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          <title><![CDATA[water's surface | KITA]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/yieOVp0Oq3cBIGEa7Vus</link>
          <description><![CDATA[下載KITA拍攝的高品質且免費的城市天際線映襯在閃爍的水面上照片，盡情使用。]]></description>
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            <name>KITA</name>
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          <pubDate>Sun, 23 Mar 2025 19:29:42 GMT</pubDate>
          <atom:updated>2025-03-27T14:30:36+09:00</atom:updated>
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            <media:title><![CDATA[water's surface | KITA]]></media:title>
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            <media:description><![CDATA[下載KITA拍攝的高品質且免費的城市天際線映襯在閃爍的水面上照片，盡情使用。]]></media:description>
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          <title><![CDATA[Beautiful twilight,which makes everything something great. | Yosuke0312]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/VBdCvQDCMNw6gUYCoO8n</link>
          <description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></description>
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            <name>Yosuke0312</name>
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          <pubDate>Wed, 20 Aug 2025 19:55:33 GMT</pubDate>
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            <media:title><![CDATA[Beautiful twilight,which makes everything something great. | Yosuke0312]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></media:description>
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          <title><![CDATA[造星者  the galaxy maker | Zedd]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/10XGV4OTZyytuSMBa7uF</link>
          <description><![CDATA[在cizucu上查看更多Zedd的精彩作品。]]></description>
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            <name>Zedd</name>
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          <pubDate>Wed, 15 Oct 2025 18:22:06 GMT</pubDate>
          <atom:updated>2025-10-15T18:22:06+09:00</atom:updated>
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            <media:title><![CDATA[造星者  the galaxy maker | Zedd]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Zedd的精彩作品。]]></media:description>
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          <title><![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set.  The sky burned gold as the light softened the world into silhouettes.  The kind of light that makes strangers pause , and for me, snap.  I realised that day that some photographs simply aren’t planned.  You just happen to be there to enjoy the moment when the whole world turns into shadows and gold.  | katherine]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/tHvwyDigfPeMjxFym1yk</link>
          <description><![CDATA[在cizucu上查看更多katherine的精彩作品。]]></description>
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            <name>katherine</name>
            <uri>https://www.cizucu.com/zh-tw/users/v1guRGNcdDZYl0ZFCKVnyiYVO8u1</uri>
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          <pubDate>Fri, 06 Mar 2026 13:42:20 GMT</pubDate>
          <atom:updated>2026-03-06T13:42:20+09:00</atom:updated>
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            <media:title><![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set.  The sky burned gold as the light softened the world into silhouettes.  The kind of light that makes strangers pause , and for me, snap.  I realised that day that some photographs simply aren’t planned.  You just happen to be there to enjoy the moment when the whole world turns into shadows and gold.  | katherine]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多katherine的精彩作品。]]></media:description>
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          <title><![CDATA[You are an ‘Art’ to Someone  You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love”  | Drishti Gowda]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Q2UXrVZSja44vDkW9rcV</link>
          <description><![CDATA[在cizucu上查看更多Drishti Gowda的精彩作品。]]></description>
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            <name>Drishti Gowda</name>
            <uri>https://www.cizucu.com/zh-tw/users/pz5fnme1yVgVSeHjB4YtCunhYCC3</uri>
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          <pubDate>Fri, 20 Mar 2026 23:28:12 GMT</pubDate>
          <atom:updated>2026-03-20T23:28:12+09:00</atom:updated>
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            <media:title><![CDATA[You are an ‘Art’ to Someone  You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love”  | Drishti Gowda]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?fm=jpg" type="image/jpeg" width="1365" height="2048" />
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            <media:description><![CDATA[在cizucu上查看更多Drishti Gowda的精彩作品。]]></media:description>
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          <title><![CDATA[This was taken on my first photowalk with Women In Street SG at Joo Chiat. I’ve often feel less inspired to capture scenes in Singapore, perhaps maybe because its familiarity makes it easy to overlook the everyday. But I’m happy that the photowalk pushed me to look for scenes more deliberately, which helped me notice this scene of some clothes swaying from aircon units air in a quiet alley. This little scene was also framed with Bougainvillea which I thought tied the photo together nicely. | Nicole]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/sXHKlo3rXalnIwON9rNN</link>
          <description><![CDATA[在cizucu上查看更多Nicole的精彩作品。]]></description>
          <author>
            <name>Nicole</name>
            <uri>https://www.cizucu.com/zh-tw/users/iTTkcSywcONk0YINp8eJMyNIshf2</uri>
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          <pubDate>Sun, 19 Apr 2026 22:13:39 GMT</pubDate>
          <atom:updated>2026-04-19T22:13:39+09:00</atom:updated>
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            <media:title><![CDATA[This was taken on my first photowalk with Women In Street SG at Joo Chiat. I’ve often feel less inspired to capture scenes in Singapore, perhaps maybe because its familiarity makes it easy to overlook the everyday. But I’m happy that the photowalk pushed me to look for scenes more deliberately, which helped me notice this scene of some clothes swaying from aircon units air in a quiet alley. This little scene was also framed with Bougainvillea which I thought tied the photo together nicely. | Nicole]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/sXHKlo3rXalnIwON9rNN.jpg?fm=jpg" type="image/jpeg" width="2000" height="3000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sXHKlo3rXalnIwON9rNN.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Nicole的精彩作品。]]></media:description>
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          <title><![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom.  153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life.   Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/puyvXkP9v1WuoVMct1gm</link>
