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          <title><![CDATA[Like red lips  with PENTAX K-1 | Yuichi Kasagami]]></title>
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          <description><![CDATA[下載Yuichi Kasagami拍攝的高品質且免費的紅色旗幟在風中飄揚照片，盡情使用。]]></description>
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            <name>Yuichi Kasagami</name>
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          <pubDate>Tue, 19 Nov 2024 18:55:13 GMT</pubDate>
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          <title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/l6PApopjFqAxzegIdmWb</link>
          <description><![CDATA[在cizucu上查看更多vemuon的精彩作品。]]></description>
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          <pubDate>Tue, 20 Feb 2024 20:58:35 GMT</pubDate>
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            <media:title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多vemuon的精彩作品。]]></media:description>
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          <title><![CDATA[My muse Hikari has always allowed me to use my inspiration to the fullest. For this specific photo, we were shuffling around on the opposite side of Shinjuku talking and laughing until we stumbled across this building. Without a second thought, we both pointed at the big lips on the wall and said "yes." I have numerous photos of Hikari, some more thought provoking and portfolio worthy, yet this one is without a doubt the funniest and quirkiest photo I have ever taken of her. | Andrew_Bibee]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/t0Fqk2vSFQNFb9bUCzbb</link>
          <description><![CDATA[在cizucu上查看更多Andrew_Bibee的精彩作品。]]></description>
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          <pubDate>Sun, 27 Jul 2025 15:06:34 GMT</pubDate>
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            <media:title><![CDATA[My muse Hikari has always allowed me to use my inspiration to the fullest. For this specific photo, we were shuffling around on the opposite side of Shinjuku talking and laughing until we stumbled across this building. Without a second thought, we both pointed at the big lips on the wall and said "yes." I have numerous photos of Hikari, some more thought provoking and portfolio worthy, yet this one is without a doubt the funniest and quirkiest photo I have ever taken of her. | Andrew_Bibee]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Andrew_Bibee的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/zh-tw/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></description>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多熊寶的精彩作品。]]></media:description>
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