026 21:43:45 GMT 2026-01-18T21:43:45+09:00 https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format <![CDATA[While I was traveling central Kenya, there was a boy kept fallowing me. He must intriguing who I was. Barely seen asian in middle of Kenya, and who has a machine gun type camera in his hand and walking with bunch of group of white people. I must be so strange to his eye. He must want to know more about me. He kept fallow me until I finally stop by one of host. I was looking around and here he is. I finally have eye contacted with him, and my finger couldn't resist not to do. My finger start to push shutter and got his eye. The eyes with curious and wondering. To me, he is just one of the kids I have met in Kenya, but to him, I became one of his memorable guy in his life. I hope I can remember this moment very long time.... Kai at Ringa, Nyanza Province, Kenya 2015 | Kai Kim]]> https://www.cizucu.com/zh-tw/photos/5HBqrirXHar1NtQpatt6 Kai Kim https://www.cizucu.com/zh-tw/users/XCaEaj67rCSzD07pB1t9w2t3o553 https://www.cizucu.com/zh-tw/photos/5HBqrirXHar1NtQpatt6 Wed, 01 Apr 2026 04:36:14 GMT 2026-04-01T04:36:14+09:00 https://cdn.cizucu.com/images/photos/5HBqrirXHar1NtQpatt6.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/zh-tw/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/zh-tw/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/zh-tw/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/zh-tw/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/zh-tw/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/zh-tw/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format