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          <title><![CDATA["Light, seemingly from nowhere, cast itself upon the wall."   #cityscape | つばさ製作所]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 つばさ製作所 拍摄的高质量图片，内容为「暗色背景中斜放的棒状物体，墙面有光照」。]]></description>
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          <pubDate>Mon, 27 Jan 2025 21:51:55 GMT</pubDate>
          <atom:updated>2026-01-19T12:38:38+09:00</atom:updated>
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          <title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/dLwRdM8lYffqBzY9p6Of</link>
          <description><![CDATA[在 cizucu 免费下载由 Lawrence Liou 拍摄的高质量图片，内容为「从河口湖宁静的参拜处远望富士山与清晨薄雾」。]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Wed, 07 Jan 2026 15:13:37 GMT</pubDate>
          <atom:updated>2026-01-20T08:25:04+09:00</atom:updated>
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            <media:title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[在 cizucu 免费下载由 Lawrence Liou 拍摄的高质量图片，内容为「从河口湖宁静的参拜处远望富士山与清晨薄雾」。]]></media:description>
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          <title><![CDATA[“The sunset is light’s final gaze upon the world before it departs.” The light lingers like I do for you.  Just like right now, at Sydney Harbour, gently swallowed by dusk, all I can see is you ——— | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/YODfel7FoILRf4ZLUejY</link>
          <description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Sun, 10 May 2026 14:30:34 GMT</pubDate>
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            <media:title><![CDATA[“The sunset is light’s final gaze upon the world before it departs.” The light lingers like I do for you.  Just like right now, at Sydney Harbour, gently swallowed by dusk, all I can see is you ——— | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></media:description>
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          <title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/npfZSamp3sezVDiZMAJb</link>
          <description><![CDATA[在 cizucu 免费下载由 Corinne Vallienne 拍摄的高质量图片，内容为「混凝土墙上的艺伎剪影与光影」。]]></description>
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            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/zh-cn/japantokyodaybyday</uri>
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          <pubDate>Mon, 09 Mar 2026 11:10:42 GMT</pubDate>
          <atom:updated>2026-05-03T14:06:25+09:00</atom:updated>
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            <media:title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></media:title>
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            <media:description><![CDATA[在 cizucu 免费下载由 Corinne Vallienne 拍摄的高质量图片，内容为「混凝土墙上的艺伎剪影与光影」。]]></media:description>
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          <title><![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set.  The sky burned gold as the light softened the world into silhouettes.  The kind of light that makes strangers pause , and for me, snap.  I realised that day that some photographs simply aren’t planned.  You just happen to be there to enjoy the moment when the whole world turns into shadows and gold.  | katherine]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/tHvwyDigfPeMjxFym1yk</link>
          <description><![CDATA[在cizucu上查看更多katherine的精彩作品。]]></description>
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            <name>katherine</name>
            <uri>https://www.cizucu.com/zh-cn/users/v1guRGNcdDZYl0ZFCKVnyiYVO8u1</uri>
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          <pubDate>Fri, 06 Mar 2026 13:42:20 GMT</pubDate>
          <atom:updated>2026-05-03T14:13:53+09:00</atom:updated>
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            <media:title><![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set.  The sky burned gold as the light softened the world into silhouettes.  The kind of light that makes strangers pause , and for me, snap.  I realised that day that some photographs simply aren’t planned.  You just happen to be there to enjoy the moment when the whole world turns into shadows and gold.  | katherine]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多katherine的精彩作品。]]></media:description>
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          <title><![CDATA[I wandered around the markets of Little India. During my walk, I chanced upon a scene of a man unloading a bag of supplies, a simple and fleeting moment that I chose to capture which goes unseen on an ordinary day | Iman Ismail]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/qAiiOmYwMZ7iGzWIQanC</link>
          <description><![CDATA[在cizucu上查看更多Iman Ismail的精彩作品。]]></description>
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            <name>Iman Ismail</name>
            <uri>https://www.cizucu.com/zh-cn/users/xnGkZSihC2P8bDSI9o7hxnN3IyB3</uri>
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          <pubDate>Thu, 05 Mar 2026 09:42:49 GMT</pubDate>
          <atom:updated>2026-03-05T09:43:31+09:00</atom:updated>
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            <media:title><![CDATA[I wandered around the markets of Little India. During my walk, I chanced upon a scene of a man unloading a bag of supplies, a simple and fleeting moment that I chose to capture which goes unseen on an ordinary day | Iman Ismail]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/qAiiOmYwMZ7iGzWIQanC.jpg?fm=jpg" type="image/jpeg" width="4000" height="4000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/qAiiOmYwMZ7iGzWIQanC.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Iman Ismail的精彩作品。]]></media:description>
