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          <title><![CDATA[Edge  | Room11]]></title>
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          <pubDate>Sat, 10 Jan 2026 19:41:07 GMT</pubDate>
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          <title><![CDATA[ゴールデンウィーク 疲れた体を焚火と美味い飯で癒す  Oita  #阿蘇くじゅう国立公園 #久住高原 #キャンプ #ダッチオーブン #焚火 #Lodge  | ICHIHO]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/M0lNUg7J1yjHzIHm1Q5B</link>
          <description><![CDATA[在cizucu免费下载由ICHIHO拍摄的高质量一个铸铁锅放在炭火上的烹饪场景照片。]]></description>
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          <pubDate>Sat, 22 Jun 2024 21:29:34 GMT</pubDate>
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          <title><![CDATA["The Edge of Weather" (天気の境界線) @Kobe, Hyogo - Japan | yo_soulframe_creatives]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/tGbWhm3wtRt3awO8uR4g</link>
          <description><![CDATA[在cizucu上查看更多yo_soulframe_creatives的精彩作品。]]></description>
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          <pubDate>Thu, 09 Jan 2025 10:50:56 GMT</pubDate>
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            <media:title><![CDATA["The Edge of Weather" (天気の境界線) @Kobe, Hyogo - Japan | yo_soulframe_creatives]]></media:title>
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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/QSmZJSkwkQbEHeB2lxtJ</link>
          <description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Sat, 21 Mar 2026 13:53:18 GMT</pubDate>
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            <media:title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></media:description>
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          <title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. | i_amrizzahmed]]></title>
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          <description><![CDATA[在cizucu上查看更多i_amrizzahmed的精彩作品。]]></description>
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          <pubDate>Fri, 13 Mar 2026 17:17:06 GMT</pubDate>
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            <media:title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. | i_amrizzahmed]]></media:title>
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          <title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. ☕🌊 | i_amrizzahmed]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/4gQp3X6E17zX4cszyRKv</link>
          <description><![CDATA[在cizucu上查看更多i_amrizzahmed的精彩作品。]]></description>
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            <name>i_amrizzahmed</name>
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          <pubDate>Fri, 13 Mar 2026 17:18:27 GMT</pubDate>
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            <media:title><![CDATA[Pause Between Cups  At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands.  Behind them, the skyline rises with ambition; before them, the sea rests in silence.  For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. ☕🌊 | i_amrizzahmed]]></media:title>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[在cizucu上查看更多INKAN的精彩作品。]]></description>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
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          <title><![CDATA[This is one of 21 photos from an amazing failed adventure in the Lake District with my two best friends.  Final year of university. Three best friends. No car, no plan, and jackets that lied about being waterproof. The goal? Reach the lake at Lake District National Park. The reality? The best failed attempt.   We rented a tiny cabin on the park’s edge and set off like adventurers… who forgot to read the instructions. We marched through sideways rain, squelchy grass, and somehow… a factory? We climbed hills, jumped questionable fences, greeted sheep like old friends, and pretended we knew where we were going.  We never made it to the lake. But we did soak our “waterproof” jackets, barbecue in the rain, and laugh until our faces hurt.  Sometimes the best trips aren’t about the destination. They’re about soaking wet socks, smoke in your eyes, and that moment when everyone’s laughing too hard to keep walking.  I love my friends any trip with them will always be memorable! | Patrick Carlo Bangit]]></title>
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          <description><![CDATA[在cizucu上查看更多Patrick Carlo Bangit的精彩作品。]]></description>
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            <name>Patrick Carlo Bangit</name>
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          <pubDate>Wed, 13 Aug 2025 19:17:10 GMT</pubDate>
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            <media:title><![CDATA[This is one of 21 photos from an amazing failed adventure in the Lake District with my two best friends.  Final year of university. Three best friends. No car, no plan, and jackets that lied about being waterproof. The goal? Reach the lake at Lake District National Park. The reality? The best failed attempt.   We rented a tiny cabin on the park’s edge and set off like adventurers… who forgot to read the instructions. We marched through sideways rain, squelchy grass, and somehow… a factory? We climbed hills, jumped questionable fences, greeted sheep like old friends, and pretended we knew where we were going.  We never made it to the lake. But we did soak our “waterproof” jackets, barbecue in the rain, and laugh until our faces hurt.  Sometimes the best trips aren’t about the destination. They’re about soaking wet socks, smoke in your eyes, and that moment when everyone’s laughing too hard to keep walking.  I love my friends any trip with them will always be memorable! | Patrick Carlo Bangit]]></media:title>
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          <title><![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。  "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime.  In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place.  Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]></title>
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          <pubDate>Sat, 04 Apr 2026 22:27:55 GMT</pubDate>
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            <media:title><![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。  "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime.  In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place.  Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]></media:title>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
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            <media:title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></media:title>
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