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          <title><![CDATA[Giant lime zinnia elegans [2023/09/09 8:10 撮影]  #百日草 #ジニア #ライムグリーン | k5k]]></title>
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          <pubDate>Sun, 21 Jan 2024 13:20:32 GMT</pubDate>
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          <title><![CDATA[A massive cargo ship lies stranded on the quiet Tainan shore. The beach stretches empty under a muted sky, waves gently lapping at the hull, as if the world has forgotten this giant. Salted air mixes with the faint rust of metal, and in the stillness, the ship feels like a solitary monument, suspended between land and sea. | Lawrence Liou]]></title>
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          <description><![CDATA[下載Lawrence Liou拍攝的高品質且免費的台南寧靜海岸上擱淺的巨型貨船船體，海浪輕拍照片，盡情使用。]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Sat, 28 Mar 2026 21:23:56 GMT</pubDate>
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          <title><![CDATA[Vaundy Summons the Giant Hand, Clockenflap 2025 | Deep Chan]]></title>
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          <description><![CDATA[在cizucu上查看更多Deep Chan的精彩作品。]]></description>
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          <pubDate>Sun, 22 Mar 2026 22:53:10 GMT</pubDate>
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          <title><![CDATA[Vaundy Summons the Giant Hand, Clockenflap 2025 | Deep Chan]]></title>
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          <description><![CDATA[在cizucu上查看更多Deep Chan的精彩作品。]]></description>
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          <pubDate>Sun, 22 Mar 2026 22:53:10 GMT</pubDate>
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          <title><![CDATA[A massive cargo ship lies stranded on the quiet Tainan shore. The beach stretches empty under a muted sky, waves gently lapping at the hull, as if the world has forgotten this giant. Salted air mixes with the faint rust of metal, and in the stillness, the ship feels like a solitary monument, suspended between land and sea. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/UnayETiolFkVNPJRdLUH</link>
          <description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/zh-tw/momoliou</uri>
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          <pubDate>Sat, 28 Mar 2026 21:23:56 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></media:description>
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          <title><![CDATA[The soul of a jazz musician.  Inspired by the Japanese animated film titled blue giant, I wanted to capture the emotions that a jazz musician experiences when they are engulfed in their zone. With the help Of a practical effect ghost filter, I managed to create a double image and blur, showing the complexities and intricacies of a jazz musician. | Goh Chiang Yang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qUgHVf2N7r5RyomT5h6y</link>
          <description><![CDATA[在cizucu上查看更多Goh Chiang Yang的精彩作品。]]></description>
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            <name>Goh Chiang Yang</name>
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          <pubDate>Sat, 02 May 2026 22:43:21 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Goh Chiang Yang的精彩作品。]]></media:description>
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          <title><![CDATA[The soul of a jazz musician.  Inspired by the Japanese animated film titled blue giant, I wanted to capture the emotions that a jazz musician experiences when they are engulfed in their zone. With the help Of a practical effect ghost filter, I managed to create a double image and blur, showing the complexities and intricacies of a jazz musician. | Goh Chiang Yang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qUgHVf2N7r5RyomT5h6y</link>
          <description><![CDATA[在cizucu上查看更多Goh Chiang Yang的精彩作品。]]></description>
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            <name>Goh Chiang Yang</name>
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          <pubDate>Sat, 02 May 2026 22:43:21 GMT</pubDate>
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          <title><![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。  畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。  紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。  The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday.  Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development.  The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]></title>
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          <pubDate>Wed, 11 Mar 2026 02:56:35 GMT</pubDate>
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            <media:title><![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。  畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。  紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。  The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday.  Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development.  The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jerry Hung的精彩作品。]]></media:description>
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