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          <title><![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration.  So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me.  Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/KfUv2On08VgoN0ckoKRU</link>
          <description><![CDATA[在cizucu上查看更多Arron Teo的精彩作品。]]></description>
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            <name>Arron Teo</name>
            <uri>https://www.cizucu.com/zh-cn/users/Hnf9fhclZjeywWM41UAlecjJIXt2</uri>
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          <pubDate>Mon, 09 Mar 2026 10:21:02 GMT</pubDate>
          <atom:updated>2026-05-03T14:06:25+09:00</atom:updated>
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            <media:title><![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration.  So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me.  Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Arron Teo的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/TNon9gQsrRUcEDkkbmvm</link>
          <description><![CDATA[在cizucu上查看更多Brennan Chin (Visual Moments)的精彩作品。]]></description>
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            <name>Brennan Chin (Visual Moments)</name>
            <uri>https://www.cizucu.com/zh-cn/users/4z7hnzu4eLWVA8srEIi98U62JHT2</uri>
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          <pubDate>Wed, 14 Jan 2026 03:41:32 GMT</pubDate>
          <atom:updated>2026-05-03T16:58:06+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Brennan Chin (Visual Moments)的精彩作品。]]></media:description>
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          <title><![CDATA[Like the train arriving and departing upon schedule, so too do the cherry blossoms appear before quickly fading from view. I believe this photo captures the feeling of fleeting moments. 電車が定刻通りに来ては発車するように桜も同じ来ては過ぎ去ってしまう。この写真は、移ろいゆく一瞬を映していると思う。 | tran.john.photo]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/jNIGidiOKNV5ofnc7y6e</link>
          <description><![CDATA[在cizucu上查看更多tran.john.photo的精彩作品。]]></description>
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          <pubDate>Mon, 13 Apr 2026 22:00:59 GMT</pubDate>
          <atom:updated>2026-04-13T22:01:28+09:00</atom:updated>
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            <media:title><![CDATA[Like the train arriving and departing upon schedule, so too do the cherry blossoms appear before quickly fading from view. I believe this photo captures the feeling of fleeting moments. 電車が定刻通りに来ては発車するように桜も同じ来ては過ぎ去ってしまう。この写真は、移ろいゆく一瞬を映していると思う。 | tran.john.photo]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多tran.john.photo的精彩作品。]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></title>
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          <description><![CDATA[在cizucu上查看更多Amsyar Ashaary的精彩作品。]]></description>
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            <name>Amsyar Ashaary</name>
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          <pubDate>Sun, 22 Mar 2026 21:53:43 GMT</pubDate>
          <atom:updated>2026-03-22T21:53:50+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1Kl9GX36axe5C6q3oIK8.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Amsyar Ashaary的精彩作品。]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/0dwoPbHAGQlxMTLop6kw</link>
          <description><![CDATA[在cizucu上查看更多Amsyar Ashaary的精彩作品。]]></description>
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            <name>Amsyar Ashaary</name>
            <uri>https://www.cizucu.com/zh-cn/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2</uri>
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          <pubDate>Sun, 22 Mar 2026 23:15:29 GMT</pubDate>
          <atom:updated>2026-05-03T13:23:55+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Amsyar Ashaary的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/zh-cn/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
          <atom:updated>2026-05-03T16:46:27+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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            <name>a.da.md</name>
            <uri>https://www.cizucu.com/zh-cn/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
          <atom:updated>2026-01-18T16:03:51+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/5uQprujr5kh3O40uW4oI.jpg?fm=jpg" type="image/jpeg" width="2856" height="4000" />
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            <media:description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></media:description>
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          <title><![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。  "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime.  In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place.  Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/Y92zTpTXKNuBE4FSbUut</link>
          <description><![CDATA[在cizucu上查看更多侯良和的精彩作品。]]></description>
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            <name>侯良和</name>
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          <pubDate>Sat, 04 Apr 2026 22:27:55 GMT</pubDate>
          <atom:updated>2026-05-03T12:33:43+09:00</atom:updated>
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            <media:title><![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。  "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime.  In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place.  Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多侯良和的精彩作品。]]></media:description>
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