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            <media:description><![CDATA[在 cizucu 免费下载由 RYUURI 拍摄的高质量图片，内容为「雨后神社通道，红色围裙的稻荷狐雕像成排」。]]></media:description>
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          <title><![CDATA[The passer.  #streetphotography #streetsnap #street | ビンゴとドリムの父ちゃん]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/AHUGi8BCgOgl0lfTMWkZ</link>
          <description><![CDATA[在cizucu上查看更多ビンゴとドリムの父ちゃん的精彩作品。]]></description>
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            <name>ビンゴとドリムの父ちゃん</name>
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          <pubDate>Mon, 24 Nov 2025 14:12:46 GMT</pubDate>
          <atom:updated>2026-05-03T19:07:24+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多ビンゴとドリムの父ちゃん的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[eclipse  (camera) #mamiya press standard 23  (tags) #film #brownie #fillphotography | Naruki]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/JRnCA9LKMRH4yTBBFJF1</link>
          <description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></description>
          <author>
            <name>Naruki</name>
            <uri>https://www.cizucu.com/zh-cn/naru1439</uri>
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          <pubDate>Thu, 04 Dec 2025 03:04:58 GMT</pubDate>
          <atom:updated>2026-01-18T00:24:54+09:00</atom:updated>
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            <media:title><![CDATA[eclipse  (camera) #mamiya press standard 23  (tags) #film #brownie #fillphotography | Naruki]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JRnCA9LKMRH4yTBBFJF1.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JRnCA9LKMRH4yTBBFJF1.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[eggs  (camera) #mamiya press standard 23  (tags) #filmphotograpy #brownie #lomography | Naruki]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/YhR56uFzC2I06V2jPIQQ</link>
          <description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></description>
          <author>
            <name>Naruki</name>
            <uri>https://www.cizucu.com/zh-cn/naru1439</uri>
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          <pubDate>Sat, 29 Nov 2025 00:33:19 GMT</pubDate>
          <atom:updated>2026-05-03T18:55:48+09:00</atom:updated>
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            <media:title><![CDATA[eggs  (camera) #mamiya press standard 23  (tags) #filmphotograpy #brownie #lomography | Naruki]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/YhR56uFzC2I06V2jPIQQ.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></media:description>
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          <title><![CDATA[frags  (camera) #mamiya press standard 23  (tags) #filmphotography #film #brownie  | Naruki]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/euLaGVIirONnl5de4kc0</link>
          <description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></description>
          <author>
            <name>Naruki</name>
            <uri>https://www.cizucu.com/zh-cn/naru1439</uri>
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          <pubDate>Sat, 29 Nov 2025 00:47:58 GMT</pubDate>
          <atom:updated>2026-01-18T00:47:38+09:00</atom:updated>
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            <media:title><![CDATA[frags  (camera) #mamiya press standard 23  (tags) #filmphotography #film #brownie  | Naruki]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[non-title  (camera) #mamiya press standard 23  (tags) #filmphotography #brownie #lomigraphy | Naruki]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/DD0oqh2Zv6zTJr5CWNOl</link>
          <description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></description>
          <author>
            <name>Naruki</name>
            <uri>https://www.cizucu.com/zh-cn/naru1439</uri>
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          <pubDate>Sat, 29 Nov 2025 00:29:03 GMT</pubDate>
          <atom:updated>2026-01-18T00:47:41+09:00</atom:updated>
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            <media:title><![CDATA[non-title  (camera) #mamiya press standard 23  (tags) #filmphotography #brownie #lomigraphy | Naruki]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[non-title  (camera) #mamiya press standard 23  (tags) #filmphotography #brownie #lomography   | Naruki]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/2Ng4rCeasVZPNkHbBKyV</link>
          <description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></description>
          <author>
