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          <title><![CDATA[When the light falls,  some walk into the light,  while others remain in the shadow. | 易辰]]></title>
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          <title><![CDATA[When the light falls,  some walk into the light,  while others remain in the shadow. | 易辰]]></title>
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          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
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          <description><![CDATA[下載sho13nabe拍攝的高品質且免費的從行駛中的新幹線車窗看到名古屋站外停著的計程車隊列照片，盡情使用。]]></description>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/7lreKTQnUVUoG5wGzyc6</link>
          <description><![CDATA[下載Park Seongjjn拍攝的高品質且免費的福岡街頭的巨型鋼彈雕像與行人照片，盡情使用。]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Wed, 22 Apr 2026 22:07:39 GMT</pubDate>
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          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/DVqwj97uZqe2SH06OmL4</link>
          <description><![CDATA[在cizucu上查看更多sho13nabe的精彩作品。]]></description>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
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          <title><![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.”  This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place.  Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return.  The breeze feels softer now. Calmer, somehow more forgiving.  Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too.  #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム  | Andy]]></title>
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          <description><![CDATA[下載Andy拍攝的高品質且免費的海邊步道上的人物剪影與棕櫚樹照片，盡情使用。]]></description>
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          <pubDate>Thu, 01 May 2025 09:35:29 GMT</pubDate>
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            <media:title><![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.”  This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place.  Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return.  The breeze feels softer now. Calmer, somehow more forgiving.  Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too.  #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム  | Andy]]></media:title>
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          <title><![CDATA[At an unremarkable corner, I saw a car swallowed by time. I thought of the people it once carried — the wind, the laughter along the roads. Now, only rust and silence remain. The moment I pressed the shutter, it felt as if I had captured a fading memory. | VCX aperture]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/D9JOhTjzF1ekH5cy03R4</link>
          <description><![CDATA[在cizucu上查看更多VCX aperture的精彩作品。]]></description>
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          <pubDate>Fri, 10 Oct 2025 14:48:32 GMT</pubDate>
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          <title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></title>
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          <description><![CDATA[在cizucu上查看更多__rohit.uk的精彩作品。]]></description>
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          <pubDate>Thu, 26 Mar 2026 07:23:01 GMT</pubDate>
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          <description><![CDATA[在cizucu上查看更多Felicity Gan的精彩作品。]]></description>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
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          <description><![CDATA[在cizucu上查看更多Felicity Gan的精彩作品。]]></description>
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          <pubDate>Sat, 04 Apr 2026 23:27:00 GMT</pubDate>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
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          <description><![CDATA[下載Park Seongjjn拍攝的高品質且免費的黃昏時分的街道車輛與城市建築照片，盡情使用。]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:38:50 GMT</pubDate>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
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          <description><![CDATA[下載Park Seongjjn拍攝的高品質且免費的夜晚河面倒映的燈飾與兩岸亮起的攤位橋景照片，盡情使用。]]></description>
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            <name>Park Seongjjn</name>
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          <title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/H8kjUw4s4hrqBulgGNLl</link>
          <description><![CDATA[在cizucu上查看更多Nayoung的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多Nayoung的精彩作品。]]></media:description>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/v0mqxmWKtkFVtHmBGIug</link>
          <description><![CDATA[下載Park Seongjjn拍攝的高品質且免費的夜晚河畔的建築與大型發光招牌照片，盡情使用。]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:40:58 GMT</pubDate>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/tu9NjuRORzGAKRsfryuw</link>
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          <pubDate>Thu, 16 Apr 2026 21:42:27 GMT</pubDate>
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