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          <title><![CDATA[秘密の森の静寂  #light #diary | だいひょう]]></title>
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          <title><![CDATA[夏休みの昼下がり、 ここは僕たちの秘密基地。  でも少しだけ困ったことがあって、 電車が通ると耳を塞がないといけないんだ。  #夏休み #秘密基地   | morissy]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 morissy 拍摄的高质量图片，内容为「夏日午后，铁轨旁的墙边孩子玩耍，火车经过」。]]></description>
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            <media:description><![CDATA[在 cizucu 免费下载由 morissy 拍摄的高质量图片，内容为「夏日午后，铁轨旁的墙边孩子玩耍，火车经过」。]]></media:description>
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          <title><![CDATA[蓝天背景下屋顶塔楼上的风向标 | BUG / Yosuke Saiki]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 BUG / Yosuke Saiki 拍摄的高质量图片，内容为「蓝天背景下屋顶塔楼上的风向标」。]]></description>
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          <title><![CDATA[蓝天下带白色风向标和T-PLAT招牌的建筑 | Kazuhiko Watanabe]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 Kazuhiko Watanabe 拍摄的高质量图片，内容为「蓝天下带白色风向标和T-PLAT招牌的建筑」。]]></description>
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          <pubDate>Sat, 30 Nov 2024 00:54:37 GMT</pubDate>
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          <title><![CDATA[#film | Yuya]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/XRvTePYoxCw8SBocourx</link>
          <description><![CDATA[在 cizucu 免费下载由 Yuya 拍摄的高质量图片，内容为「黑白海景，水面上有帆船」。]]></description>
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          <pubDate>Wed, 26 Feb 2025 07:39:53 GMT</pubDate>
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            <media:title><![CDATA[#film | Yuya]]></media:title>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Yash Rane的精彩作品。]]></media:description>
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