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          <title><![CDATA[Print   #printer #leica  | Keyphoto]]></title>
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          <description><![CDATA[下載Keyphoto拍攝的高品質且免費的桌子上的一堆照片與模糊背景照片，盡情使用。]]></description>
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          <pubDate>Sun, 24 Mar 2024 21:53:19 GMT</pubDate>
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          <title><![CDATA[イボタノキ Border Privet Ligustrum obtusifolium June 8, 2024 上田市 | konoda]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/B5rWYjA3qh7iA0IB5Kft</link>
          <description><![CDATA[下載konoda拍攝的高品質且免費的特寫植物帶有白色花朵和綠色葉子照片，盡情使用。]]></description>
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          <pubDate>Sat, 08 Jun 2024 21:40:02 GMT</pubDate>
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            <media:description><![CDATA[下載konoda拍攝的高品質且免費的特寫植物帶有白色花朵和綠色葉子照片，盡情使用。]]></media:description>
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          <title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/y4dUsQS7SWFJtsiebLQ6</link>
          <description><![CDATA[在cizucu上查看更多JuskoLiy的精彩作品。]]></description>
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            <name>JuskoLiy</name>
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          <pubDate>Sat, 21 Mar 2026 09:11:14 GMT</pubDate>
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            <media:title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多JuskoLiy的精彩作品。]]></media:description>
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          <title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/jFOdHwLS1SAKau4XsKl6</link>
          <description><![CDATA[在cizucu上查看更多Ruemus_的精彩作品。]]></description>
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            <name>Ruemus_</name>
            <uri>https://www.cizucu.com/zh-tw/users/NVdm66y1qnXjtFRFnQmHlXgUWmA2</uri>
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          <pubDate>Tue, 24 Feb 2026 16:54:16 GMT</pubDate>
          <atom:updated>2026-02-24T16:54:16+09:00</atom:updated>
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            <media:title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Ruemus_的精彩作品。]]></media:description>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/3E4rhpe5FtUxghqnpLYe</link>
          <description><![CDATA[在cizucu上查看更多Uday Khambadkone的精彩作品。]]></description>
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            <name>Uday Khambadkone</name>
            <uri>https://www.cizucu.com/zh-tw/users/fGsQRfunD0c4a7GMx48PJNbxaSE3</uri>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
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            <media:title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Uday Khambadkone的精彩作品。]]></media:description>
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          <title><![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/qv7pWM7bZwR8cqe3tQOp</link>
          <description><![CDATA[在cizucu上查看更多Rey Mok的精彩作品。]]></description>
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            <name>Rey Mok</name>
            <uri>https://www.cizucu.com/zh-tw/users/DTYczWff2eNITHA9i8IHSTICpOY2</uri>
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          <pubDate>Sun, 22 Mar 2026 01:51:46 GMT</pubDate>
          <atom:updated>2026-03-23T02:12:44+09:00</atom:updated>
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            <media:title><![CDATA[Instead of waiting idly for my print at a café in Bras Basah Complex, I decided to bring my daughter Rey to a nearby camera shop to pick up a disposable camera for her. We wandered through the familiar corridors of Bras Basah Complex and out into the City Hall area, letting her photograph whatever caught her eye. When the photographs came back, I was surprised at how good they looked. Through them, I began to see the world from Rey’s perspective. | Rey Mok]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Rey Mok的精彩作品。]]></media:description>
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          <title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/EuqZ40ka5ByBc8BhK5vv</link>
          <description><![CDATA[在cizucu上查看更多Iak Gnix的精彩作品。]]></description>
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            <name>Iak Gnix</name>
            <uri>https://www.cizucu.com/zh-tw/users/adkl8riKZKWN9WS0SXowSpCLYN92</uri>
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          <pubDate>Mon, 20 Apr 2026 04:42:16 GMT</pubDate>
          <atom:updated>2026-04-20T04:42:16+09:00</atom:updated>
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            <media:title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Iak Gnix的精彩作品。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></description>
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            <name>Eli Mastaine</name>
            <uri>https://www.cizucu.com/zh-tw/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3</uri>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></media:description>
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