          <description><![CDATA[在cizucu上查看更多lucion j. orion的精彩作品。]]></description>
          <author>
            <name>lucion j. orion</name>
            <uri>https://www.cizucu.com/zh-tw/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2</uri>
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          <pubDate>Sat, 18 Apr 2026 14:32:50 GMT</pubDate>
          <atom:updated>2026-04-18T14:32:50+09:00</atom:updated>
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            <media:title><![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom.  153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life.   Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/puyvXkP9v1WuoVMct1gm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多lucion j. orion的精彩作品。]]></media:description>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
          <author>
            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/zh-tw/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
          <atom:updated>2026-01-20T13:05:15+09:00</atom:updated>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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          <title><![CDATA[As I explored the Blue Pools Track with my family in New Zealand, I remember standing on the bridge and taking the scenery in, until I looked down and was immediately drawn to the silhouettes of the people on the bridge. This moment was all that I wanted to capture - the calm amidst the chaos, the clear blue waters, and the people I love in a unique way.  For now, I am still learning how to look - what catches my eye, what feels gentle, what makes me pause a little longer. This is just a glimpse into a collection of things I like, things I notice, and moments that make me feel warm. | chloeyoshi]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/Ba4TB7s4q4GfqChvKpfc</link>
          <description><![CDATA[在cizucu上查看更多chloeyoshi的精彩作品。]]></description>
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            <name>chloeyoshi</name>
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          <pubDate>Mon, 19 Jan 2026 00:36:28 GMT</pubDate>
          <atom:updated>2026-01-19T00:36:28+09:00</atom:updated>
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            <media:title><![CDATA[As I explored the Blue Pools Track with my family in New Zealand, I remember standing on the bridge and taking the scenery in, until I looked down and was immediately drawn to the silhouettes of the people on the bridge. This moment was all that I wanted to capture - the calm amidst the chaos, the clear blue waters, and the people I love in a unique way.  For now, I am still learning how to look - what catches my eye, what feels gentle, what makes me pause a little longer. This is just a glimpse into a collection of things I like, things I notice, and moments that make me feel warm. | chloeyoshi]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多chloeyoshi的精彩作品。]]></media:description>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/AT0547TetpyjwEl35ryF</link>
          <description><![CDATA[在cizucu上查看更多Franco Volpi的精彩作品。]]></description>
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            <name>Franco Volpi</name>
            <uri>https://www.cizucu.com/zh-tw/users/koYtNqNSKaZsk6JSlEAEA3jrODf2</uri>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Franco Volpi的精彩作品。]]></media:description>
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          <title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/ChiMNFFJvPO2199Rv4U0</link>
          <description><![CDATA[在cizucu上查看更多umani的精彩作品。]]></description>
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            <name>umani</name>
            <uri>https://www.cizucu.com/zh-tw/users/kBz7T7zF1ORMKMkyf0Iqik5Tzqc2</uri>
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          <pubDate>Sun, 17 Aug 2025 21:47:14 GMT</pubDate>
          <atom:updated>2025-08-17T21:47:14+09:00</atom:updated>
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            <media:title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多umani的精彩作品。]]></media:description>
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          <title><![CDATA[I chose this photograph for exhibition because it stands apart from the kind of work I usually create. I was in the middle of photographing a model for a fashion shoot when I noticed a man standing nearby, looking back for just a brief moment. Instinctively, I captured the frame and immediately returned to the shoot. That is what I love most about photography — sometimes you simply find yourself in the right place, at the right time, with the right equipment, and a fleeting moment turns into an image that stays. What makes this photograph special to me is its universality. Although it was taken in the port area of Abu Dhabi, the scene feels unbound by geography. It could exist anywhere in the world, allowing the viewer to project their own place, story, and emotion onto the image. | Sahil Behal]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/rjer55thHVMbtuBogoMH</link>
          <description><![CDATA[在cizucu上查看更多Sahil Behal的精彩作品。]]></description>
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            <name>Sahil Behal</name>
            <uri>https://www.cizucu.com/zh-tw/users/XeckC7xNCDYufqsqfsUSbhiyJX82</uri>
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          <pubDate>Mon, 02 Mar 2026 22:08:35 GMT</pubDate>
          <atom:updated>2026-03-02T22:08:35+09:00</atom:updated>
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            <media:title><![CDATA[I chose this photograph for exhibition because it stands apart from the kind of work I usually create. I was in the middle of photographing a model for a fashion shoot when I noticed a man standing nearby, looking back for just a brief moment. Instinctively, I captured the frame and immediately returned to the shoot. That is what I love most about photography — sometimes you simply find yourself in the right place, at the right time, with the right equipment, and a fleeting moment turns into an image that stays. What makes this photograph special to me is its universality. Although it was taken in the port area of Abu Dhabi, the scene feels unbound by geography. It could exist anywhere in the world, allowing the viewer to project their own place, story, and emotion onto the image. | Sahil Behal]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Sahil Behal的精彩作品。]]></media:description>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/LcfITjpuir5fca1v6H39</link>
          <description><![CDATA[在cizucu上查看更多Leonie Freeman的精彩作品。]]></description>
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            <name>Leonie Freeman</name>
            <uri>https://www.cizucu.com/zh-tw/users/Z3nyxOavExSZa5rmcDPnnZRo9P03</uri>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
          <atom:updated>2026-04-07T23:00:52+09:00</atom:updated>
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            <media:title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Leonie Freeman的精彩作品。]]></media:description>
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