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          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
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          <description><![CDATA[在cizucu上查看更多Bhavik Solanki的精彩作品。]]></description>
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            <name>Bhavik Solanki</name>
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          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[在cizucu上查看更多Liza Medvedeva的精彩作品。]]></description>
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            <name>Liza Medvedeva</name>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Liza Medvedeva的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></title>
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          <description><![CDATA[在cizucu上查看更多Bonjour tangor的精彩作品。]]></description>
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            <name>Bonjour tangor</name>
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          <pubDate>Tue, 17 Mar 2026 16:42:37 GMT</pubDate>
          <atom:updated>2026-03-17T16:42:37+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Bonjour tangor的精彩作品。]]></media:description>
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          <title><![CDATA[[流れる者　とどまる者]  Studio Graphics第10回「静と動」フォトコンテスト　グランプリ 作品  審査員　薮田織也/柴田誠/高崎勉  総評  今回もご応募いただいた作品のいずれもが大変な力作ばかりでした。 美しく魅力的な作品が多数あったのですが、コンテストのテーマに沿っていると思えた作品は残念ながら多くはありませんでした。 自由テーマであればグランプリに選びたいと思える作品がたくさんあったのですが……。 また、作品自体の実力は大変高いと感じるのですが、タイトルやステートメントの訴求力が全体的に大変不足しています。 写真作品は画だけで語るものではありません。加える文章にも力と愛情を注いでいただけたらと思います。  審査員のコメント  行雲流水のごとく一所にとどまらずに流れ流れて修行する僧侶を、行雲流水を略して雲水と呼びます。タイトルから判断すると、雑踏の中にじっと立ちすくむ 1/8 秒のシャッタースピードにもブレない托鉢の雲水と後ろを足早に過ぎていく群衆とが「静と動」を表わしているのだと思いますが、しばらくして雲水の存在だけで「静と動」が見て取れることに気づきます。構図は少し甘いですが、今回のテーマをより掘り下げた作品だと感じグランプリとさせていただきました。    #スナップ #ストリート #ストリートフォト #streetphotography | me..]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/zbyXSbWR4g74GJFPPwBv</link>
          <description><![CDATA[在cizucu上查看更多me..的精彩作品。]]></description>
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          <pubDate>Fri, 07 Jun 2024 07:15:00 GMT</pubDate>
          <atom:updated>2025-03-27T23:58:02+09:00</atom:updated>
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            <media:title><![CDATA[[流れる者　とどまる者]  Studio Graphics第10回「静と動」フォトコンテスト　グランプリ 作品  審査員　薮田織也/柴田誠/高崎勉  総評  今回もご応募いただいた作品のいずれもが大変な力作ばかりでした。 美しく魅力的な作品が多数あったのですが、コンテストのテーマに沿っていると思えた作品は残念ながら多くはありませんでした。 自由テーマであればグランプリに選びたいと思える作品がたくさんあったのですが……。 また、作品自体の実力は大変高いと感じるのですが、タイトルやステートメントの訴求力が全体的に大変不足しています。 写真作品は画だけで語るものではありません。加える文章にも力と愛情を注いでいただけたらと思います。  審査員のコメント  行雲流水のごとく一所にとどまらずに流れ流れて修行する僧侶を、行雲流水を略して雲水と呼びます。タイトルから判断すると、雑踏の中にじっと立ちすくむ 1/8 秒のシャッタースピードにもブレない托鉢の雲水と後ろを足早に過ぎていく群衆とが「静と動」を表わしているのだと思いますが、しばらくして雲水の存在だけで「静と動」が見て取れることに気づきます。構図は少し甘いですが、今回のテーマをより掘り下げた作品だと感じグランプリとさせていただきました。    #スナップ #ストリート #ストリートフォト #streetphotography | me..]]></media:title>
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