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          <title><![CDATA[#stone #statue　#art | zenon]]></title>
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          <title><![CDATA[Submerged State | michaelsirachuch]]></title>
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          <title><![CDATA[Spiti State of Mind | krutarth mehta]]></title>
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          <pubDate>Mon, 16 Mar 2026 21:02:52 GMT</pubDate>
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          <title><![CDATA[動物塑像 animal statues   Camera : Nikomat FTN   Film : FOMAPAN 36 400 Film processing : 麗來攝影 Lilai Photo | Wei Jyun]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/P25aicfetD5KO877DD7u</link>
          <description><![CDATA[在cizucu上查看更多Wei Jyun的精彩作品。]]></description>
          <author>
            <name>Wei Jyun</name>
            <uri>https://www.cizucu.com/zh-tw/users/UOnAojLyOMSX2DEgccKQTnLoryj1</uri>
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          <pubDate>Sat, 01 Nov 2025 05:26:14 GMT</pubDate>
          <atom:updated>2025-11-01T05:26:14+09:00</atom:updated>
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          <title><![CDATA[動物塑像 animal statues   Camera : Nikomat FTN   Film : FOMAPAN 36 400 Film processing : 麗來攝影 Lilai Photo | Wei Jyun]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/9x083AYfNz8A33QOFXoY</link>
          <description><![CDATA[在cizucu上查看更多Wei Jyun的精彩作品。]]></description>
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            <name>Wei Jyun</name>
            <uri>https://www.cizucu.com/zh-tw/users/UOnAojLyOMSX2DEgccKQTnLoryj1</uri>
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          <pubDate>Sat, 01 Nov 2025 05:30:34 GMT</pubDate>
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          <title><![CDATA[動物塑像 animal statues   Camera : Nikomat FTN   Film : FOMAPAN 36 400 Film processing : 麗來攝影 Lilai Photo | Wei Jyun]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/9NLhPHqxX3RW5ndlC1Xe</link>
          <description><![CDATA[在cizucu上查看更多Wei Jyun的精彩作品。]]></description>
          <author>
            <name>Wei Jyun</name>
            <uri>https://www.cizucu.com/zh-tw/users/UOnAojLyOMSX2DEgccKQTnLoryj1</uri>
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          <pubDate>Sat, 01 Nov 2025 05:31:02 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Wei Jyun的精彩作品。]]></media:description>
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          <title><![CDATA[A CH-47SD Chinook helicopter carrying the Singapore state flag escorted by 2 AH-64D Apache Attack Helicopters during a National Day Parade rehearsal | Denzyl K Thomas]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/bLM4uGI7baYZcacprthD</link>
          <description><![CDATA[在cizucu上查看更多Denzyl K Thomas的精彩作品。]]></description>
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            <name>Denzyl K Thomas</name>
            <uri>https://www.cizucu.com/zh-tw/users/pWCdWqQG81MPj1SmXEC8ffzgKMA3</uri>
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          <pubDate>Sun, 15 Mar 2026 17:59:10 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Denzyl K Thomas的精彩作品。]]></media:description>
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          <title><![CDATA[The only place that lives in the past and present at the same time. Bangkok is more than just a city. Bangkok is a state of mind. | kiijutsu]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ltPFGJwpYv1SCrRFOuEg</link>
          <description><![CDATA[在cizucu上查看更多kiijutsu的精彩作品。]]></description>
          <author>
            <name>kiijutsu</name>
            <uri>https://www.cizucu.com/zh-tw/users/uaiiQlv8ePMs8CipgWtF1uap2In2</uri>
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          <pubDate>Sun, 15 Feb 2026 23:10:06 GMT</pubDate>
          <atom:updated>2026-02-15T23:10:06+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多kiijutsu的精彩作品。]]></media:description>
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          <title><![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Z0hY2Gi2z60hWW1ApyKb</link>
          <description><![CDATA[在cizucu上查看更多Nic Harris的精彩作品。]]></description>
          <author>
            <name>Nic Harris</name>
            <uri>https://www.cizucu.com/zh-tw/users/Jn1OiKohyBeljT9LRxsrenDFUK93</uri>
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          <pubDate>Sat, 21 Mar 2026 01:03:25 GMT</pubDate>
          <atom:updated>2026-03-21T01:03:25+09:00</atom:updated>
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            <media:title><![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Z0hY2Gi2z60hWW1ApyKb.jpg?fm=jpg" type="image/jpeg" width="4908" height="6940" />
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            <media:description><![CDATA[在cizucu上查看更多Nic Harris的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[在cizucu上查看更多Saikiran Kesari的精彩作品。]]></description>
          <author>
            <name>Saikiran Kesari</name>
            <uri>https://www.cizucu.com/zh-tw/users/7yxwA3chDThYdBy723P8VLpXbGP2</uri>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
          <atom:updated>2026-03-15T19:21:10+09:00</atom:updated>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?fm=jpg" type="image/jpeg" width="5260" height="7016" />
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            <media:description><![CDATA[在cizucu上查看更多Saikiran Kesari的精彩作品。]]></media:description>
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          <title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/KZDnxBOM6WBleZ6DoLfC</link>
          <description><![CDATA[在cizucu上查看更多DrChuaYang的精彩作品。]]></description>
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            <name>DrChuaYang</name>
            <uri>https://www.cizucu.com/zh-tw/users/GWI7CPKnpjcKL3y0b7xMpqZRTg12</uri>
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          <pubDate>Wed, 11 Mar 2026 19:46:29 GMT</pubDate>
          <atom:updated>2026-03-11T19:46:29+09:00</atom:updated>
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            <media:title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多DrChuaYang的精彩作品。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
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          <description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></description>
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            <name>Eli Mastaine</name>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/lpmN402luIxIwpGQAk42</link>
          <description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></description>
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            <name>Jun Ciao 雋喬</name>
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          <pubDate>Tue, 10 Mar 2026 22:58:34 GMT</pubDate>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Q6N2AqNBGEyjTU9oR1AT</link>
          <description><![CDATA[在cizucu上查看更多Jun Ciao 雋喬的精彩作品。]]></description>
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            <name>Jun Ciao 雋喬</name>
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          <pubDate>Tue, 10 Mar 2026 22:26:03 GMT</pubDate>
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