            <name>Naruki</name>
            <uri>https://www.cizucu.com/zh-cn/naru1439</uri>
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          <pubDate>Sat, 29 Nov 2025 00:27:02 GMT</pubDate>
          <atom:updated>2026-05-03T18:55:44+09:00</atom:updated>
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            <media:title><![CDATA[non-title  (camera) #mamiya press standard 23  (tags) #filmphotography #brownie #lomography   | Naruki]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Naruki的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | TPinJP]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/bCYHvf2zYlSwIo1U3yK0</link>
          <description><![CDATA[在cizucu上查看更多TPinJP的精彩作品。]]></description>
          <author>
            <name>TPinJP</name>
            <uri>https://www.cizucu.com/zh-cn/users/BjkHJuxHd5hBn23eauUtaYI8BK72</uri>
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          <pubDate>Sun, 19 Apr 2026 20:55:43 GMT</pubDate>
          <atom:updated>2026-05-03T11:33:24+09:00</atom:updated>
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            <media:title><![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | TPinJP]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bCYHvf2zYlSwIo1U3yK0.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多TPinJP的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[For this exhibition, the intention is not to glorify illness, extremes, or unhealthy ideals — but to question the contradictions in the way society judges bodies. Thinness is often immediately criticized, pathologized, or condemned, while other visibly unhealthy body standards can be publicly celebrated or protected from criticism. Both can carry serious health implications. This work explores how quickly aesthetics become moralized, and how differently people are treated depending on which body ideal they represent. The photograph is ultimately about presence, vulnerability, beauty, and the freedom to exist beyond simplified social narratives.  This image is meant to preserve her presence — not as a statement of perfection or pathology, but as a human being who deserved to be seen with dignity, sensitivity, and depth.  Wilkomira passed away in 2023 | epiczambo]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/Iar1i06DpGmqL091jtuH</link>
          <description><![CDATA[在cizucu上查看更多epiczambo的精彩作品。]]></description>
          <author>
            <name>epiczambo</name>
            <uri>https://www.cizucu.com/zh-cn/users/rLfe97v4dET93XOaAjLrLe1Wony2</uri>
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          <pubDate>Fri, 15 May 2026 22:27:19 GMT</pubDate>
          <atom:updated>2026-05-15T22:27:19+09:00</atom:updated>
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            <media:title><![CDATA[For this exhibition, the intention is not to glorify illness, extremes, or unhealthy ideals — but to question the contradictions in the way society judges bodies. Thinness is often immediately criticized, pathologized, or condemned, while other visibly unhealthy body standards can be publicly celebrated or protected from criticism. Both can carry serious health implications. This work explores how quickly aesthetics become moralized, and how differently people are treated depending on which body ideal they represent. The photograph is ultimately about presence, vulnerability, beauty, and the freedom to exist beyond simplified social narratives.  This image is meant to preserve her presence — not as a statement of perfection or pathology, but as a human being who deserved to be seen with dignity, sensitivity, and depth.  Wilkomira passed away in 2023 | epiczambo]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Iar1i06DpGmqL091jtuH.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多epiczambo的精彩作品。]]></media:description>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
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          <title><![CDATA[Sich selbst wiederfinden  Dieses Porträt entstand am Meer in Rostock, zu einer Zeit, in der meine Freundin sich langsam von einem schwierigen Kapitel ihres Lebens erholte und begann, wieder eine Verbindung zu sich selbst aufzubauen.  Durch unsere Gespräche verstand ich immer mehr, welchen Druck sie als Frau getragen hatte — durch Familie, Gesellschaft und die Erwartungen, die an sie gestellt wurden. Mir wurde bewusst, dass Frauen aus unterschiedlichen Ländern oft ähnliche Zweifel, Belastungen und Kämpfe mit dem eigenen Selbstwert erleben.  