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            <media:title><![CDATA[lightleak ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ Leica M4-2 Leica Tele Elmar 135mm f4 Kodak Color Plus 200 ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ #lightleak #ライトリーク　#鴨川デルタ #感光　#感光写真　#京都　#スナップ　 #フィルム　#フィルムで残す京都 | Yukihiro]]></media:title>
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            <media:description><![CDATA[在 cizucu 免费下载由 Yukihiro 拍摄的高质量图片，内容为「鸭川三角洲河岸的光晕漏光效果，圆石与草丛」。]]></media:description>
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          <title><![CDATA[三重県熊野市ツエノ峰の雲海です。 道が険しい、暗くて霧に包まれて鹿が飛び出してきてびっくりしつつ、熊が出ませんようにと祈りつつ恐る恐る車で登った先に波打つ雲海が広がっていて感動したのを今でも覚えています。 | matoko]]></title>
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          <description><![CDATA[在cizucu上查看更多matoko的精彩作品。]]></description>
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            <name>matoko</name>
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          <pubDate>Wed, 14 Jan 2026 07:54:38 GMT</pubDate>
          <atom:updated>2026-01-17T22:48:16+09:00</atom:updated>
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            <media:title><![CDATA[三重県熊野市ツエノ峰の雲海です。 道が険しい、暗くて霧に包まれて鹿が飛び出してきてびっくりしつつ、熊が出ませんようにと祈りつつ恐る恐る車で登った先に波打つ雲海が広がっていて感動したのを今でも覚えています。 | matoko]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多matoko的精彩作品。]]></media:description>
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          <title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/y4dUsQS7SWFJtsiebLQ6</link>
          <description><![CDATA[在cizucu上查看更多JuskoLiy的精彩作品。]]></description>
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            <name>JuskoLiy</name>
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          <pubDate>Sat, 21 Mar 2026 09:11:14 GMT</pubDate>
          <atom:updated>2026-03-21T09:11:39+09:00</atom:updated>
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            <media:title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多JuskoLiy的精彩作品。]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></description>
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            <name>Lee Mia</name>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
          <atom:updated>2026-05-03T17:03:59+09:00</atom:updated>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></media:description>
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          <title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/NUec0OXvq7COMIl2TDDZ</link>
          <description><![CDATA[在cizucu上查看更多R.J. Savoie的精彩作品。]]></description>
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            <name>R.J. Savoie</name>
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          <pubDate>Fri, 13 Feb 2026 17:09:43 GMT</pubDate>
          <atom:updated>2026-02-13T17:09:50+09:00</atom:updated>
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            <media:title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多R.J. Savoie的精彩作品。]]></media:description>
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          <title><![CDATA[Title: The Moment In Between.  When I took this photo, I wasn’t just trying to capture a train. I was trying to capture a feeling.  I’m always drawn to moments that look cinematic, but more importantly, moments that can tell a story by themselves. In this image, the train becomes more than transportation. For me, it represents hope. The hope that this journey might lead to something better. The hope that stepping forward could bring us closer to our dreams.  But hope is never simple.  There’s always fear standing right beside it. Fear of leaving what’s familiar. Fear of the unknown. I think all of us have faced a moment like this, when we had to decide whether to step onto that train, even when we weren’t completely ready.  This photograph lives in that space. The moment in between fear and hope. Between staying and becoming. | Chawin Terk]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/trC4T1git609KqNYjLla</link>
          <description><![CDATA[在cizucu上查看更多Chawin Terk的精彩作品。]]></description>
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            <name>Chawin Terk</name>
            <uri>https://www.cizucu.com/zh-cn/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3</uri>
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          <pubDate>Mon, 02 Feb 2026 18:05:46 GMT</pubDate>
          <atom:updated>2026-02-20T12:39:54+09:00</atom:updated>
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            <media:title><![CDATA[Title: The Moment In Between.  When I took this photo, I wasn’t just trying to capture a train. I was trying to capture a feeling.  I’m always drawn to moments that look cinematic, but more importantly, moments that can tell a story by themselves. In this image, the train becomes more than transportation. For me, it represents hope. The hope that this journey might lead to something better. The hope that stepping forward could bring us closer to our dreams.  But hope is never simple.  There’s always fear standing right beside it. Fear of leaving what’s familiar. Fear of the unknown. I think all of us have faced a moment like this, when we had to decide whether to step onto that train, even when we weren’t completely ready.  This photograph lives in that space. The moment in between fear and hope. Between staying and becoming. | Chawin Terk]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Chawin Terk的精彩作品。]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></description>
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            <name>Victor Tan KH</name>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></media:description>
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