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          <title><![CDATA[一排暖光玻璃灯泡的灯具 | あお🐐]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 あお🐐 拍摄的高质量图片，内容为「一排暖光玻璃灯泡的灯具」。]]></description>
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          <title><![CDATA[墙上并排的电源开关与插座面板 | dsuke999]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 dsuke999 拍摄的高质量图片，内容为「墙上并排的电源开关与插座面板」。]]></description>
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          <title><![CDATA[室内角落的墙面插座与暖光 | Maru_R]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/Y3S2p9BCTHu8KOgHfHEz</link>
          <description><![CDATA[在 cizucu 免费下载由 Maru_R 拍摄的高质量图片，内容为「室内角落的墙面插座与暖光」。]]></description>
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          <title><![CDATA[木桌上摆放的汽车大灯灯泡与灯座部件 | gorilla1]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/dKqJAyottXvmIDLbtYzB</link>
          <description><![CDATA[在 cizucu 免费下载由 gorilla1 拍摄的高质量图片，内容为「木桌上摆放的汽车大灯灯泡与灯座部件」。]]></description>
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          <pubDate>Wed, 24 Jan 2024 10:26:03 GMT</pubDate>
          <atom:updated>2026-01-24T09:40:10+09:00</atom:updated>
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          <title><![CDATA[黑白图像，展示人们在市场工作 | WenYang]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/LUfnLwPEvgZPFTlc7q80</link>
          <description><![CDATA[在cizucu上查看更多WenYang的精彩作品。]]></description>
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          <pubDate>Sat, 24 Jan 2026 01:23:07 GMT</pubDate>
          <atom:updated>2026-01-24T01:23:30+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多WenYang的精彩作品。]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></description>
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            <name>Shawn Lim</name>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T22:40:24+09:00</atom:updated>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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          <title><![CDATA[For this exhibition, the intention is not to glorify illness, extremes, or unhealthy ideals — but to question the contradictions in the way society judges bodies. Thinness is often immediately criticized, pathologized, or condemned, while other visibly unhealthy body standards can be publicly celebrated or protected from criticism. Both can carry serious health implications. This work explores how quickly aesthetics become moralized, and how differently people are treated depending on which body ideal they represent. The photograph is ultimately about presence, vulnerability, beauty, and the freedom to exist beyond simplified social narratives.  This image is meant to preserve her presence — not as a statement of perfection or pathology, but as a human being who deserved to be seen with dignity, sensitivity, and depth.  Wilkomira passed away in 2023 | epiczambo]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/Iar1i06DpGmqL091jtuH</link>
          <description><![CDATA[在cizucu上查看更多epiczambo的精彩作品。]]></description>
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          <pubDate>Fri, 15 May 2026 22:27:19 GMT</pubDate>
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            <media:title><![CDATA[For this exhibition, the intention is not to glorify illness, extremes, or unhealthy ideals — but to question the contradictions in the way society judges bodies. Thinness is often immediately criticized, pathologized, or condemned, while other visibly unhealthy body standards can be publicly celebrated or protected from criticism. Both can carry serious health implications. This work explores how quickly aesthetics become moralized, and how differently people are treated depending on which body ideal they represent. The photograph is ultimately about presence, vulnerability, beauty, and the freedom to exist beyond simplified social narratives.  This image is meant to preserve her presence — not as a statement of perfection or pathology, but as a human being who deserved to be seen with dignity, sensitivity, and depth.  Wilkomira passed away in 2023 | epiczambo]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多epiczambo的精彩作品。]]></media:description>
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          <title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/ZPLdPl9OCw2jT7XnH1P4</link>
          <description><![CDATA[在cizucu上查看更多donparohinog的精彩作品。]]></description>
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          <pubDate>Fri, 13 Feb 2026 23:45:07 GMT</pubDate>
          <atom:updated>2026-05-03T15:17:11+09:00</atom:updated>
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            <media:title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></media:title>
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          <title><![CDATA[that day of play at the pool with 5 adults looking on. Nephew had no cousin to play with as his uncle (me) decided not to have any kids. A somewhat familiar sight in an aging society like Singapore. this was one of the few times he "dived" under as he was still building on his water confidence. Doing much better now!  Photo was taken with a sports housing that was acquired due to the appeal of surfing photography - a genre that brings together my love for nature and sports at the same time. But never got to try to date. In the mean time, have always been looking for the opportunity to take half and half shots like these that capture moments in two separate worlds in the same frame. | nothatjon]]></title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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