Als Freundin wollte ich sie an ihre Schönheit, ihre Stärke und ihren Wert erinnern. Fotografie ist die Sprache, die ich am besten kenne, und ich hoffte, dass ich ihr durch meine Kamera helfen könnte, sich selbst wiederzusehen.  Ich habe ihr Aussehen nicht verändert. Abgesehen von Farb- und Tonanpassungen bleibt das Bild dem Moment treu: echt, ehrlich und kraftvoll.  In meinen Porträts von Frauen interessiert mich besonders das Zusammenspiel von Sanftheit und Stärke. Ich glaube, dass Schönheit keinen festen Maßstab hat. Jeder Mensch trägt seine eigene Form von Schönheit in sich — und vielleicht ist der schönste Zustand einfach, man selbst zu sein.  Dieses Foto ist die Aufzeichnung einer Frau, die wieder aufsteht — nicht als jemand, der zu einer anderen Person geworden ist, sondern als jemand, der zu sich selbst zurückkehrt.  Relearning Herself  This portrait was taken by the sea in Rostock, during a time when my friend was slowly recovering from a difficult chapter in her life and learning to reconnect with herself.  Through our conversations, I came to understand the pressure she had carried as a woman — from family, society, and the expectations placed on her. I realized that women from different countries often share similar doubts, burdens, and struggles with self-worth.  As her friend, I wanted to remind her of her beauty, strength, and value. Photography is the language I know best, so I hoped that through my camera, I could help her see herself again.  I did not alter her appearance. Apart from color and tonal adjustments, the image remains true to the moment: real, honest, and powerful.  In my portraits of women, I am always drawn to the coexistence of softness and strength. I believe beauty has no fixed standard. Every person carries their own form of beauty, and perhaps the most beautiful state is simply to be oneself.  This photograph is a record of a woman standing up again — not as someone transformed into someone else, but as someone returning to herself. | Yu Jin (Hailey)]]></title>
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            <media:title><![CDATA[Sich selbst wiederfinden  Dieses Porträt entstand am Meer in Rostock, zu einer Zeit, in der meine Freundin sich langsam von einem schwierigen Kapitel ihres Lebens erholte und begann, wieder eine Verbindung zu sich selbst aufzubauen.  Durch unsere Gespräche verstand ich immer mehr, welchen Druck sie als Frau getragen hatte — durch Familie, Gesellschaft und die Erwartungen, die an sie gestellt wurden. Mir wurde bewusst, dass Frauen aus unterschiedlichen Ländern oft ähnliche Zweifel, Belastungen und Kämpfe mit dem eigenen Selbstwert erleben.  Als Freundin wollte ich sie an ihre Schönheit, ihre Stärke und ihren Wert erinnern. Fotografie ist die Sprache, die ich am besten kenne, und ich hoffte, dass ich ihr durch meine Kamera helfen könnte, sich selbst wiederzusehen.  Ich habe ihr Aussehen nicht verändert. Abgesehen von Farb- und Tonanpassungen bleibt das Bild dem Moment treu: echt, ehrlich und kraftvoll.  In meinen Porträts von Frauen interessiert mich besonders das Zusammenspiel von Sanftheit und Stärke. Ich glaube, dass Schönheit keinen festen Maßstab hat. Jeder Mensch trägt seine eigene Form von Schönheit in sich — und vielleicht ist der schönste Zustand einfach, man selbst zu sein.  Dieses Foto ist die Aufzeichnung einer Frau, die wieder aufsteht — nicht als jemand, der zu einer anderen Person geworden ist, sondern als jemand, der zu sich selbst zurückkehrt.  Relearning Herself  This portrait was taken by the sea in Rostock, during a time when my friend was slowly recovering from a difficult chapter in her life and learning to reconnect with herself.  Through our conversations, I came to understand the pressure she had carried as a woman — from family, society, and the expectations placed on her. I realized that women from different countries often share similar doubts, burdens, and struggles with self-worth.  As her friend, I wanted to remind her of her beauty, strength, and value. Photography is the language I know best, so I hoped that through my camera, I could help her see herself again.  I did not alter her appearance. Apart from color and tonal adjustments, the image remains true to the moment: real, honest, and powerful.  In my portraits of women, I am always drawn to the coexistence of softness and strength. I believe beauty has no fixed standard. Every person carries their own form of beauty, and perhaps the most beautiful state is simply to be oneself.  This photograph is a record of a woman standing up again — not as someone transformed into someone else, but as someone returning to herself. | Yu Jin (Hailey)]]></media:title>
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