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          <title><![CDATA[Interior with square light #studio #lighting #interior #plant | hikaru masamiya]]></title>
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          <description><![CDATA[在cizucu免费下载由hikaru masamiya拍摄的高质量一个宁静的空间，白墙上投射出方形光影和一盆植物照片。]]></description>
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            <name>hikaru masamiya</name>
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          <pubDate>Thu, 09 Feb 2023 13:48:18 GMT</pubDate>
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          <title><![CDATA[『 wine』  #history #wine #studio #photograph | 3104_akita]]></title>
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          <description><![CDATA[在cizucu免费下载由3104_akita拍摄的高质量酒瓶站在黑暗背景前 强烈的光影对比照片。]]></description>
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          <pubDate>Mon, 11 Nov 2024 17:35:36 GMT</pubDate>
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          <title><![CDATA[9 April 2023, Universal Studio Japan (Osaka)  Parties got no limit! | Loh Jia Qi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/ykjrqPS2me9OVHHYQ4wu</link>
          <description><![CDATA[在cizucu上查看更多Loh Jia Qi的精彩作品。]]></description>
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          <pubDate>Tue, 17 Feb 2026 01:38:35 GMT</pubDate>
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            <media:title><![CDATA[9 April 2023, Universal Studio Japan (Osaka)  Parties got no limit! | Loh Jia Qi]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Loh Jia Qi的精彩作品。]]></media:description>
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          <title><![CDATA[Study the past know the future as they say history repeats itself. | Yosuke0312]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/fFWf4ZjtpHrvSWwUACKb</link>
          <description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></description>
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          <pubDate>Thu, 28 Nov 2024 23:54:33 GMT</pubDate>
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            <media:title><![CDATA[Study the past know the future as they say history repeats itself. | Yosuke0312]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yosuke0312的精彩作品。]]></media:description>
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          <title><![CDATA[As an introvert, I’m drawn to the quiet corners most people walk right past. I wanted to capture these three standing together, showing that you don’t need to be loud to have a monumental presence. It’s a study in the beauty of being still. | Ajay]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/aJiRyMbTLxZwJTqUqRq6</link>
          <description><![CDATA[在cizucu上查看更多Ajay的精彩作品。]]></description>
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            <name>Ajay</name>
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          <pubDate>Sun, 22 Mar 2026 15:24:14 GMT</pubDate>
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            <media:title><![CDATA[As an introvert, I’m drawn to the quiet corners most people walk right past. I wanted to capture these three standing together, showing that you don’t need to be loud to have a monumental presence. It’s a study in the beauty of being still. | Ajay]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Ajay的精彩作品。]]></media:description>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
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            <name>Lousycameraman</name>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/TZwAqaxggJkW3ZVK8vLW</link>
          <description><![CDATA[在cizucu上查看更多Bhavik Solanki的精彩作品。]]></description>
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            <name>Bhavik Solanki</name>
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          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
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            <media:title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Bhavik Solanki的精彩作品。]]></media:description>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[在cizucu上查看更多Liza Medvedeva的精彩作品。]]></description>
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            <name>Liza Medvedeva</name>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
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          <title><![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]></title>
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          <title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></title>
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          <title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></title>
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          <title><![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]></title>
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          <pubDate>Sat, 14 Mar 2026 22:52:50 GMT</pubDate>
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          <title><![CDATA[[流れる者　とどまる者]  Studio Graphics第10回「静と動」フォトコンテスト　グランプリ 作品  審査員　薮田織也/柴田誠/高崎勉  総評  今回もご応募いただいた作品のいずれもが大変な力作ばかりでした。 美しく魅力的な作品が多数あったのですが、コンテストのテーマに沿っていると思えた作品は残念ながら多くはありませんでした。 自由テーマであればグランプリに選びたいと思える作品がたくさんあったのですが……。 また、作品自体の実力は大変高いと感じるのですが、タイトルやステートメントの訴求力が全体的に大変不足しています。 写真作品は画だけで語るものではありません。加える文章にも力と愛情を注いでいただけたらと思います。  審査員のコメント  行雲流水のごとく一所にとどまらずに流れ流れて修行する僧侶を、行雲流水を略して雲水と呼びます。タイトルから判断すると、雑踏の中にじっと立ちすくむ 1/8 秒のシャッタースピードにもブレない托鉢の雲水と後ろを足早に過ぎていく群衆とが「静と動」を表わしているのだと思いますが、しばらくして雲水の存在だけで「静と動」が見て取れることに気づきます。構図は少し甘いですが、今回のテーマをより掘り下げた作品だと感じグランプリとさせていただきました。    #スナップ #ストリート #ストリートフォト #streetphotography | me..]]></title>
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